NEW

Publishing history does not get more vivid than this. See Flower’s obituary in The Times, and Wells’s in the New York Times. The three items in good condition, lightly aged. All three folded once and signed ‘Newman Flower’. First TLS (3 January 1928): 1p, 12mo. He writes that although ‘a very apologetic letter from Mr. Wells of Harpers’ has ‘cleared the air entirely’, ‘a reply from Holt’ received at the same time is not very satisfactory’, and ‘in view of the fact that Cassell’s and Harpers will be coming together again, it would, perhaps, be as well not to do anything at present’.

See the recipient's entry in the Oxford DNB. Both letters signed ‘Elsa’. ONE (7 December 1951): 1p, 8vo. In fair condition, lightly aged and worn. Folded three times. Thirty-eight lines of text. She received his letter while wishing to contact him, and wonders if this is a coincidence. ‘And my wanting to write you grew out of an intense yearning to be in London again’.

During Lahrbush’s lifetime William John Thoms, in his ‘Human Longevity’ (1873), described his claim to have been born in 1766 as ‘the most barefaced case of pretended centenarianism which has ever come under my notice’. ‘Capt. Lahrbush’, who claimed to have been born in 1766, ended his days in New York. He also claimed to have guarded Napoleon in St Helena, and to have obbained a lock of Bonaparte’s hair there. In fact he was court-martialled for fraud in 1818, and sent as a convict to Australia.

Harper was the first Anglican Bishop of Christchurch and the first Primate of New Zealand, and he oversaw the building of the ill-fated cathedral at Christchurch. See his entry in the Dictionary of New Zealand Biography. The signature appears to read ‘Hë [for ‘Henricus’?] Christchurch’, and the letter is addressed to ‘Rev. T. Scudamore Cunningham / Lymm Cheshire’. 4pp, 12mo. Bifolium. In fair condition, lightly aged and creased. Folded twice. Fifty-seven lines of closely and neatly written text.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

See his entry in the Oxford DNB. 1p, 12mo. On the first leaf of bifolium. In good condition, lightly aged. Folded once. He begins by thanking him ‘most sincerely for your cheering note of congratulation’. Whilst it is ‘pleasant to be raised to the “Upper Shelf”’, he finds that ‘the position of Associate of the Royal Academy is one that is quite Ideal. To gain that - and to paint a good picture were my two great ambitions’.

Harry Harkness Flagler was son and heir to one of America’s greatest fortunes, inheriting the sumptuous Whitehall estate in Florida (now the Flagler Museum). The recipient was the wife of Frank Edgar Johnson, whose obituary is in New York Times, 5 December 1932 (‘Yonkers life insurance man was an authority on birds’). 6pp, four of which in 12mo and two in 8vo. On two bifoliums, each with the final page of text written lengthwise across the central opening. In envelope, with post mark and stamp, addressed by Flagler to ‘Mrs.

For further information see Bridges-Adams' entry in the Oxford DNB (which reminds us that 'On 6 March 1926 the Memorial Theatre was burnt down, greatly to the relief of G. B. Shaw.'). The five items of ephemera are in good condition, lightly aged; the Typed Note by Bridges-Adams (Item Six below) is in fair condition, aged and worn. ONE and TWO: Two versions of the same circular headed ?SHAKESPEARE MEMORIAL THEATRE / STRATFORD-UPON-AVON / ENDOWMENT FUND.?, both ?signed? by ?H C Lacey? (?Organising Secretary | H. C.

The two items of ephemera are in good condition, lightly aged. ONE: Printed advertisement for ?National Shakespeare Day Appeal / for Tribute to Shakespeare / TO ENDOW THE MEMORIAL THEATRE, LIBRARY, / READING ROOM, ART GALLERY, AND LECTURE ROOM / Erected in the Poet?s Memory in Stratford-upon-Avon, the Town of his Birth.? Titled on front cover (with black and white illustration of rural scene) ?OUR ?COMMON HERITAGE.? / THE SHAKESPEARE MEMORIAL THEATRE, / STRATFORD-UPON-AVON.? 4pp, landscape 16mo. Bifolium.

The three items of ephemera are in good condition, lightly aged. ONE: Circular headed ?SHAKESPEARE MEMORIAL THEATRE / STRATFORD-UPON-AVON / ENDOWMENT FUND.? Dated 1 November 1923, and with autograph signature (possibly by proxy) of ?H C Lacey? (?Organising Secretary | H. C. LACEY M.B.E.?). Shakespeare?s coat of arms printed in red ink at top right.

Total 4pp., 4to, one with corner torn off, all a little battered but texts clear and complete. Letter One: He asks if anything can be done with [his] book, and discusses his re-writing another straight play. They don't seem to be able to stop me. I roughed it out during the war but have now done a lot to it. I think it's a winner! So does every one else who writes plays [further lighthearted comment on writing plays]. He asks finally whether Macqueen-Pope has any new books coming on. They seem to go down big.

