PARIS

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. In good condition, lightly aged, with stub from mount adhering to one edge. Folded twice. From the celebrated Monckton Milnes collection of autographs. The letter concerns the arrangements regarding 'nos mois de vacances à la Chambre Criminelle'. Requesting a month's extra vacation, he explains that he has passed one of his two allotted months in great discomfort: 'mais d'une part, j'ai passé le mois de juin au lit dans les douleurs d'une longue et cruelle maladie: et, d'un autre côté, il m'est resté de mes souffrances un tel agonisement'.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

The only copy of this item on OCLC WorldCat is in the Canadian National Archives. An attractive and characteristic piece of late nineteenth-century French printing. The present copy is 14 + [1] pp, 16mo. With frontispiece and eight illustrations and vignettes. Stitched booklet (13 x 7.5 cm). In wraps printed in black and red. In fair condition, lightly aged, in grubby wraps.

16mo, twelve leaves (last leaf blank). Unpaginated: a total of twenty printed pages, comprising four prelims, fifteen pages of poems, colophon. Stitched into light brown boards, with 'POMES PENYEACH | by | JAMES JOYCE' printed in green on front board, and 'PRICE ONE SHILLING | Herbert Clarke, Paris' likewise on rear board. Errata slip at rear. First trade edition, following a limited edition of, according to the colophon, 'thirteen copies [...] been printed on Dutch hand-made paper and numbered 1 to 13'.

1p, 4to. On recto of first leaf of bifolium, the verso of the last leaf of which is addressed by Daru 'à monsieur | F. Didot père & fils | rue jacob No 24 | Paris'. In good condition, lightly aged, with stub from mount adhering. Sixteen lines of text. The text is in French, and concerns 'la Copie des vers que j'ai lus à l'institut pour imprimés avec les autres pièces lues a cette place', which he discussed with 'M Raynouard' (François Just Marie Raynouard) the night before.

On one side of a 38 x 24 cm piece of wove paper with watermarked date 1828. In fair condition, lightly worn and creased. The engraving is roughly 21 cm square, and shows three figures gathered around a table, their arms tangled as they reach forward to sign a document.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

On a piece of paper, folded three times into a packet. In fair condition, lightly aged and worn. The plan covers the whole of one side, with the names of around 150 invitees (including George Augustus Sala, Henry Trueman Wood, A. M. Broadley, Prince Iskandar Ali of Moorshedabad and the Mayor of Colchester) printed in black ink on a seating diagram in brownish-red. Dead centre at the top table is the Lord Mayor of London, flanked by the French ambassador and 'M. Georges Berger (Director-General of the Paris Exhibition). To the right of the ambassador are Sir Lyon Playfair and Sir Lothian Bell.

60pp., 12mo. Disbound and without wraps. In fair condition, lightly aged and worn. Businesslike alphabetical catalogue of unnumbered priced general items, in double column. Short notes at the beginning and end, the former boasting that books will be sold 'aux prix de Paris', the latter offering for sale a 'nouvelle et très-belle édition' of Plato by Firmin Didot. The author was presumably Jacques-Christophe Frère, father of Édouard Frère (1797-1874), archivist, biographer, and historian specialized in the Normandy area. No copy in the Bibliotheque Nationale, nor on OCLC WorldCat or COPAC.

8pp., 8vo. Disbound and without wraps. In fair condition, lightly aged. Manuscript emendation on p.6. A law bookseller's careful and businesslike priced catalogue of unnumbered entries, several of which are accompanied by long descriptions by the author in small type. No copy in the Bibliotheque Nationale, nor on OCLC WorldCat or COPAC.

3pp., 12mo. In poor condition, aged and worn, with the two leaves of the bifolium separated. The letter begins: 'My dear J. McG. | Pardon me, but M. Delormel did not write “The Boulanger” March (“En Revenat de la revue”) nor did he write “Père la Victoire” but I dont say he didn't publish them.' Finck attributes the first to 'M.

2pp., 8vo. Bifolium. In fair condition, lightly aged. The recipient is addressed as 'Chère Madame' and is not otherwise identified, although the conclusion connects her with 'Monsieur Hollard', i.e. he maried Marie Hollard. He writes that he will be in London in six days, and that he will only have 'douze ou quinze jours à passer en Angleterre', and that he wishes to spend his time 'de la manière le plus profitable au succès de mon oeuvre. Il s'agit de collecter pour ma nouvelle église'.

1p., 4to. In good condition, on lightly-aged paper. The letter reads: 'Dear Sir/ | I am very pleased to hear you like my pictures and seem so well acquainted with them - | I hope you will go on taking an interest in Art. | I am | Yours Sincerely | Arthur Hacker'.

