MUSIC

[Sir Edward German, composer.] Autograph Signature ('Edward German :') to secretarial letter to Mrs Russell, apologising for not writing 'personally'.

Author: 
Sir Edward German (1862-1936), composer of incidental music and comic opera, best remembered for 'Merrie England'
Publication details: 
5 January 1928. On letterhead of 5 Biddulph Road, Elgin Avenue, W.9.
£25.00

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

['Pam Chelsea', 1920s London entertainer.] Autograph Magazine Article, signed ('(MR) Pam Chelsea'), titled '"On Tour" | A Magic Phrase - & what It means to The Small Theatrical Artiste' (on those working in small revues, concert parties, road shows).

Author: 
'Pam Chelsea', 1920s 'Small Theatrical Artiste' from London [revues, concert parties, road shows, music hall, variety]
Publication details: 
No date, but 1920s. Author: '(MR) Pam Chelsea | 9 Redburn Street | Chelsea SW3' [London].
£180.00

No information regarding 'Pam Chelsea' (female impersonator?) has been discovered, but the appearance of the document, and its presence in a batch of material relating to 1920s entertainment and broadcasting, date it to that period. 5pp, folio. 'No. of words. 1,063.' Written in a bold hand. In fair condition, on lightly aged and worn paper. The article was clearly accepted for publication, as '£1 11. 6 paid' is written at the top of the first page, and '5 line drop cap' at the start of the article.

[ Busch Quartet; Adolf Busch ] Autograph Signatures of the Busch Quartet, Adolf Busch, Gösta Andreasson, Karl Doktor, Hermann Busch

Author: 
Busch Quartet [Adolf Georg Wilhelm Busch (1891–1952), German-Swiss violinist, conductor, and composer].
Busch
Publication details: 
Dated 4 March 1936.
£100.00
Busch

Green card,12.5 x 8.5cm, edge faded, signatures bold, card formerly tipped into album (edges of reverses show wear).

[Ignaz Moscheles, Bohemian composer and piano virtuoso.] Three bars of an Autograph Musical Score, from piece 'Etude', signed 'I. Moscheles' and dated.

Author: 
Ignaz Moscheles [Isaac Ignaz Moscheles], Bohemian composer and piano virtuoso of Jewish extraction, friend of Felix Mendelssohn, who found fame in London and Leipzig
Publication details: 
'London 23d. June 1868.'
£120.00

From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and evidently written out by Moscheles in response to a request for an autograph. On 10 x 15.5 cm piece of pink paper. In good condition, lightly aged, laid down on piece of paper cut from an album. Entirely in Moscheles' extremely neat hand. Headed 'Etude', with the direction 'Andante espressivo'. At bottom right beneath the line of music is the elegant signature, underlined with a flourish: 'I. Moscheles'. At bottom left is the date: 'London 23d. June 1868.'

[Ignaz Moscheles, Bohemian composer and piano virtuoso.] Seven bars of an Autograph Musical Score, from piece 'Affection | from Domestic Life Op 140. No. 2', signed 'I. Moscheles' and dated.

Author: 
Ignaz Moscheles [Isaac Ignaz Moscheles], Bohemian composer and piano virtuoso of Jewish extraction, friend of Felix Mendelssohn, who found fame in London and Leipzig
Publication details: 
'London 23d. June 1868'.
£120.00

From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and evidently written out by Moscheles in response to a request for an autograph. On 10 x 15.5 cm piece of paper. In good condition, lightly aged. Entirely in Moscheles' extremely neat hand. Headed 'Affection | from Domestic Life Op 140. No. 2', with the direction 'Andantino espressivo'. At bottom right beneath the line of music is the elegant signature, underlined with a flourish: 'I. Moscheles'. At bottom left is the date: 'London 23d. June 1868.'

[Dudley Moore, comedian and jazz musician, interviewed by Les Tomkins for 'Crescendo'.] Typescript of 'The Serious Side of Dudley Moore', with second part ('More Music and Moore'), gig review, and carbon of Tomkins letter to editor Victor Graham.

