BRITISH

Printed on one side of a piece of cream paper, roughly 33.5 x 25.5 cm. Laid down on card. Clear and complete, with a good impression of the plate (22.5 x 17.5 cm), on lightly-aged, grubby paper, with slight wear to extremities. Presumably produced for display in a shop window. The title ('THE LIFE AND WORK OF | W. HOLMAN HUNT. | BY ARCHDEACON FARRAR.') at head, and 'SPECIMEN PLATE.' at foot, in large orange letters; the rest printed in black. Beneath the plate: 'THE SHADOW OF DEATH. | BY PERMISSION OF MESSRS. T. AGNEW & SONS. | LONDON: J. S. VIRTUE & CO.

4tp bifolium: 3 pp. Text clear and complete on aged and lightly-creased paper. The first page is headed by the crest of the City of London. Gives the timetable for the ceremony, and the routes to be followed by the holders of 'three distinct Cards [white, pink and blue] assigning seats in different localities'. 'The Prime Warden and Wardens of the Fishmongers' Company will present Lord Milner with the Freedom.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

Each of the five items printed on one side of a piece of wove paper roughly 50 x 37 mm. All five good, on aged and lightly-spotted paper, with text and illustrations clear and entire, and with some wear, chipping and short closed tears to the edges. Each item with a central vertical fold. All five items with ornately decorated titles, and all of a devotional nature. Item One: 'Adam & Eve in Paradise.' ('Printed by J.

12mo, 2 pp. Thirteen lines of text. Good. The letter possibly relates to Furnivall's Early English Text Society, founded in 1865. He is enclosing a Post Office Order for a guinea, but, as he 'said to Mr Furnivall last year', he does not consider himself a subscriber, 'wishing to reserve the right of withdrawal in case of finding it inconvenient to pay, which will certainly be the case when I give up my official position'. Nevertheless asks Wheatley to remind him 'when the time comes for collection'.

12mo: 2 pp. Sixteen lines of text. Good. He is 'very anxious to be introduced' at the Literary Society and 'to take advantage of [Adolphus's] kindness in proposing' him. Gives reasons for not having attending any of the Society's dinners.

12mo: 16 pp. Unbound. Stitched as issued. Aged and a little dogeared. From the Skey family archives, and inscribed by the author at the head of the title 'For my dear Mother.' A prose allegory, in small print, beginning, 'I thought there was an island whose rough craggy sides were lashed by the unwearying ocean.' Excessively scarce: no copy on COPAC or WorldCat. Skey was vicar of Weare for forty-five years, until his death at the age of 83.

12mo: 1 p. Fourteen lines of text, neatly and closely written. Good, on lightly aged and creased paper. 1 cm closed tear to a margin (not affecting text). He accepts Hill's proposal 'with regard to the Parliamentary leaders of the Daily News'. He hopes the 'condition [...] as to notice of termination [...] will prove as much of a formality without consequence as certain claims for "consequential damages" '.

On both sides of a piece of wove paper, dimensions 21.5 x 14 cm. On browned high-acidity paper, lightly creased and with closed tears to the margins. Text clear and complete. Begins 'One of the best and most effective statements of the farmer's case against Protection was that made by Mr. Legh, of Adlington Hall, one of the oldest Conservative landowners in Cheshire, at a Free Trade meeting at Adlington.' The headings are 'About Butter', 'About Cheese', 'About Corn', 'About Pigs' and 'About the Farmer's Bill'.

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

On a piece of paper cut from a letter, roughly 3.5 x 9.5 cm. On lightly aged and slightly grubby paper. Good firm signature, beneath which, in a contemporary hand, 'I knew his daughter Stepny'. Gulston's wife Bridgetta (1749/50–1780) was the second daughter of Sir Thomas Stepney.

Both issues 8vo (roughly 30.5 x 19.5 cm), 6 pp (each a loose leaf in a bifolium). Both printed on brittle watermarked laid paper. Both unbound, and stabbed as issued, and both on aged and chipped paper, but with the text clear and entire. Each issue with the title in an expansive calligraphic design. The full slug, at the bottom of the last page of both issues, reads: 'Printed and Published by ETHERINGTON, at No 25, opposite the South Door of St. Paul's (where Letters, post-paid, to the LITERARY FLY will be received).

The main text is printed on one side of a piece of paper roughly 28 x 13.5 cm, headed 'Upwards of Thirty Thousand Copies Of the "Manchester Weekly Times," with Eight-page Literary Supplement, are Issued Every Saturday.' The main block of text, in a variety of types and point sizes, consists of 27 lines ending 'The Proprietors respectfully solicit instructionsn to insert your Advertisement.' Describes the newspaper's merits and boasts that it is 'one of the Largest and most complete Weekly Papers published'.

All four items well printed on one side of a piece of watermarked laid paper. All four lightly-aged but good. None of them filled in. The third item more dusty than the rest. Item One (15.5 x 20.5 cm): Headed 'No. VII. A PROTECTION.' To be signed by one of the 'Deputy Lieutenant, | Captain, | Commanding Officer.' Exempting the bearer, as a militia man, 'from doing any Highway Duty, commonly called Statute Work'.

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

Printed in three columns of small type on one side of a piece of wove paper roughly 22.5 x 18 cm. Text clear and complete on grubby, worn, creased and foxed paper.

Dimensions: 17.5 x 13.5 cm. 64 pp. In original coloured paper covers. Priced at 10d, and thus the British edition and not one produced for the foreign market. Good and tight, on browned paper. Attractive image on front cover showing a bemused Holmes puffing on his pipe as he wanders down a country-house corridor whose walls are covered in paintings, while the spectral figure of the hound's head looms above him.Covers lightly worn and slightly damaged by the rusting of the staples. Both stories are told in comic strip form.

8vo: 334 pp. Portrait of Northcliffe as frontispiece. Three facsimiles of letters in text and fold-out with facsimiles of three of Northcliffe's letters. Inscribed by Owen on front pastedown 'To Elaine from Louise and Northcliffe. | Nov. 1938'. (The reference to 'Northcliffe' is explained by the fact that Owen considered herself a spirit medium, in contact with the deceased Viscount.) Internally good: sound and tight, on lightly aged paper. In original worn red cloth, with slight bloom on front.

On piece of laid paper paper (roughly 11 x 16 cm) cut from diary. Good, on lightly-aged paper. Under the heading 'June 25'.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.

On leaf (roughly 10 x 15 cm) torn from autograph album. Good, on lightly aged paper. Signed 'Hugo Rignold' with another signature ('John <?> | <?>') in pencil above it. Docketed in pencil.

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

On piece of laid paper (roughly 13 x 11 cm). Aged and chipped. Reads 'Yours truly | Frank Barrington Foote'. Chipping to the outer edge, very close to the last couple of letters of the signature. Foote, who frequently sang with Adelina Patti at Covent Garden, ended his days destitute in New York City.

On a light-green leaf (11 x 14 cm) removed from an autograph album. Lightly aged and creased. Reads 'Hugh P. Allen | Nov 8. 1928'. Lightly docketed in pencil. Two other autographs on reverse.

On one side of a piece of wove paper roughly 28.5 x 24 cm. On aged, somewhat grubby paper, with 6 cm closed tear repaired with tape on reverse. Full-length diagrammatic depiction of a British army officer in uniform of the Napoleonic period (black boots with spurs, tight white breeches, green jacket with yellow trim and black hat with red plume), holding his sword horizontally in front of his face. A set of thirteen numbered angles are projected from the tip of the blade, some bracketed 'all these are strait in Front'. Others are described as 'flat'.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.