Literature

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

Three pages, 8vo, some damage, but text clear and complete, tear at fold of bifolium despite attempt to repair with sellotape., He has been asked by a friend to get an answer about the diseases of camels, quoting his enquiry in which one, Photoshootui (if I read the word right), is described, and referring to ancient sources and Native opinion. His correspondent is engaged in a popular treatise, or history, of vaccination. Hallam hopes for references to Western books that might give information.

12mo, 1 p. Nine lines. Text clear and complete. Begins 'Selfishly I can't help feeling sad at the announcement of your retirement', which means that he will see 'even less' of him. He rejoices at Senhouse's 'liberation' and sends him 'all love and blessings - not unmixed with envy'.

Four pages, 8vo, sl. chipped and sunned but mainly good, stab-holes. It autlines plans and describes The Proprietors of the Satirist as a society of private gentlemen, whose literary connections are peculiarly extensive. They will follow the same spirited plan which fomerly distinguished the Antijacobin newspaper. Subjects to be Poetry, Literature, Theatre, Politics, etc. NoteThe Satirist survived 7 years re. CBEL (1807-1814)..

4to, 1 p. In reply to a request for an autograph, she feels 'flattered'. She has copied out seven lines from her poem 'Lines on Mr. Johnstone's Picture of the Covenanters' Marriage' (which was published in 'The New Monthly Belle Assemblée' of 1844).

Colophon: "Here endeth the story of Hand & Soul by Dante Gabrile Rossetti which has been set in eighteen-point Garamond type. Designed and printed by Leonard Jay; assisted by Vernon S. Ganderton, presswork; Henry S. Sands, decorative title page; A. Michael Fletcher and Frances Woof, lettering. Sixty-five copies only have been printed on an Hayle Milltoned paper in black, red, and green, for private circulation only." It's followed by Jay's Phoenix device.

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

One page, 8vo, fold marks, good condition. No doubt our London House has told you that they are ordering a copy of SHAKESPEARE AND THE ACTORS for you.~35~SHAKESPEARE OUP OXFORD UNIVERSITY PRESS THEATRE AUTOGRAPH~ ~0~BT MSS 1~ ~ ~ ~ ~ 9764~16/09/2010~False~John Sparrow, Warden of All Souls, Bookman~Autograph Postcard SignedJ. to John Carter, c/o Sotheby's, Bookman.~Venezia, 24 Oct. 1971.~Good condition.

Total 4pp., 8vo, text readable but sometimes faint,good condition. (Nov. 1947) He's been too ill to write but has marked the books he wants. Any sort of copy not even firsts[.] They are only for work. [This from the most fastidious of collectors (Muir, Minding My Own Business, p.101)]. He'll go through the list again just in case. Those Press cuttings & photos were most useful. (Dec. 1947) He thanks him for another Hobbes, revealing his greatest want, The Vineyard. Fletcher is to stop looking for the life of 1911 since Jennings' publishers have sent a copy.

12mo, 15 pp. In modern brown paper wraps (easily removed). Clear and complete. In fair condition, on aged paper. Wraps stamped 'J467'. This item has a complicated publishing history (not made easier by the large number of microfilm reproductions listed on COPAC). This copy has 'Price Two Pence.' at the foot of the title, which - with a triangular geometric vignette made up of ten flowers - is enclosed in a frame. The reverse of the last leaf is blank and there is no cancel.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

9 x 14 cm. Backed on piece of card, and hence with the details of the addressees obscured. Fair, on aged paper with central vertical crease. Sending 'Compliments au père et à la mère. Bon veux pour le nouveau né!' Written while waiting for trial, following Déroulède's re-arrest for treason. He was found guilty and banished for ten years. His funeral procession in Paris attracted a larger crowd than any since Victor Hugo.

8vo, iv + 26 pp. In modern grey boards. Text clear and complete. On aged paper, with small holes to first two leaves (not affecting text). The imprint is fictitious. A sequel to 'A Fragment' (London, 1750), a satire on the election of the Duke of Newcastle to the Chancellorship of the University of Cambridge in July 1749. Described in the 'Editor's Preface' as a 'learned, elaborate, curious and antient Fragment, [...] communicated to me by a celebrated Gomerian, Professor of the University of Combrigue'. Attributed to the elder Stebbing by Halkett and Laing, and to the younger in ESTC.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

4to, 1 p. On bifolium of wove paper, watermarked 'J LARKING | 1804'. Nicely printed. Good, on lightly-aged paper. The poem is thirty-four lines long, beginning 'Hold, hold! What's this? No prologue to our play? | Down with the curtain - let it down, I say; | Let me go forth - I must, I will have way!' It is preceded by title and 'Noise and disputing behind the Sccenes. - The Curtain begins to rise.