Author: 
Dudley Moore, comedian and musician, half of the 'Pete and Dud' duo with Peter Cook; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine [London].
£250.00

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

[Duke Ellington interviewed in 1964.] Typescript of Les Tomkins 'Crescendo' interview 'That's where the tailoring comes in', with 'The Duke presents a bouquet to our audiences' and 'Duke Ellington's [unpublished] comments on Crescendo'.

Author: 
Duke Ellington [Edward Kennedy Ellington] (1899-1974), jazz musician, composer, band leader and pianist; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the April 1964 number of 'Crescendo' magazine [London].
£500.00

The interview – retitled 'Duke looks back – and forward | in an interview with Les Tompkins' – features on pp.6-7 of the April 1964 number of 'Crescendo'. (Sammy Davis Jr features on the cover, with the announcement 'NOT A WORD ABOUT THE BEATLES!') Three items, the typescript of the interview and two accompanying pieces (one not used). All three in good condition, lightly aged. ONE: Carbon typescript, titled 'That's where the tailoring comes in | Duke Ellington talks to Les Tomkins'. 6pp, 4to. On six leaves, stapled together at a corner.

[Jules Massenet, French composer.] Autograph Letter Signed ('M. Massenet') [to husband of Swedish soprano Sigrid Arnoldson-Fischhof?], written on a trip with his wife, regarding a portrait of 'votre “merveille” de femme', and 'notre grand ami Hengel'

Author: 
Jules Massenet [Jules Émile Frédéric Massenet] (1842-1912), French composer [Sigrid Arnoldson-Fischhof (1861-1943), Swedish soprano]
Publication details: 
8 February [no year]. No place.
£200.00

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

[Jenny Lind, the 'Swedish Nightingale', opera singer.] Autograph Letter in third person, as 'Mme. Goldschmidt', thanking Lady Cullum for flowers 'which certainly do “enliven” her drawing room at the Hotel'.

Author: 
Jenny Lind [Johanna Maria Lind], 'the Swedish Nightingale] (1820-1887), opera singer, wife of Otto Goldschmidt [Lady Ann Cullum (1807-1875), wife of Sir Thomas Gery Cullum (1777-1855) of Hardwick]
Publication details: 
'Bury St. Edmunds. | Royal Hotel. | Thusday. April 6th. [no year]'.
£200.00

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

[Filippo Marchetti, composer, and Pasquale Villari, historian.] Marchetti's Autograph Signature ('F Marchetti') with a few bars in autograph from the prelude of 'Ruy Blas'. On same leaf as an Autograph quotation, signed 'Pasquale Villari'.

Author: 
Filippo Marchetti (1831-1902), Italian composer of the opera 'Ruy Blas'; Pasquale Villari (1827-1917), Italian historian, politician and Dante scholar
Publication details: 
Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia ('Liceo Musicale'). Rome, 14 September 1892. Villari's autograph on reverse of leaf, dated from Florence, 2 November 1892.
£350.00

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

[Sir Edward Elgar, celebrated composer.] Autograph Letter Signed ('Ed: Elgar'), exhorting G. Robertson Sinclair to 'Bring DAN!' to a rehearsal to hear 'his tune', with note in another hand explaining how Sinclair's bulldog Dan inspired Elgar.

Author: 
Sir Edward Elgar (1857-1934), celebrated composer [George Robertson Sinclair (1863-1917), Hereford Cathedral organist]
Publication details: 
No date. With Malvern and Hereford postmarks, both dated 24 September 1898. Anonymous explanatory note dated 26 August 1907.
£3,200.00

In the present letter Elgar would appear to be referring to the rehearsals for his cantata 'Caractacus', the first performance of which Elgar conducted at the Leeds Festival on 5 October 1898. As the explanatory note that accompanies the letter explains, Elgar took inspiration from Sinclair's bulldog Dan, described by him as 'a well-known character'. For example the eleventh of the Enigma Variations was, Elgar explained, suggested by Dan 'falling down the steep bank into the River Wye; his paddling upstream to find a landing-place and his rejoicing bark on landing'. 1p, 12mo.

