SCOTLAND

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

A good letter, not the least of whose interest lies in the fact that it provides first-hand information about the Duke of Wellington. See Martin’s entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Mrs. Thomas, / Your variant of the King Lear story will, I am sure, delight Mr. Furness. Unfortunately King Lear has already been dealt with by him. It forms one volume of his magnificent Edition. But he loves every thing that concerns old England.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

See his entry in the Oxford DNB. 3pp, 4to. Bifolium. Fifty-eight lines of text. In good condition, lightly aged and worn. Folded three times. Minor traces of grey-paper mount adhering to the blank reverse of the second leaf. Addressed to ‘George Anderson Esq / M.P. / House of Commons’, and signed ‘W. G. Dickson’. Two annotations in a contemporary hand, one beneath the signature. The first paragraph reads: ‘My dear Sir / I have to thank you for the copy of your bill “to extend the jurisdiction of Sheriff Courts in Scotland,” which I received this morning.

See his entry in the Oxford DNB. It was in October of 1806 that a sixteen year-old Sinclair was arrested as a spy near Jena, and brought before Napoleon, who examined him and ordered his release. 1p, 16mo. On heavily aged, creased and worn paper with light staining above the signature, and strip torn away at bottom left. Addressed on reverse to 'The Editor of the / Mirror of Parliament.' Signed ‘George Sin Clair [sic]’. He thanks him for his kindness ‘in sending yesterday for a copy of the remarks which I made as to the [Prussian?] loan’.

3pp, 12mo. Bifolium. Thirty-six lines of text, signed ‘Atholl’. Text complete (except for address of recipient), on grubby and worn paper. Folded three times. The letter has been trimmed at the foot, resulting in some loss to the address of the recipient, which appears to read ‘Captn Ross R. N. / 160 New Bond Street’. This is presumably the ‘Rayley, [sic] Captain, R.N. 160, Bond-street’, who in 1832 was listed among the proprietors of shares in London University. The Duke’s handwriting is execrable.

See his entry in the Oxford DNB. Autograph Signature and valediction to letter on 11 x 4.5 cm slip of paper: 'My dear Sir / Yours most truly / David Welsh'. In good condition on lightly-aged laid paper, with neat vertical fold. Tiny slip of paper with pencil note in contemporary hand laid down on blank space at left of slip.

See his entry in the Oxford DNB. 1p, folio. Text clear and entire, on worn and grubby paper, with chipping to edges and slight loss to one corner, with one closed tear repaired with archival tape. Embossed tax stamps at head. Good firm signature at bottom right ‘David Dundas.’, beside small seal in red wax, with crumbling impression. At bottom left: ‘Signed Sealed and Delivered (being first duly stampt) in the Presence of us / John Landon / M King’. Downwards in left-hand margin: 'Entered in the Office for Auditing the Public Accounts the 9th of February 1797 / Thos Gibbes’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Fifty-eight lines of text. In good condition, lightly aged. Folded twice for postage. Begins: Dear M. Van de Weyer / Altho' I had been prudent enough to preserve the appeal of M. Derôme to the Times in its original form, not the less welcome was the glorified text which I found on my table yesterday on our return from a short visit to Brighton. That charming appeal acted as a mental Conserve alimentaire to me, when it first appeared, and it shall be placed with certain other valued opuscules, where I can offen turn it to the like account.

See the two men's entries, with that of Helena Faucit, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Shirley Brooks Esq' and signed 'Theodore Martin'. Brooks has evidently asked for autographs and photographs of Martin and his wife, the celebrated actres Helena Faucit (1817-1898). The letter begins: 'My dear Brooks / Here are the autographs you wish. There is not in all The Lady of Lyons one line to which any reasonable being could wish to attach his name. It is only the situations which are good for anything.

See his entry in Grove’s, and Percy A. Scholes’s obituary in the Musical Times, June 1941. 2pp, 12mo. Addressed to ‘Messrs. T. Seeley Clark & Co:’ and signed ‘Stewart Macpherson’. On bifolium of grey paper. In good condition, lightly aged. Folded once. They have led him to understand that he would have a revised proof of his ‘biography for Modern Makers of Music’ in time for the publication of the work in the autumn would be published that autumn, and is writing to remind them that he has ‘not yet received the revise’.

See his entry in the Oxford DNB. 1p, 4to. In his expansive hand, with a good bold signature. On worn and aged leaf of laid paper, with two small punch holes to inner edge, affecting one word of text. Reads: ‘Dear Sirs / I feel quite at a loss to express my sense of this mark of your attention. I can only assure you that my best exertions shall not be wanting to promote your views & interests. / Meantime / I am Dear Sirs / Yours faithfully / John Graham Dalyell’.

See his entry in the Oxford DNB. 1p, 16mo. In fair condition, lightly aged and ruckled. Addressed to ‘Dear Maurice’ and signed ‘A Black’. For Lothian see ‘Memoirs of Adam Black’ (1885). He asks him to ‘glance at the inclosed’: ‘The description appears to me abundantly broad. And I hope to get the legion of proprietors in a trim to sign.’ He concludes by stating that he will ‘send for it’ that evening, ‘as Mr Bruce wishes to have it to send to Dymock tomorrow morning’. ‘Mr Bruce’ may be the future Sir James Knight Bruce (1791-1866); ‘Dymock’ is William Dymock, the Edinburgh advocate.

