GRAY

A nice collection of ephemera, relating not only to one of England’s best-loved poets, but also to Sotheby’s auction practice during the Great War. The provenance of the Gray letters put up for auction by Mrs Turpin is given in a New York Times article of 27 June 1915 (‘To sell relics of Thomas Gray; many letters by the poet will also be put up at auction at Sotheby's’), which stated in a report on the forthcoming sale that the letters ‘were transmitted to the present owner, Mrs.

Entitled Hope - to the Dutchess of Devonshire (an Ode to her daughter adapted from Mason's Ode 13 or vice versa - see Note below.). Four pages, 4to, aged but clear and complete, fold mark, right edge uneven and glue remnant, from album of commonplace book presumably. Text begins: What magic warblings to my Ear and concludes 39 lines later (if I've counted correctly) [itself in quotation marks] Nor will I quit thee at the grave.

An entertaining and characteristic correspondence. See both their entries in the Oxford DNB. The nine items (seven by Jacob and two by Macqueen-Pope) are in fair overall condition, with all text clear and complete, on lightly aged and creased paper, with slight rust-staining from paperclips, and minor wear to edges. All folded for envelopes. The first seven of the nine following entries are NJ’s letters (the last four of which are addressed to ‘My dear Popie’), the last two the copies of MP’s. ONE: 24 June [1945]. ‘ENSA Entertainments. / C/o Welfare, 6th. Brit. Armde. Div. / C. M.

On 34 x 27 cm unwatermarked laid paper. Dimensions of plate 34 x 23 cm. Dimensions of print 5.1 x 7.4 cm. Dimensions of print and text 15 x 7.4 cm. In fair condition, lightly aged, spotted and creased, with stub from album adhering to one margin. This is an early state of a print of which the British Library has a copy (acquired in 1867) of the undated third state, dated to 1820, carrying only four lines of text rather than the substantial amount present here. The present copy has, engraved in small letters immediately beneath the print: 'Robt. Balmanno delt. 1818. Jno.

An attractive item, neatly written out by Gray on 1p., 4to. In good condition, with central horizontal fold. Headed 'From the St. Paul's Girls' School Song'. The eight transcribed lines begin: 'In Faith and Knowledge! May it prove | When here our work is done, | […]' Beneath the quotation Gray has written: 'With my love to Margery | Frances R. Gray | 3rd. April 1927'. In envelope with the address of the school printed at top left of cover, addressed at centre by Gray to 'Margery Clerk'.

1p., 12mo. In fair condition, lightly aged. Begins: 'Mem. for Mr Henry Gray | I have received your Catalogue dated April 25th. | Will you send me, if still in hand, […]'. A list of five works follows, the last four French, including Sarah Scott's Utopian "Millenium Hall", following which Besant writes: 'for wh. I will remit by return post – on receipt.'

Gray - who in addition to her acting career was a crime novelist and lepidopterist - has an excellent entry in the Oxford Dictionary of National Biography, which also carries details of Denison. ONE: Typescript of 'Four Years | By | Dulcie Gray'. [2] + 63pp., 4to. Stapled. With front brown-paper cover with red label bearing title, with stamp of typewriting agency Ethel Christian, 36-38 Southampton Street, Strand. Signature of 'Michael Denison' at head of title-page. On aged and worn paper, and lacking the last couple of leaves and back cover.

1p., 8vo. In fair condition, lightly-aged, with small pin-hole at top left and Gray's signature underlined in red pencil. He would have 'loved' to chair 'Dr. Cole's "Cantor" Lecture on 22 May, but has to 'attend at [sic] series of meetings in Ireland during the whole of that week'. He has written to Cole on the matter.

2pp., 12mo. Bifolium. In good condition, lightly aged, with strip of sunning at foot. Docketed with stamp of the Royal Society of Arts. Having 'had time to consider the question of a lecture on Heraldry' he has decided to decline Menzies's invitation, as he 'simply cannot spare the time such a lecture would require for its preparation'.

24pp., 8vo. Pagination includes the wraps, which carry the last two pages. With frontispiece plate: 'Oscar Wilde | Unpublished Caricature | By Finch Mason | [item 31]'. In fair condition, on lightly-aged paper, in worn and chipped wraps. Wilde's name has been underlined in red pencil on cover.

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

68pp., folio. Stapled. In printed card wraps in red and black, with Robert Capa photograph on cover. In fair condition, worn and aged. Markings, mainly in pencil, throughout. In manuscript at head of p.1: 'Reference copy - prices no longer apply'. Loosely inserted is a typed page carrying a list of books, headed 'SPAIN. FICTION. Spanish Civil War and after.' Southworth's foreword (2pp., in small type) is titled 'Collecting Material on the Spanish Civil War by Herbert Rutledge Southworth (Author of "El Mito de la Cruzada de Franco," "Antifalange" & numerous articles on the Spanish Civil War)'.

On a 4to leaf removed from an album, with Bennett's piece on one side of the leaf, and Gray's on the other. In fair condition, on aged and worn paper, with a short closed tear to the fore-edge. Bennett's note reads: 'Dearest Brethren, ye know how that a good while ago, God made desire among us, that the Gentiles, from my mouth, should hear the word of the Gospel & believe. And God, who knoweth the hearts, bore them witness, giving them the Holy Ghost, even as he did unto us: put no difference between us & them, purifying their hearts, by faith'.

4pp., 12mo. Bifolium. Good, on lightly-aged grey paper. Gray begins by thanking the Colonel for allowing him to have a 'cursory glance' at his 1901 biography of his father the Liberal politician Hugh Culling Eardley Childers. Gray intends to get it 'from one of the Libraries & go over it more carefully. It is full of interest to me particularly the period of yr Fathers residence in Melbourne in Govr. Arthurs time whom he found intractable but liked Genl. McArthur whom I knew well & Col Neill with whom I often stayed at Hawthorn'.

1p., 12mo. Fair, on aged paper, wtih two small unobtrusive closed holes to the paper. Placed in narrow paper windowpane border. The letter reads 'My dear Cunningham | This will be delivered to you by my Cousin & friend Mr Gray of Glasgow - He is ambitious of paying his respects to you - I need say no more - I am sure that you will soon be good acquaintances - With the greatest regard | Believe me | Yours truly | [signed] T. Campbell'.

Printed Post Card, dimensions three and a half inches by five and a half. Good, on aged paper, but with the reverse (showing the remains of a photograph of Brighton) damaged by its removal from an autograph album. Unobtrusive vertical crease. Reads (apparently in Egerton Castle's hand) 'Dear Miss Gray | Your letter has been forwarded to us here. We have much pleasure in sending you the autographs you desire'.

8vo: ii + 14 pp. Unbound. Stapled and in original brown printed wraps. Very good on art paper. Six photographic illustrations, including 'Clothing of a man struck by lightning' and 'Farm-house at Whaddon, near Stamford, struck and practically wrecked by lightning.' Hands is described as 'Member of the Institution of Electrical Engineers, Fellow of the Royal Meteorological Society, Member of the Astronomical Society of France, Senior Partner of J. W.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.