Clara Novello [Clara Anastasia Novello; Countess Clara Anastasia Gigliucci], celebrated soprano.] Autograph Letter Signed ('Clara Novello'), giving details of her plans for a concert in Belfast.

Author: 
Clara Novello [Clara Anastasia Novello; Countess Clara Anastasia Gigliucci] (1818-1908), celebrated soprano, daughter of music publisher Vincent Novello [Henry Bussell, Philharmonic Society, Dublin]
Publication details: 
'26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London].
£220.00

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

[Benno Moiseiwitsch, virtuoso Ukrainian/Russian concert pianist.] Autograph Signature on inscription to an autograph hunter. With signatures on reverse of pianist Irene Kohler and composer Charles Hambourg.

Author: 
Benno Moiseiwitsch (1890-1963), concert pianist born in Odessa (Ukraine) in the Russian Empire, and who settled in England [Irene Kohler; Charles Hambourg]
Publication details: 
The three signatures from 1946. No place.
£65.00

On 7 x 10.5 piece of orange paper, removed from an autograph album. In good condition, lightly aged and worn. Expansive signature, with surname underlined and dots to i's like dashes. Reads: 'Good luck to you! | Benno Moiseiwitsch | Decr. 1946'. Autographs on reverse, dated to 21 July 1946, of composer 'Charles Hambourg' and pianist 'Irene Kohler' (1909-1996).

[Public Morality in 1907: 'Living Statuary' and the National Vigilance Association.] File of cards, press cuttings, circulars, copy letter to Daily Chronicle, from papers of William J. Taylor of London Female Preventive and Reformatory Institution.

Author: 
'Living Statuary' [W. A. Coote, National Vigilance Association; E. Fox Butler, London Council for the Promotion of Public Morality; 'La Milo', i.e. Pansy Montague; Music Hall; London County Council]
Publication details: 
Between April and June 1907 [Daily Chronicle; National Vigilance Association; London Council for the Promotion of Public Morality; London Female Preventive and Reformatory Institution.]
£520.00

A marvellous slice of unexplored Edwardian social history, raising questions of morality, censorship, art and pornography, from the papers of William J. Taylor, Secretary of the London Female Preventive and Reformatory Institution. The 'Living Statuary' controversy arose over 'the propriety of the living statuary exhibitions in music-halls' (Daily Chronicle, 30 April 1907), and in particular the performances of the Australian artiste Pansy Montague (b.

[Laurence Binyon, poet.] Two items: Autograph Letter Signed ('Laurence Binyon.') to Lady Keeble, i.e. the actress Lillah McCarthy, with copy of playbill for his 'The Young King', performed at John Masefield's 'Music Room, Boars Head'.

Author: 
Laurence Binyon [Robert Laurence Binyon] (1869-1943), poet, British Museum Keeper of Prints and Drawings [Lillah McCarthy [Lady Keeble] (1875-1960), actress; John Masefield, Poet Laureate]
Publication details: 
20 November 1924; on embossed British Museum letterhead.
£180.00

ONE: Letter. 1p, 12mo. In good condition, lightly aged. He begins, with reference to the play for which Item Two is the handbill: 'Dear Lady Keeble, | Will you accept this little book – my latest poem – as a souvenir of last Thursday and as a token of gratitude for your beautiful speaking of my lines?' He hopes she is 'better', and thinks that 'it is sad to think that you are missing your engagements'. Postscript: 'The shirt arrived safe. Thanks so much.' The 'little book' referred to by Binyon is presumably 'The Sirens: an Ode', published in 1924 in Chelsfield by the Stanton Press.

'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg], soprano singer and actress with the D'Oyly Carte Opera Company, suffragist.] Autograph Letter Signed ('Decima Moore') to 'Mrs. Horton', regretting that she cannot provide an introduction.

