CRAFTS

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.

Pritchard was Architect to the Commission on Ancient Monuments in Wales. His collection of 71 volumes of atlases and early geographies was purchased by the National Library of Wales in 1940. After study at Bangor University, he was articled in 1903 to Joseph Owen of Menai Bridge. Moving to London, he studied at the Architectural Association and Royal Academy schools and trained as assistant to a succession of architects: Walter Frederick Cave (1863-1939), Louis Amber (1862-1946) and Messrs Henry Victor Ashley (1872-1948) and Francis Winton Newman (1878-1953), before qualifying in 1911.

65 items of varying size, on pieces of card and paper. The collection is in good condition, with light signs of age and wear. As his obituary in The Times (5 August 1927) describes, before embarking on his journalistic career, Cornford trained as an architect. He was articled for three years from 1884 to Sir John William Simpson (1858-1933), and then studied at the Royal Academy in 1888. He then served briefly as assistant, first to Thomas Verity (1837-1891), and then to F. S. Waller and F. W. Waller, before qualifying as an architect in 1889, and ARIBA the following year.

Letter: 4pp., 12mo. Bifolium. In good condition, lightly aged and worn. After discussing his relocation to Paris, she asks whether he has heard 'the news about our School and how we have just moved?

The Spoil Bank Association was the limited company which acted on behalf of the Guild of St. Joseph and St. Dominic, the group of Roman Catholic craftworkers centred on Gill and based on Ditchling Common in Sussex. Each of the present two items in good condition, with light signs of age and wear. Both bifoliums on good deckled-edge paper, and both 3pp., folio, with the customary covering information on the reverse of the second leaf. Attractive typographic productions, printed in black and red on deckled-edge watermarked laid paper. Both with tax stamps and the Association's seal.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense').

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

Letter: 2pp., 12mo. Bifolium. Closely-written with 40 lines of text. In very good condition, lightly-aged, and attached to the book by a thin strip of gummed paper. Mathews writes that it gave him great pleasure to receive Hodson's letter 'a month or two ago', and that he has only delayed replying because it has 'taken some time to get into touch with Rd. Aldington'. He gives a quotation of 24 lines from a letter he has received from Aldington after passing on Hodson's 'kind appreciation'.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. For further information about Williamson and his publications, see his entry in 'Who Was Who'; see also Marillier's entry in the Oxford Dictionary of National Biography.

36pp., 12mo. In grey printed wraps. In good condition, on lightly-aged paper, with rusted staples. Shelfmarks, stamp and label of the Board of Education Reference Library, London. Includes six pages of advertisements at front, and eight pages at rear. Scarce: no copies on COPAC or OCLC WorldCat.

12pp., 12mo. In cream wraps printed in brown. In good condition, on lightly-aged paper, with rusted staples and shelfmarks, stamp and label of the Board of Education Reference Library. Foreword (pp.1-2) by Bell, and text (pp.3-12) by Pettit. Scarce: no copy on COPAC.

1p., 12mo. Good, on aged paper. At the head of the page is the elegant signature of 'T. J. Cobden-Sanderson | 27 November 1907', followed by 'Anne Cobden-Sanderson' and 'Stella Cobden-Sanderson'. The fourth signature, dated March 1908, is illegible. It is followed by 'J Paul Clairmont | Clarence A. Mc.Williams | Ralph Waldo Lobenstine'. Lobenstine (1874-1931) was a Yale-educated physician.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

The three items on 12mo bifoliums, and totalling 9pp., 12mo. All three in good condition, on lightly aged paper. The first and last letters in envelopes, with stamps and postmarks, addressed to Hodson at Compton Hall, with the third forwarded to North Wales. ONE (1 August 1898): 2 pp., 12mo. The college authorities have instructed Faning to thank Hodson for his 'kind offer to lend them the "Chapel piece" of your Tapestry and to say that they will be glad to avail themselves of it in October.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Solon has been informed by their common friend 'Mr Bailey' that the recipient has 'been kind enough to gather the parcel of circulars issued at various time [sic] by your firm, and which reaches me this morning.' He is sending 'a small pamphlet of mine [...] as an inadequate acknowledgement of the trouble I have caused you'. He continues: 'Mr Bailey must have told you that all printed matter having reference to ceramics has a special interest to me.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

4pp., 12mo. Printed in brown on cream laid paper. Fair, on lightly-aged paper. 58 lines in 13 stanzas. Headpiece attributed to Crane in pencil at head of first page, and clearly his (central figure of Diana, with reapers on either side). The first stanza reads: 'I'll rede ye a lay of a goodly band | That gathered from near and far | To a broad fair Strath of Bonnie Scotland | 'Mid the woods and waters rare.' Second stanza: 'O!

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.