LITHOGRAPH

Lithograph. Landscape, 51 x 76 cm. In fair though fragile condition and worthy of framing, although aged and with a few small holes repaired. Weakened folds mainly repaired on reverse.. A determined Redmond marches to the right of the picture, large green flag of 'IRISH INDEPENDENCE' over his right shoulder, in his left hand three chains, linked to the noses of Asquith (with 'HOME RULE' paper under his arm), Lloyd George (holding a 'BUDGET BILL') and Winston Churchill (carrying a 'HOME DEPARTMENT' paper), who follow submissively.

An extremely attractive memento, no other copy of which has been traced, either on OCLC WorldCat or COPAC. Lithographic printing in black on 57 x 44.5 cm piece of wove paper. In good condition, lightly aged and worn, with slight creasing to margin at one edge, and the merest of spotting. Folded four times.

On one side of a 38 x 24 cm piece of wove paper with watermarked date 1828. In fair condition, lightly worn and creased. The engraving is roughly 21 cm square, and shows three figures gathered around a table, their arms tangled as they reach forward to sign a document.

Victoria County History, Cambridgeshire, Volume 10, describes how, on the death in 1812 of Admiral Sir Charles Cotton, Landwade Manor 'passed to his son Sir St. Vincent Cotton who came of age in 1822. In 1850 he sold Landwade to Alexander Cotton, probably his younger brother (b. 1804).

Total 73pp., 4to, crude brown paper wraps, sewn, chipped and crumpled at the edge, contents good. Comprising four sermons based on Revelations, pp.15, 20,, 19, and 19. The titles of the 52 sermons already published are printed (also in MS.) on the inside covers, some titles faded. The lithographic process has been used to give the effect of a manuscript perhaps to deceive the eye of the sermon's audience into thinking it the sermoniser's own work.

1p., folio. An unusual production, containing 78 numbered items in two columns, with illustrations, lithographed to look like a manuscript in tight, neat handwriting. In fair overall condition, on aged paper, with a triangular hole with 5 cm edges and minor damage sympathetically repaired with archival tape. The books range from 'No. 1. Eugene Aram's Trial, Life, Letters, Poems, &c. 12mo. Facsimile Letter. 1/2 cloth, scarce s4/ Richmond, 1832' to '78. The Stowe Catalogue Priced & Annotated by H. R, Forster. Sm. 4to cloth leather back.

1p., 12mo. In fair condition, on lightly-aged paper, with small piece cut away from one corner, and traces of mount adhering to the blank reverse, which also carries a few marks in ink, with a couple of minor marks in the margin at the foot of the recto. At the head of the page is the engraving, roughly 12.5 x 12 cm, attractively done, and showing Gough in cutaway jacket and waistcoat, standing behind a table, with a seated audience behind him, holding aloft a glass of water.

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

The 'Ape' cartoon: 21.5 x 32.5 cm. In good condition, on aged paper, with a neat horizontal fold 4 cm up from the bottom. Hayward's autograph note: 1p., 32mo. In good condition, on aged paper. It reads: 'Mr Heywood presents his compliments to Viscountess Combermere and has much pleasure in accepting her invitation to luncheon on Wednesday 21 June. | 8 St. James St | June 9'.

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.