Author: 
'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg] (1871-1964), soprano singer and actress with the D'Oyly Carte Opera Company, suffragist [Gilbert and Sullivan]
Publication details: 
Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London].
£80.00

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

[Auguste van Biene ('The Actor Musician'), Dutch composer and D'Oyly Carte musical director.] Two Autograph Letters Signed to 'Mr Lacy', i.e. Frank Lacy Stocken, regarding terms for an part. With ANS by Stocken noting it as first appearance on stage.

Author: 
Auguste van Biene (1849-1913), English-based Dutch composer, cellist and actor, musical director with the D'Oyly Carte [Frank Lacey [Frank Lacy Stocken] (1867-1937), actor]
Publication details: 
ONE: 8 November 1900; from Man and Saddle Hotel, Dewsbury, on his elaborate letterhead as 'The Actor Musician'. TWO: 12 November 1900; on letterhead of the Royal Victoria Station Hotel, Great Central Railway, Sheffield.
£35.00

Both in fair condition, aged and worn. Both signed 'Auguste Van [sic] Biene'. ONE: 8 November 1900. 2pp, 4to. The letterhead is printed in red by David Allen & Sons, Ltd., London, Harrow, &c.', headed 'M. Auguste van Biene | (The Actor Musician) in | “The . Broken . Melody” | (Now approaching its 3,000th Performance.', and details of the first, thousandth and two thousandth performances printed in the left-hand margin.

[Sir Robert Liston, Scottish diplomat, British 'Envoy Extraordinary' (Ambassador) to the United States.] Autograph Letter in the third person to 'Mr. Pole', regarding the repair of 'a large Pianoforte' by 'some person of skill and confidence'.

Author: 
Sir Robert Liston (1742-1836), Scottish diplomat, British 'Envoy Extraordinary' (Ambassador) to the United States
Publication details: 
Millburn Tower [Ratho, Scotland]. 13 August [no year].
£45.00

2pp, 12mo. In good condition, lightly aged. Written in a shaky but still elegant hand. Begins: 'Sir Robert Liston presents his Compliments to Mr. Pole, and begs leave to put him in mind of a promise he obligingly made some time ago, to come out and see this little place, and at the same time look at a large Pianoforte which Sir Robert is very anxious to have repaired, with the least possible delay.' He concludes by stating that 'it would be a great favour' if Pole could 'do this (or at all events) send some person of skill and confidence'.

[Yvonne Arnaud, French actress and musician.] Autograph Letter Signed, in English, at the time of her first triumph ('Suzanne' in 'The Girl in the Taxi'), to a 'Cher Monsieur', regarding having her picture taken by 'Mess. Foulsham and Banfield'.

Author: 
Yvonne Arnaud (1890-1958), French actress and musician who settled in London [Lyric Theatre; Foulsham & Banfield, London photographers]
Publication details: 
'11th. 7bre. [11 September] 1912. Lyric [i.e. The Lyric Theatre, Shaftesbury Avenue, London].
£45.00

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

[George Thomson, Scottish musician, folklorist, friend of Robert Burns.] Autograph Letter Signed ('Go Thomson') to 'J. M. Muller Esq', regarding bringing 'Beethoven's Sonatas & Trios' to a dinner with Conrad Boisragon.

Author: 
George Thomson (1757-1851), Scottish musician, collector of folk songs, editor and friend of Robert Burns, grandfather of Charles Dickens's wife [Johann Martin Muller (1808-1843); Conrad Boisragon]
Publication details: 
'Baxter's place [Edinburgh] | No 4 Saty. 9 Novr' [1830s or 1840s].
£50.00

1p, 12mo. Bifolium, addressed on reverse of second leaf to 'J. M. Muller Esq'. In fair condition, lightly aged, with closed tear along one of the two folds and slight creasing at foot, with a panel lacking from the second leaf. The recipient Johann Martin Muller published a few piece of music in Edinburgh in the 1840s.

[Charlotte Dolby [Charlotte Helen Sainton-Dolby], celebrated English contralto singer.] Autograph Letter Signed ('Charlotte H Dolby') giving a list of four pieces she will be 'happy to sing' for the recipient.