On piece of laid paper, 5.5 x 8 cm. Clear signature on lightly-aged and spotted paper. From the collection of James C. Webster, Secretary, Athenaeum Club, London, who has written, above the signature, 'Royal Society of L<...>', and beneath it, 'Sir Philip Francis | author of "Junius"'.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.

12mo, 2 pp, the autograph being on one side and Rickman's on the other. Fair, on aged paper, with traces of previous mounting on one side. Large bold signature 'J: Wolcot' with biographical note on one side, and the note, signed 'Clio Rickman', on the other: Written by the celebrated Peter Pindar, when entirely blind, on my calling on him the 3d of July 1809 my boy with me'.

4to, 1 p. 14 lines. Text clear, apart from damage to two words caused by the breaking open of the wafer. Fair, on lightly-aged paper, with traces of previous mount adhering to the reverse. Her recipient has corrected 'a personal defect' in one of Trimmer's books, calling for a 'trifling' alteration. She will make the alteration when a new edition is called for. 'I am happy to find any of my Books are now in the excellent institution in which you perform so important an office'.

4to, 1 p. 19 lines. Text clear and complete. On aged and lightly creased paper, with strip of sunning to left-hand margin. Neat signature: 'Nicolas Bentley'. The film and television rights to the book were all 'bought some years ago by Herbert Wilcox, who, as I understand it, still owns them'. Bentley has reports the opinion of 'Messrs A. P. Watt, my late father's agent', on the question of the radio rights. 'I control the stage rights', Bentley states, giving the conditions on which he would agree to a stage adaptation.

A nice collection of Victorian Shakespeare ephemera. All four items with text clear and complete, on lightly-aged and worn paper. The 'Description' is printed in red, on both sides of a piece of paper 13.5 x 18 cm, with both vertical edges perforated. 'This may be retained as a Souvenir' along one edge. Dated at end 'RICHARD SAVAGE, Secretary and Librarian to the Trustees. | 1896-6.' Along head of first page: 'The Committee request that no Gratuities be offered to the Attendants.' Numbered 22989 in black.

Both items in good condition on lightly-aged paper. Both 1 p, on 12mo landscape slips. John Catnach's bill and receipt: 'The Honb. Coast Comit. | April 12 1795. | To J. Catnach | Printing 200 Signal for the Coast 7s .. 0 | 5 qrs. Best Wove foolscap for Do. 1s..2d Per qr 5 .. 10 | £0 .. 12 .. 10 | Recd the above from Thos. Adams Esqr. | [signed] Jno. Catnach | June 29th. 1796.' Docketed on reverse with calculation. Mary Catnach's bill and receipt: 'The Honble Coast Committee | 1795 To J Catnach Dr. | March 10th. 3 Quarto Copy Books at 1/6 - 0 . 4 . 6 | Same time recd. Paymt of Jas.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

Five of the items are 8vo, with the other on a 12mo slip. All texts clear and complete. Fair, on slightly-aged and worn paper. A total of five typed 8vo pages, and two autograph 8vo and two autograph 12mo pages. Four of the lettters have 'The Fol-de-Rols' printed on the letterhead. Dealing with practical everyday theatre matters, with Newman writing, for example, on 19 November 1955: 'I have bought a few costume from the Punch Revue which died an early death at the Duke of York's theatre last Saturday.

Both letters 8vo, 1 p; the first on pink paper. Both texts clear and complete. Both fair, on lightly-aged and creased paper. Letter One: She was surprised to learn that Lawrence had 'Miss Babbington with you because I did not even know that she was on the stage. I thought she was with a publishing house.' After the 'long and wonderful run' she is sorry that Lawrence's leading lady is leaving. 'Although I never intend to go back to the stage again, I shall always have the same keen interest in matters theatrical [...] the variety profession is my first love'.