W.

See the entries for Grey and Ross in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?My dear Provost / Probably you will not think that the enclosed requires any answer or that it is a matter for the head of a College but as it concerns a member of Oriel I send it on to you / Yours very truly / Grey of Fallodon.?

See the entries for Grenfell and Ross in the Oxford DNB. 3pp, 12mo. On bifolium of light-grey paper. In fair condition, aged and spotted. Folded once for postage. The identity of the recipient is unclear, but the item derives from the papers of Sir David Ross [W. D. Ross], Scottish philosopher and Vice-Chancellor of Oxford University (see the Oxford DNB).

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements.2pp, 12mo. On bifolium. In good condition; folded once for postage, and with the blank reverse of the first leaf laid down on part of a leaf from the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to 'Miss Marie E. Meredith' and signed 'Arthur W. Pinero'. Begins: 'It is with a heavy heart that I tell you I am pledged, wit h Mrs.

This prospectus is a scarce item: no other copy has been traced. A 4to bifolium, with four unnumbered pages printed in red. Somewhat aged and worn, with a horizontal strip of light discoloration at the head of the cover, which has the title and author’s name surrounded by a border made up of Tenniel’s illustrations, beneath this is a quotation from Dodgson’s poetry and the price of ‘7/6 net’. Across the middle two pages is the heading ‘The Centenary “Life of Lewis Carroll”’. The text begins by explaining that Reed has made use of Dodgson’s letters to Ellen Terry.

A nice piece of Edwardian trade ephemera. It would appear that W. B. Corsets were running a franchise scheme, providing suppliers with their catalogue and printing the franchisee's name on the back cover: little is to be discovered about either firm. No other copy traced. Hard to date: the corsets have an Edwardian feel, but some features of the illustrations may suggest a slightly later date. A 12mo stapled pamphlet, consisting of 20 pages on ten leaves of shiny paper: unnumbered front and back leaves, and pages on central eight leaves numbered 1-16.

See his entry in the Oxford DNB. The fibre-glass dress in which his second wife Helen married him is exhibited in his museum at the University of Sheffield, and was included in the 2010 BBC radio series A History of the Word in 100 Objects. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, on lightly aged paper, and are folded for postage. All nine are signed 'W. E. S. Turner'. Each bears the stamp of the RSA, some with manuscript docketting.

Hooper’s various titles, published between 1903 and 1941, are remarkably well represented on JISC, with holdings from the Warburg Institute to the University of Strathclyde. A precious artefact from a spiritual leader. 1p, 4to. On brittle and lightly-creased paper, aged and discoloured, with closed tears and slight loss at one corner and repair with archival tape. The handwriting is hurried and hard to decipher.

See his entry in the Oxford DNB. 1p, 4to. A very good facsimile of a typed letter, with the main text in black, some in red and the facsimile signature 'Henry W. Nevinson' in light blue. Names of Nevinson as President, E. M. Forster as Past-President, and dozens of Vice-Presidents in left-hand margin, including Aldous Huxley, A. A. Milne, J. B. Priestley, H. G. Wells and Rebecca West. Addressed to 'Dear Sir', the letter sets out the history of the organization, appealing for 'support for its activities'.

The present item differs from the version published on pp.248-254 of the ‘Notices of the Proceedings’, vol.2 (1854-1858), and no other copy has been traced. Drophead title: ‘Royal Institution of Great Britain. / Weekly Evening Meeting, / Friday, April 25, 1856. / Sir Benjamin Collins Brodie, Bart. D.C.L. F.R.S. Vice-President, in the Chair. / W. B. Donne, Esq. / On the Works of Chaucer, considered as Historical Illustrations of England in the 14th Century.’ 10pp, 16mo, paginated [1]-10. In very good condition, lightly aged. Stabbed as issued, with no wraps, and unopened. Begins: ‘MR.

See her entry and that of Kegan Paul in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and worn. The recipient is not named. Reads: ‘Dear Sir. / Mr. Kegan Paul was a great friend of mine, & when it came out he gave me a book called “Rabbi Jeshua” 1881. published by the firm. I should be so much obliged if you might tell me the name of the writer if I am asking what is never done please forgive me. / Yrs truly / Maria Theresa Earle’. At top right, in her hand: ‘Mrs C. W. Earle’.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged, with spike hole to one corner. Folded once. From the context the recipient is clearly James S. Cotton, editor of the Academy. He explains that ‘Mr S. Reinach’ (the French archaeologist Salomon Reinach, 1858-1932) recently wrote to him to say that he would send him ‘a copy of his book Chroniques d’Orient if I would review it. I said I would with pleasure review it somewhere. Yesterday the book reached me addressed to me (probably owing to some mistake of the publishers) as “redacteur de l’Academy”’.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded. Drophead title: ‘No. 8 (New Series) August 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded, with small closed tear at head of first leaf. Drophead title: ‘No. 7 (New Series) July 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

