FREEMAN

An interesting letter, in which a knowledgeable contemporary gives an extremely critical opinion of Victorian restoration as it pertains to churches in Wales. Freeman’s entry in the Oxford DNB describes how in his youth he had contemplated a career as an architect, and as a historian he showed ‘an interest in field archaeology and architecture, with the ability to sketch buildings and their features’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘Edward A Freeman’.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Harding, broadcast in the groundbreaking BBC television series 'Face to Face' on 18 September 1960, a few weeks before Harding’s death on 16 November 1960. Harding’s entry in the Oxford DNB states that, ‘in radio programmes such as The Brains Trust and Twenty Questions, and on television in What's my Line?, Harding became a great popular figure, especially of television in which he was probably the best-known performer in the country.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Thomson, broadcast in the groundbreaking BBC series 'Face to Face' on 4 February 1962. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 1p, foolscap 8vo. In good condition, lightly aged. Emphasizing Thomson’s unthreatening ordinariness.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

'Face to Face', consisting of interviews of notable figures by John Freeman, was a television milestone, and Birkett's was the first interview in the series, broadcast on 4 February 1959. As Burnett recalled in his book of the series: 'Lord Birkett was the first guest on FACE TO FACE. It was a live transmission, as were most FACE TO FACE broadcasts, and much of the character and success of the whole new series depended on his candour and co-operation. We plotted together as we had often done in the past. He enjoyed broadcasting and he liked the challenge of attempting something new.

JJohn Freeman's interview with Jomo Kenyatta was broadcast on 26 November 1961 in the BBC TV series 'Face to Face'. The present duplicated typescript of the interview is from the papers of the programme's producer Hugh Burnett, and is edited for publication in the book 'Face to Face | Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964). 1p., foolscap 8vo. Headed 'JOMO KENYATTA', otherwise consisting entirely of the transcript, with no other details.

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin.

This is the transcript of John Freeman's celebrated interview of Evelyn Waugh, broadcast in the BBC series 'Face to Face' on 26 June 1960. The Waugh interview is not among those which feature in Burnett's book 'Face to Face' (Jonathan Cape, 1964) and has never been published. Waugh was apprehensive about the interview, writing beforehand to his friend Tom Driberg, who knew Freeman from his time as a fellow Labour MP: ‘I have let myself in for cross-examination on Television by a man named Major Freeman who I am told was a colleague of yours in the Working Class Movement.

Two items relating to Sitwell's interview with John Freeman (1915-2014), broadcast in the BBC series 'Face to Face' on 6 May 1959. The two items are from the papers of the programme's producer Hugh Burnett (1924-2011). ONE: Autograph Letter Signed to Burnett. Signed 'Edith Sitwell'. On letterhead of Renishaw Hall, Renishaw, nr. Sheffield. 18 August 1959. 3pp., 12mo. In envelope with Italian stamp and postmark, addressed by Sitwell to 'Hugh Burnett, Esqre. | Television Studio | Lime Grove | London. W.12'.

Both letter and catalogue have suffered damp damage, resulting in some loss of text. Letter: Addressed to Mrs Freeman at Trottescliffe Rectory. 1p., 4to.

24pp., 12mo. Stapled. In grey printed wraps. With stamp, shelfmark and label of the Board of Education Library, otherwise in good condtion, on lightly-aged paper. No copy in the British Library, or on COPAC.

Printed on one side of a piece of 23 x 19cm grey unwatermarked wove paper. In good condition, lightly-aged. Attractively printed in a restrained style. Reads: 'Instructions | for taking apprentices | by such freemen of the City of London, admitted by redemption, | without the intervention of a Company. | An ACT of Common Council has been passed For facilitating the binding of Apprentices to such Freemen of the City of London as may not be free of any of the Companies of this City.

Both items 2pp., 12mo. Both in good condition, on lightly-aged paper, with slight evidence of previous mounting. The first letter (addressed to 'The Editor | Cambridge Daily News') begins: 'When I received my L.L.D Degree from the University (in June 1931) you published in your issue of June 6, some photographs of the procession to the Senate House on that occasion.' He is writing 'on the off chance' that 'original prints' survive, 'as I am most anxious to obtain one, for my Autobiography, if it is in any way possible to do so'. In the second letter (to 'Mr.

Freeman's letter is on the last of five folio pages, each on a separate leaf, sent to him by Simms, giving, for correction, the proposed entry on Freeman in the future 'Bibliotheca Staffordiensis'. In fair condition, on aged paper. On the first page Simms has given a brief biographical description of Freeman; the middle three pages comprise a numbered list of twenty-three of Freeman's books, with dates, and the last page carries a rather optimistic request by Simms for information regarding 'Contribution to Periodicals, Magazines, &c. Giving Number a year of Serial - Pages occuppied - &c'.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. In a difficult hand, with the recipient's name indecipherable. He will not be able to insert the portrait of Sir William Pepperrell in his book (the second volume of his 'Lives of American Merchants'), as the 'publishers [Derby & Jackson, New York] are unwilling to pay for more than expense of printing and paper', and he has 'been at a good deal of expense already on that score'. The volume was published in 1858. The portrait, 'Eng[rave]d. by Wm. N.

8vo: 1 p. 7 lines. Good, but with some foxing, and with a corner of the blank reverse tipped in onto a card mount on which the envelope is laid down. He thanks him 'for the catalogue containing the Moore item'. Would be 'very glad' if Hodgson 'could call here on Thursday next & join us in a meal at 7 o'clock [...] I suggest Thursday because then we shall not be alone, nor dull'. Hodgson was the author, in 1927, of 'Brief notes on the history of the hamlet of Penge with Anerley'.

One page, quarto. On aged and lightly creased paper. He is sending the signature with 'one or two others'. 'Possibly the work I have done for South Africa (I have been upholding the Imperial cause for a quarter of a century) is your reason for paying me the compliment.' Thinks he recognises from Freeman-Matthews' crest that he is 'a descendant of the Llandaff Mathews family'.

One page, A4. Creased, dogeared and with a few small closed tears. The contribution was to be five thousand words in length, 'at the rate of 10 guineas for each thousand words'. Signed by 'Gillian Freeman', and by 'Desmond Brian' on behalf of Blond. Docketed record of two payments of fifty guineas in red ink manuscript in top right-hand corner.