Author: 
Charlotte Dolby [Charlotte Helen Sainton-Dolby] (1821-1885) (1821-1885), celebrated English contralto singer, singing teacher and composer
Publication details: 
'Scarbro' [i.e. Scarborough, Yorkshire]. 'Thursday' [no date]
£38.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. She writes that she will be 'happy to sing the following songs on the 16th inst', and lists pieces by Meyerbeer, Linley and Mendelsohn, as well as 'Scotch song “Bonnie Dundee”'. In a postscript she writes: 'After tomorrow may I trouble you to address me at Dilstone [i.e. Dilston, Northumberland]'. Endorsed on second leaf: 'Sans date | Miss Charlotte H. Dolby | Will be happy to sing the within mentioned songs &c'.

[Association des Artistes Musiciens, Paris.] Seven lithographed circulars from the early years, each containing facsimiles of the signatures of Baron Isidore Justin Séverin Taylor and the 'Membres du Comité Central' (including Berlioz and Meyerbeer)

Author: 
Association des Artistes Musiciens, Paris [Baron Isidore Justin Séverin Taylor; M. Thuillier, treasurer]
Publication details: 
Association des Artistes Musiciens, Paris. One dated 1845, another 1846 and a third 1848. The others undated, but from around the same period.
£1,200.00

The Association des Artistes Musiciens was founded by the traveller and author Baron Isidore Justin Séverin Taylor (1789-1879), and existed between 1843 and 1868. Its aims were to improve the status of musicians, to provide a pension fund and relief, and to promote the art of music. Over the years the Association's committee contained eminent personalities inclulding Berlioz, Liszt, Meyerbeer, Auber, Thalberg, Zimmerman, Herz and Érard.

[Philharmonic Society, London.] Engraved Certificate electing Lord Alverstone a fellow, signed by Sir Edward German, Francesco Berger, Waddington Cooke, William Hayman Cummings, Myles Birket Foster the younger, Stanley Hawley, Alberto Randegger.

Author: 
Royal Philharmonic Society, London; Sir Edward German, Francesco Berger, Waddington Cooke, William Hayman Cummings, Myles Birket Foster the younger, Stanley Hawley, Alberto Randegger, Lord Alverstone
Publication details: 
Philharmonic Society, London. 17 May 1909. Engraved by Warrington & Co., London.
£120.00

An attractive artefact, printed in black on one side of a 46 x 34 cm piece of thick paper, with the embossed circular 'lyre' seal of the Society added in red ink in the left-hand margin. Completed in manuscript with the details of the election as a fellow of 'The Right Honourable Lord Alverstone G. C. M. G.', on 17 May 1909. In fair condition, lightly aged and worn. Ornate heading of the Philharmonic Society, with royal crest (the society being 'Under the immediate patronage of | Their Most Gracious Majesties The King & Queen Alexandra') and the engraved names of the principal officers.

[Joyce Grenfell, comedian.] Autograph Letter Signed ('Joyce Grenfell') to 'Mr Willmot', discussing her religious faith ('being a believer') and answering a question about a music hall recitation.

Author: 
Joyce Grenfell [Joyce Irene Grenfell, née Phipps] (1910-1979), comedian, monologist, actress and singer
Publication details: 
19 December 1968. No place.
£80.00

2pp, 12mo. In good condition, lightly aged. Folded once with two punch holes in margin, one affecting two words of text. A fascinating letter, in which Grenfell discusses her faith with great seriousness. She begins by stating that she is going to give the answers to the questions in his letter. Firstly she apologises for not knowing 'the recitation from which you quote.

[Thomas Downey, artist, illustrator and cartoonist.] Autograph Letter Signed ('Yours to command | Thos. Downey') to 'Mr. Bramley', on a number of topics, including references to Charles Coborn; Attilio Comelli; Alfred Concannon; Alfred Bryan.