An interesting letter casting light on the Victorian provincial press. Scott’s entry in the Oxford DNB states that, while he was living in Birmingham, ‘H. J. Palmer offered him a staff appointment on the Birmingham Gazette; but he had to leave when he stipulated that, as a Liberal, he should write nothing in support of the Conservative cause. He was working again as a freelance when, in 1887, he was invited by W. T. Stead to join him on the Pall Mall Gazette. He worked for six years on that paper under Stead and then Edward T. Cook.’ 4pp, 12mo. On bifolium. In fair condition, lightly aged.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan’s play ‘The Sleeping Prince’, Olivier’s production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as ‘The Prince and the Showgirl’, with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp’s novels has grown in recent years.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘W Harrison Ainsworth’. Signed ‘W Harrison Ainsworth’ and reads: ‘Dear Mrs Barlow / My Daughters return on the 30th. May[.] I therefore hope to have the pleasure of seeing you and Mr. Barlow at Dinner at a quarter after 9 o’clock on Saturday, 30th?’ See image.

A scarce item: the only other copy located is at the Foundling Hospital, London. 30pp, 4to, with a further 7pp of advertisements at the back. Stapled into grey wraps printed in red. A delicate survival, on browing high-acidity paper, in worn wraps chipped around the edges. On the front cover the item is described as ‘Book of Words & Programme for the Rehearsal Day’.At top right-hand corner of the title-page are the pleasing ownership initials of ‘A. G.

Struthers served as a major in the Royal Army Medical Corps during the Great War. He was a pioneer in the use of local anaesthetic, and wrote a well-regarded work on the topic. He was President of the Royal College of Surgeons of Edinburgh from 1941 to 1943. Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. The three items are in fair condition, lightly aged, with slight ruckling and aging. All three are folded for postage.

See his entry in the Oxford DNB. 25 March [no year]; 12 St James’s Place [London]. 3pp, 12mo. On a bifolium. In fair condition, lightly aged, with thin strip cut from top of first leaf (not affecting text). Signed ‘A W Kinglake’. The recipient is not named. Presumably writing during his period as Member of Parliament for Bridgewater, between 1857 and 1869, he begins ‘My dear Sir / I shall make a pint of being present at the discussion of the Bill which threatens to make Charities liable to local assessment’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The recipient, whose name Jacobs gives as ‘D. H. Denselow Esq’, was the commercial artist and autograph hunter Douglas Harold Hellier-Denselow, whose studio was in Gunnersbury, West London. The note reads: ‘Dear Mr. Denselow / I am much obliged for your letter & its accompanying illustration. I shall not follow your example & affix my eye to my autograph / Yours very truly / W. W. Jacobs’.

A scarce item, of which no other copy has been traced. 9pp, 8vo. Disbound from a volume, and paginated in manuscript 57-65. In good condition, lightly aged. Printed in lithograph in facsimile of a manuscript document. Begins by explaining the purpose of the dispatch in true Gladstonian style: ‘I find that the impulse which has been given in every other part of the Civilized World to plans of Railway communication has been felt in many of the British Colonies.

The material collected here is perhaps unique: it is not clear whether any material relating to Macqueen-Pope’s BBC broadcasts has survived elsewhere. It is hard to overestimate the significance of ‘Popie’ to the history of the London stage. Other items from among his papers offered seperately attest to the regard in which he was held by both actors and those behind the scenes, as the foremost chronicler of a cherished era that was quickly passing into oblivion.

Both items are scarce: no copy of the first and only two copies of the second on OCLC WorldCat and JISC (at Manchester and Glasgow). Both are in good condition, lightly aged. Disbound from a volume and paginated in manuscript. ONE: Printed ‘Circular’ headed in manuscript ‘Banking Companies’, and dated from Downing Street, 30 May 1846. 1p, 8vo. Paginated in manuscript 67. Thirty-two lines of small print, in a copperplate font. At foot of the page (not in Gladstone’s hand): ‘/sd/ Grey [last word deleted] W. E. Gladstone’.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

See Nicolas Barker’s obituary of Bondy in the Independent, 27 June 1993. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. An evocative piece of booktrade and London local government ephemera. 2pp, 8vo. Printed on a leaf of shiny art paper. Worn and creased; folded twice. On one side ‘L. W.

Note to be confused with the Kew curator William Watson (1858-1925). Both cards are plain: the first with a self-printed stamp and the second with stamp affixed. Both in fair condition, lightly aged. ONE (to Grinling): He identifies the fungi he sent, adding a comment on bacteoles of mallow. Ends in the hope of attending ‘the Epping Forest foray this year’. TWO (to Whitaker). The previous Saturday he noted ‘Pyrus torminalis in the old rough lane between fences nearly opposite the Bull Inn on Shooters Hill (? Jack Wood Lane)’.

From the first Smith has been considered as the model of the ‘Sir Joseph Porter’ of Gilbert and Sullivan’s ‘HMS Pinafore’, and Disraeli himself is said to have referred to him as ‘Pinafore Smith’. See Smith’s entry in the Oxford DNB. The present item is signed ‘W. H. Smith’, addressed to ‘Mr Townsend Warner’, and headed ‘Private’. The recipient is the historian and Harrow housemaster George Townsend Warner (1865-1916), father of the novelist Sylvia Townsend Warner. 2pp, 12mo. In good condition, lightly aged. Folded once.