See the entries on Grey and Lady Ilbert's husband (who was Clerk of the Commons) in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. In an elegant hand. Reads: '15. 2. 15 / Dear Lady Ilbert / Many thanks: I shall be very glad to dine on Wednesday / Yours sincerely / E Grey.'

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed ‘Revd. F. Damstini Cremer / The Rectory / Keighley / England’. Signed ‘A. B. Bruce’. He begins by confirming that Cremer has has not mistaken his meaning ‘on p. 32 “The Kingdom of God”’, reaffirming over a paragraph what it is he was saying regarding the temptation of Christ. ‘It seems a considerable liberty, but then the Scripture writers do take liberties in their quotations & use of Holy Writ’.

Although he later repudiated his position, Mackintosh is notable for having defended the French Revolution from Edmund Burke's strictures. See the two men’s entries in the Oxford DNB. With regard to Maurice's oriental studies, it is worth noting that Mackintosh was Recorder of Bombay, 1804-1811. The three items are in good condition, lightly aged and worn and folded for postage. The last two show slight evidence of the breaking of the wafer, and the last has minor traces of brown paper mount. All three are bifoliums, and all are signed ‘James Mackintosh’.

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, on lightly aged and spotted paper. Folded for postage. The recipient is not named. Signed ?Bute and Dumfries.? ?I should with pleasure have renewed to you a general permission to shoot upon my lands in Galloway, but having this year restricted other gentlemen in the neighbourhood on account of the condition of my muirs, [sic] I feel myself under the necessity of confining my permission to you within those which [match?] immediately with Mr Adair?s.?

See Harrison's entry in the Oxford DNB. Previous to the appearance in 1899 of ‘Higher Life for Working People’ Stephens had published a life of Turgot in 1895. Both appeared with the long-established London publishers Longmans. He was sole trustee of the soap manufacturers William Taylor & Co when it failed in 1883. He was also an inventor: in 1853 the Journal of the Royal Society of Arts noticed his patent relating to ‘retorts in gas-ovens’. 2pp, 12mo. Bifolium. Twenty-five lines of text. In fair condition, lightly aged.

See the two men's entries in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded for postage. Reads: ‘Jany 30. / My Dear old Boy / Ill come on Thursday with great pleasure to the free masons / Yrs faithfully / Robt Liston / W. Jerdan Esq’.

See the two men’s entries in the Oxford DNB. 1p, 12mo. Addressed to ‘R. Rost Esq Ph.D’ and ‘Dear Dr Rost’, and signed ‘Walter Elliot’. He thanks him for taking the trouble to ‘hunt out the books. I gave a large number in 1866 & some in subsequent years but it is difficult to recal [sic] to mind the details of transactions of so distant a date’.

See his entry in the Oxford DNB. The recipient would appear to have been an impudent autograph collector. Addressed to ‘Grant Reid / Esq’ and signed ‘Herbert Maxwell’. Begins: ‘Dear Sir / I have directed a copy of Post Meridiana to be sent to you according to your desire.’ He cannot however comply with Reid’s other request. ‘I have no time to give to drawing now, and my family have possessed themselves of all my old drawings.’

See his joint entry with his father John Loudon McAdam (1756-1836) in the Oxford DNB. On slip of paper roughly 11 x 6.5 cm, cut from document. In good condition, lightly aged, and laid down on part of brown paper leaf from an autograph album. (Part of an autograph by ‘[...] Perry’ is on the reverse.) Good large disciplined autograph ‘James Mc Adam’ (with the initial ‘J’ closely cropped at the head and left-hand side), beneath which is written, in a contemporary hand ‘The Colossus of Roads’. See Image.

1p, 12mo. On blue-grey paper with matching stamped, postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition, lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry, she reports that she has ‘several good pupils who could make satisfactory Sacred Records’, but she would like him to hear them first.

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

See Westland's entry in the Oxford DNB. Finlay was, as the Marquis of Crewe told the House of Lords in 1912, ‘a distinguished Indian official’, responsible for, as the Statist stated in 1914, ‘the details of the financial administration of the Empire of India. The magnitude and complexity of the financial transactions of the Government of India need not be enlarged on.’ He entered the Indian Civil Service in 1875, was made a Companion of the Order of the Star of India in 1896, and a Member the Governor-General’s Council in 1902.

An excellent document, providing an invaluable view of the practicalities of commissioning and executing public monuments in the Georgian period. See Chantrey's entry in the Oxford DNB, and Cunningham's, which states: 'In 1814 he was engaged by Chantrey as superintendent of his establishment, and gave up writing for newspapers. He lived afterwards at 27 Lower Belgrave Place, Pimlico. He acted as Chantrey's secretary, conducted his correspondence, represented him during his absence, and occasionally offered artistic assistance. He became a favourite of Chantrey's sitters and visitors.

See his entry in the Oxford DNB. Laid down on an 8vo leaf of grey paper removed from an album. The autograph is on a strip of paper at the foot, and reads: 'Gul. Cullen Med. Pract. P.' Above this is the stipple engraving, in good condition, showing 'DR. WILLIAM CULLEN' in profile. The artist is named as 'Ridley' and the portrait, in an oval border, is topped by the words 'European Magazine'. Another thin strip of paper, above the engraving, reads: 'From Lot 293 of the collection of Mr. J Naylor: sold by Sotheby Wilkinson and Hodge on 23/7/85'. See Image