The two forms are identical in layout, but the first has the printed date April 1911 and the second July of the same year. Each is 4pp., folio, on a bifolium. The form is divided into: 'Paris', 'Banlieue', 'Départements' and 'Etranger', and lists venues ('Etablissements') - those in Paris in larger print and the rest in smaller print - under the headings 'Concerts', 'Bals', 'Théâtres', 'Cirques', 'Casinos', 'Concours et Festivals', 'Forains'. The famous Paris venues of the period are there, including the Folies Bergère and the Moulin Rouge.

1p., 16mo. In fair condition, lightly aged. Reads: 'Lord Whitworth & the Duchess of Dorset [now his wife] request the honor of Lord Glenbervie's Company at dinner to morrow [sic] at ½ past five. | Hôtel de l'Empire | Sunday morn.' Whitworth was British Ambassador to Paris. 1802-1803. Note: "After the restoration of the Bourbons in France, which as a political expedient he [Whitworth] highly approved, he visited Paris in April 1819 with the Duchess of Dorset and a numerous train."

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

3pp., 12mo. Bifolium. In fair condition, on aged paper with some wear at bottom edge. Addressed 'Monsieur'. After a reference to a newspaper article by the recipient and 'les journalistes Français', he communicates, on the subject of cremation, 'un fait que j'ai appris hier du rédacteur en chef d'un grand journal Suisse et qui n'a pas été rendu public par les gazettes', concerning an attack on those attempting a cremation in Berne.

2pp., 12mo. The last two pages of a letter, numbered 3 and 4. In fair condition, on aged and worn paper, with short closed tears at edges of central fold. The item begins with part of a sentence regarding 'dramatization in Paris', before turning to Spielmann's desire to have her novel 'The Sterndales of Sterndale House' (1919) filmed. She praises the recipient's 'critical faculty', adding 'The points taken are seldom just the points.' She will let the recipient's 'good opinion' of her be known 'in one or two quarters'.

1p., 8vo. In good condition. The ancient Seminary of St Peter and St Lewis in Paris (now demolished) was being used as barracks at the time Mouchy was writing, having been suppressed the year before. The page begins: 'Au Cy devant Seminaire de St. Louis rue d'Enfer dans L'Eglise sont a distraire de la vente primo tous ce qui Compose le maitre autel en marbre bleux et blanc, et le grand Tableaux [sic] representant St. Pierre guerissant un paralitique, [sic] et autres Secondo les chapelles de cote aussy [sic] de même Couleur avec leurs tableaux bordures dorés, dont l'un est un St.

1p., 4to. In good condition, on lightly-aged paper. Pequignot's spelling is shaky. The document reads: 'Le Sossignez en reconais avoir recu du Citoyen Penkoucke la Some de deux mile franc a Compte dune Copie que je lui fais dune joueuse dosselets | Pequignot | Sculpteur'. He is referring apparently to an engraving of his sculpture "La Joueuse d'Osselets" ["jacks"], or some form or other. The recipient was a member of the notable firm of French printers and publishers, probably Charles-Joseph Panckoucke (1736-1798).

Full title: 'The Winning Plans of the European Peace Awards | Offered in the British Empire, France, Italy, and Germany for "The best practical proposals for restoring peace and prosperity in each of those countries through international co-operation"'. 180pp. Dimensions of pamphlet 19.5 x 9 cm. Three copies on COPAC: at Birmingham, the British Library, and Senate House. Nicely printed by Rouffe of Paris, with separate sections on the British, French, German and Italian Peace Awards, with an 'Annex' on the American Peace Award.

1p., 4to. In very good condition, on lightly aged paper. Tipped into a paper wallet, on the front of which is written in a contemporary hand the entry from the1833 bookseller's catalogue from which it was purchased, indicating that the item was considered uncommon even at that time: 'Cassini, the Astronomer, relative to a Memoir of the Sieur du Tremblay. | A choice specimen of a scarce Autograph. | No 176 Thorpe's Catalogue 1833'. Cassini's copy letter, with nine lines of text, is written over the unsigned letter to which it is the reply..

On 5 x 12.5 cm slip of good-quality laid paper. In good condition, lightly aged. In blue ink, and simply consisting of the christian name above the underlined surname: 'Maurice Chevalier'.

1p., 16mo. Eleven lines of text. On aged and worn paper, with central closed tears unobtrusively repaired with archival tape. A warm letter of thanks, with valediction 'Mille choses affectueuses à tous les vôtres'.

46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.