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

[55]pp, 8vo. Number 448 of 500 copies, with colophon signed by 'Robert Lax' and illustrator 'Emil Antonucci'. In quarter binding of spine in plain black cloth and paper boards on which are printed circus photographs by Charles Harbutt. Nice inscription on front free endpaper: 'For Mr & Mrs Chistopher Fry, merely to think of whom gladdens the heart & makes the countenance shine, | Robert Lax'. Lacking the original plain glassine dustwrapper. In good condition, apart from a 6 cm horizontal cut or rub mark to the front board, which is not overly obtrusive.

The two items are from the playwright's own papers. FIRST EDITION: [8] + 113pp, 8vo. A good tight copy in lightly-aged brown cloth and price-clipped cream dustwrapper with attractive design by Edward Blakeney in brown and black on front cover, and slight chipping to bottom edge at back. Label with English price on back of dustwrapper. No autograph interpolations. PROOFS: 96pp, 8vo. Duplicated printed pages, each page on a separate leaf. Paginated 1-96.

3pp, 12mo. Bifolium. In fair condition, aged and rather creased. Folded twice. Signed 'William T. Manning.' Addressed to 'The Revd. Samuel Bickersteth D.D. | Canon of Canterbury'. Writing after his appointment as Bishop of New York, Manning begins by stating that Bickersteth must be aware of 'the pressure' that he has been under 'during the past weeks', and this is the reason why his 'kind letter' has not been answered sooner. The appointment 'is a tremendous responsibility but with God's help I shall do my best.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

3pp, 12mo. Bifolium. In fair condition, aged and rather creased. Folded twice. Signed 'William T. Manning.' Addressed to 'The Revd. Samuel Bickersteth D.D. | Canon of Canterbury'. Writing after his appointment as Bishop of New York, Manning begins by stating that Bickersteth must be aware of 'the pressure' that he has been under 'during the past weeks', and this is the reason why his 'kind letter' has not been answered sooner. The appointment 'is a tremendous responsibility but with God's help I shall do my best.

The subject of the letter is a sketch which Mrs Roosevelt wishes the recipient to make on a scroll, depicting the library which she and her son the future president Franklin Delano Roosevelt are endowing in the 'village' of Hyde Park, in memory of her husband James Roosevelt I (1828-1900). (The library opened in 1927, and is still in use.) 4pp, 8vo. Bifolium. In good condition, lightly aged. Folded once, with short closed to one edge of the fold. She begins: 'My dear Peggy | I received your parcel just before I came up here so have a few days of country air with my son [F. D.

16pp, 8vo. Saddle-stitched into (the original?) plain blue wraps. In fair condition, lightly aged and worn, with slight damage and damp staining to back wrap. A laudatory assessment of Richardson's life, attainments and achievements, concluding with the observation that 'no marble monument will be needed to tell the coming age, that he lived and died in the heart of this community. Confusing entries on OCLC WorldCat appear to list six copies, none in England. "William Merchant Richardson (January 4, 1774 – March 15, 1838) was a member of the U.S.

vi + 257pp, 8vo. In good condition, tight and clean, on lightly-aged paper. In good modern binding of grey card, with new endpapers, and the title-page reproduced on the front cover.

Mackworth was a flamboyant character, but whatever his flaws he played a major and innovative role in energising Welsh industry in the late Stuart period. For information on him and his dubious ventures, see his entries in the Oxford DNB (where his first name is spelt 'Humphry') and the Dictionary of Welsh Biography (where it is spelt 'Humphrey').

2pp, 12mo. In good condition, lightly aged and creased. Folded twice. In a letter sadly lacking in spoonerisms, Spooner writes that he is sending the unnamed recipient 'a form of Entrance for our Scholarships', advising him 'to come up as early in the day as possible', as the examination is held in term time, and 'I fear you may have some difficulty in finding lodgings'. He continues, regarding lodgings: 'If we can hear of any we can recommend notice of they will be sent to the Porter's Lodge, and you should make enquiries there'.

Such was his prominence in the abolitionist debate, that three years after the writing of this letter Cox's house and church would be sacked, and he himself would be burned in effigy, in the Anti-Abolitionist Riots of 1834, causing his removal from New York City.

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago – had a fine time'.

2pp, 12mo. Bifolium. In good condition, lightly aged and worn. Given the contents of the letter, the recipient 'Mr Willie', whose father is a minister ('of the manse'), may well be 'Master Willie', i.e. a youth named William. He is 'much flattered' by the value Willie puts on his autograph, and he hopes that his collection 'will prosper, & become extensive & distinguished'. He remembers 'that Tom Hood replying to a similar application professed to be in doubt what style of signature was wanted.

Both 1p, 4to, and in good condition, lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg, Keron Heyesod Street, Herzlia-on-Sea, Israel. The subject of the letters is Centre 42, the touring arts group Wesker formed to bring culture to the masses on his release from prison, following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964.

1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can.

Hardy is immortalised in Nelson's dying request 'Kiss me, Hardy.' Lady Hardy was the daughter of Admiral Sir George Cranfield Berkeley (1753-1818). 3pp, 12mo. Bifolium. In good condition, lightly aged, with parts of red wax seal and traces of glue from mount on reverse of second leaf, which is addressed 'To | Mr Lahee | 65. New Bond Street'. Folded once.