Author: 
Thomas Downey, English artist, illustrator, caricaturist and cartoonist [Charles Coborn; Attilio Comelli; Alfred Concannon; Alfred Bryan]
Publication details: 
55 Alexandra Road, Hendon, NW4 [London]. 21 December 1945.
£100.00

Considering his involvement in the artistic world of late-Victorian and Edwardian London – exemplified by the present letter – there is a puzzling lack of information available on Downey. 1p, 8vo. In fair condition, aged and creased, with nicking to edges. An interesting letter, full of content. He writes that he has had 'a rather grim time lately', his sister having fallen ill and died that week.

[Antal Dorati, Hungarian conductor.] Typed Letter Signed ('Antal Dorati') to Israeli author Aubrey Hodes, on presenting Beethoven's Missa Solemnis for the first time in Israel.

Author: 
Antal Dorati [Antal Doráti] (1906-1988), Hungarian conductor and composer who settled in the United States [Aubrey Hodes, Israeli author]
Publication details: 
On his Roman letterhead: Via dei Foraggi 74, Roma. 1 March 1965.
£150.00

1p, 4to. In good condition, lightly aged. In reply to a letter by Hodes he writes that he is 'happy to hear that Beethoven's Missa Solemnis has made such a deep impact on you which it should make on every listener'. He feels 'very much privileged indeed for having been granted the possibility to present this work for the first time in Israel', and hopes 'to have occasion to perform that great piece there again as well as others which will be important and good to hear'.

[ Oscar Beringer ] Autograph NOte Signed "Oscar Beringer" to an unnamed woman about an invitation to a prize giving.

Author: 
Oscar Beringer, pianist
Publication details: 
[Headed] 40 Wigmore Street, W., 26 Nov. [no year].
£28.00

One page, 12mo, faint spotting, good condition. "Many thanks for your kind invitation to your prize giving. Unfortunately it is impossible for me to come in the afternoon.

[ Mary Davies; mezzo-soprano ] Autograph Note Signed "Mary Davis" to "Madame Frickenhaus", pianist

Author: 
Mary Davies [(1855–1930), Welsh mezzo-soprano
Publication details: 
[Headed] 208 Euston Road, NW, 19 Dec. 1881.
£50.00

Two pages, 12mo, bifolium, fold mark, good condion, large handwriting. "Your song has come to hand. I am sory to say that it does not suit me. The words are beautiful but there is no story in it and that is almost necessary for a Ballad. [..."

[Augustus Frederick, Duke of Sussex, son of George III.] Autograph Letter Signed ('Augustus Frederick') to 'My Dear Small, written from Vienna, regarding 'the Songs Which I promised', which 'Isouard' intends to publish.

Author: 
Augustus Frederick, Duke of Sussex (1773-1843), sixth son of George III, bibliophile [Nicolas Isouard (1773-1818), composer]
Publication details: 
'Vienna 7ber the 24th. 1798'.
£400.00

1p, 4to. On bifolium endorsed on reverse of second leaf: 'Prince Augustus | Vienna | October 25 | 1798'. In fair condition, aged and worn. Folded four times. Written in an undisciplined hand with an expansive signature (different from his later signature in being underlined). Reads: 'My Dear Small | Enclosed You Will find the Songs Which I promised You but You must not publish them as else I should do Harm to Isouard Who has that Intention. Probably You Will get them after I leave this Place being on my Road to Berlin.

[Wilma Neruda, Moravian violinist, wife of Sir Charles Hallé.] Autograph Signature: 'Wilma Norman Neruda'.

Author: 
Wilma Neruda, Lady Hallé [born Wilhelmine Maria Franziska Neruda] (1838-1911), Moravian violinist, successively wife of Swedish composer Ludvig Norman, and Anglo-German conductor Sir Charles Hallé
Publication details: 
Without place or date [before her marriage to Hallé in 1888].
£25.00

On 10 x 15 cm piece of laid paper. Simply a bold signature, underlined, with no other text, clearly given in response to a request for an autograph. In good condition, lightly aged.

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