ART

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

'La Vagabondo' (The Tramp) was the organ of 'La Esperantista Vagabonda Klubo', founded and edited by the artist Caroline Oxenford. Having previously been named 'La Vagabonda Monatajo' (January to March 1908) and 'La Vagabondisto' (April to July 1908), it became 'La Vagabondo' from September 1908. The First World War put an end to both club and magazine. The four issues are in fair condition, on aged and worn paper. Uniform in design, and each 12pp., 4to. (although the last number is slightly taller), in printed wraps carrying advertisements. The three numbers from '2-a Serio' (all by 'W. G.

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

2pp., 4to. On aged and worn paper. An interesting letter, casting light on Roscoe's collecting activities. He begins by settling the account for 'the lists of the last Prints', before remarking: 'I observe there are only 3 circles by Domenichino - the set consists of 4, all of which you have, besides the odd print by Bartolozzi, but you have probably packed them up & cannot get at the print wanting. I have sent you the 3 prints back & deducted 16/6d.

2pp., 12mo. Bifolium. In good condition, lightly aged, with strip of sunning at foot. Docketed with stamp of the Royal Society of Arts. Having 'had time to consider the question of a lecture on Heraldry' he has decided to decline Menzies's invitation, as he 'simply cannot spare the time such a lecture would require for its preparation'.

Letter: 4pp., 12mo. Bifolium. In good condition, lightly aged and worn. After discussing his relocation to Paris, she asks whether he has heard 'the news about our School and how we have just moved?

Black and white photographic print on 20 x 82 cm piece of paper, with image size 14.5 x 78 cm. In good condition, with light signs of age and wear, tightly rolled. Printed caption below image, and photographers' details at bottom right. The year's intake and the tutors are placed in five rows on the grass in front of the main building.

Both letters in good condition, on lightly-aged paper. Both addressed to 'Dear Cyril!' Weingartner's grip of English is shaky. ONE (27 December 1908): 8pp., 8vo. He is working hard, making his own suppers, and reminisces about their time together in Paris. The girls in Rosswein are '(some of them) the finest I have ever seen. There is a lot of Balls here, every forth nighth dansing amusement all over. I was surprized to find that here, as well you find real cafe parisienne.' He describes his fellow-students: 'They come here from all parts of Germany.

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Addressed on second leaf, with broken seal in red wax, 'A Madame | Madame Sophie de Gail | &c &c &c | Paris'. Nine lines of neatly and elegantly written text. A somewhat flirtatious acceptance of an invitation, with Bartholdy noting 'les belles choses que vous daignez me dire [...] Votre maniere est trop sedisante pour ne pas faire de l'impression'. It was at Bartholdy's suggestion that his sister Lea, the mother of the composer Felix Mendelssohn, joined him in adopting the surname Bartholdy.

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

The letters total 5pp., 4to; and 1p., 12mo. In good condition, on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes, presumably by Wood.

The seven items in good condition, on lightly-aged and worn paper. With stamps of the Royal Society of Arts. The letter to Perry is a typed report of 2pp., folio, and more heavily worn than the rest of the correspondence. It is dated 11 August 1936, and discusses 'schemes similar to Sandersons [...] in which a firm offers work experience as part of a course taken by full-time students not previously employed in industry' and 'part-time release'.

18.5 x 8.5cm, sl. chipped and stained, but text clear. Signatures of Roberts, C.L. Eastlake and Henry Moseley, adding their addresses in holograph (Eastlake and Roberts both at 7 Fitzroy Square, and Moseley at 52 Upper Charlotte Street), probably clipped from an appeal to the Artists' Benevolent Fund.

One page, 12mo, fold maks, sl. crinkled, text clear and complete. "I found our housekeeper wants some money. John Cobb is coming down tomorrow. I shd thoink he was sure to go to his office first. And that if you w[oul]d on receipt of this send £30 or so to him he w[oul]d bring it for us."

Each 1p., 12mo. Both in good condition, on lightly-aged paper. Both carry the stamp and manuscript mark of the Royal Society of Arts. Convincing facsimiles of signed autograph letters. The first reads: 'In the third year of war my publishers and myself are determined to carry on "The Year's Art" without a break. | Will you, therefore, be good enough to amend the enclosed extract describing the institution in your charge, with especial reference to changed conditions. | Please notify also names (with dates of death) of any of your members or staff dying at home or abroad.

Two pages, 12mo, bifolium, good condition. He acknowledges his letter about "Mr Andrew Baillie's collection at Antwerp. I know the pictures but had not heard of the day of sale. I cannot possibly leave England at the time. This is not however of much consequence for, without at all meaning to disparage the collection, there are but few things in it which I should consider eligible. [...]" He presumably doesn't think much of interest to the National Gallery. I have found no information about this Sale.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

2pp., 8vo. In good condition, on a leaf of lightly-aged paper. With circular red stamp of the autograph collector P. Jul. Fontaine. Begins: 'Claude Dejoux sculpteur de L'académie demeure actuellement a paris rue de L'université, palais de Bourbon.' The document, which carries the signature of a witness, consists of an extract, presumably for the tax authorities, beginning 'Certificate de La Section Des Invalides en date du 19. 8bre. 1792 L'an 1er. de La Republique'.

4pp., 8vo. Bifolium. In good condition, on lightly-aged paper. Signed 'Salut et fraternité | Renou'. A long and interesting letter, regarding student unrest in the French revolution, and involving a descision taken by the 'Classe des Sciences et Artes de l'Institut, qui acorde un jour de prolongation aux Concurrens pour les prix de Peinture', and the attempts of the Institut National to impose discipline.

1p., 16mo. In good condition. He begins by thanking him for his concern over his health: 'je vais beaucoup mieux et avec des ménagements j'espere que cela n'auras pas de suite'. In the next paragraph he refers to the French architect Julien-David Le Roy, recently deceased: 'je savais le résultat de la tentative faites pour le respectable David le Roi il faut ce consoler avec les bonnes âmes de toute celle que l'on rencontre qui sont seche et aride'. A final paragraph describes his intentions towards 'souscripteurs'. In a postscript he presents his respects to 'Mme Vaudoyer'.

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.

1p., 8vo. In good condition. The ancient Seminary of St Peter and St Lewis in Paris (now demolished) was being used as barracks at the time Mouchy was writing, having been suppressed the year before. The page begins: 'Au Cy devant Seminaire de St. Louis rue d'Enfer dans L'Eglise sont a distraire de la vente primo tous ce qui Compose le maitre autel en marbre bleux et blanc, et le grand Tableaux [sic] representant St. Pierre guerissant un paralitique, [sic] et autres Secondo les chapelles de cote aussy [sic] de même Couleur avec leurs tableaux bordures dorés, dont l'un est un St.

1p., 4to. In good condition, on lightly-aged paper. Pequignot's spelling is shaky. The document reads: 'Le Sossignez en reconais avoir recu du Citoyen Penkoucke la Some de deux mile franc a Compte dune Copie que je lui fais dune joueuse dosselets | Pequignot | Sculpteur'. He is referring apparently to an engraving of his sculpture "La Joueuse d'Osselets" ["jacks"], or some form or other. The recipient was a member of the notable firm of French printers and publishers, probably Charles-Joseph Panckoucke (1736-1798).