LITERATURE

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

12mo, 1 p. Text clear and complete. Fair, on lightly-aged paper. Lucas's handwriting is not straightforward, and the recipient's name is unclear. His 'Shakespeare drawings' are 'first rate'. Lucas retires 'into private life again' on the Monday, when 'O. S.' returns.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

BLACK LITERATURE SLAVE AFRICAN

ARCTIC LAPLAND LAPPLAND LITERATURE SHORT STORY PERIODICAL

A. CD, "Finley Stein Holdings 2009". A catalogue of the Finley Stein Collection. B. Letters from Addison M. Metcalf, also a major Collector of Steiniana: Three Autograph Letters and Three Typed Letters Signed with full name, "Addison" only, or humorously ("Baron de Thou" etc) or is it "camply", to Finley, 6 Sept. 1957- [c.6 Nov. 1962 from postmark), with original envelopes, headed "Addison M. Metcalf's Collection of Gertrude Steiniana", total 7pp., 4to.

One page, 12mo, good condition, saying Mr. J. Buzzacott was in my employment in the capacity of compositor (apprentice) at my printing works, 12 Wilson St., Finsbury, for about two years, and during the whole of that time was satisfactory with respect to conduct, work, & punctuality. He is a gentlemanly lad & I can recommend him. With Zangwill's calling card, name and address printed, adding With complements embracing his name.

One page, 12mo, good condition. See scan for contents.

Three pages, 4to, good condition. Harmsworth has obviously consigned two copies of the History of Little Goody Two Shoes to Dobell for evaluation and Dobell is now returning them with a learned disquisition on the publishing history of the work. He discusses the advertising and other background of the Newbery imprint, speculation on the rights being sold to a syndicate of booksellers (explaining worsening quality of printing), speculation on the undated one being pirated. He cites a memorandum by a British Library principal Librarian, J.

Four pages, 8vo, sl. chipped and sunned but mainly good, stab-holes. It autlines plans and describes The Proprietors of the Satirist as a society of private gentlemen, whose literary connections are peculiarly extensive. They will follow the same spirited plan which fomerly distinguished the Antijacobin newspaper. Subjects to be Poetry, Literature, Theatre, Politics, etc. NoteThe Satirist survived 7 years re. CBEL (1807-1814)..

90[6]pp., 8vo (six-page catalogue of Bell & Daldy's "New and Standard Publications" at end), in slipcase, green cloth in good condition, pattern in relief, gold motif of laurels surrounding the title, hinge strain at title/frontispiece, some speckling throughout, some pencilled underlining, and childish daubing of colour onto three of the illustrations. INSCRIBED as follows: "This book was written by my mother [letters crossd out] the stories read to me & Walter for our amusement in 1857-8 | J Parker Smith".

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

On piece of laid paper, 5.5 x 8 cm. Clear signature on lightly-aged and spotted paper. From the collection of James C. Webster, Secretary, Athenaeum Club, London, who has written, above the signature, 'Royal Society of L<...>', and beneath it, 'Sir Philip Francis | author of "Junius"'.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

Both letters 8vo, 1 p; the first on pink paper. Both texts clear and complete. Both fair, on lightly-aged and creased paper. Letter One: She was surprised to learn that Lawrence had 'Miss Babbington with you because I did not even know that she was on the stage. I thought she was with a publishing house.' After the 'long and wonderful run' she is sorry that Lawrence's leading lady is leaving. 'Although I never intend to go back to the stage again, I shall always have the same keen interest in matters theatrical [...] the variety profession is my first love'.

One page, 12mo, edge trimmed with minor loss of text. She is working too hard to find time for "social duties or politenesses" She will be at a certain place the following day. She has a cold "who has not?") abnd asks whether he will be in his "place" the following day.

One page, 4to, dingy paper, fold marks, text clear and complete. Mr Phillips sent a few days since an enrgaving [sic] to Mr Bentley relative to 'Man as he is Vol 4 [Robert Bage, Man As He Is (1792)- he now wants Mr Bentley's reply, as he wishes to [?] out what is become of the Volume. Bentley adds WB never Saw Man as he is, nor Woman as She Should be.---. The note added in a different hand, Note from Richard Phillips afterwards Sir Richard to Mr. W. Bentley & Mr. Bentley's reply written by himself.

Strip of paper cut from letter, roughly 19 x 9 cm. Poor, on lightly-stained paper, with small section lacking from the breaking open of the seal, resulting in loss of one word. Postmark and fragment of address on reverse: '<...>d Twining Esqr | <...> Strand | London'. Reads 'Yrs very truly | [signed] Tho Hughes | 15 Sepr 1823 | I was glad to hear so tolerable an account of your father: while life continues <...> him, I hope it will please God to render it tolerable'. From the Twining archives.

4to, 1 p. Ten lines. Text clear and complete. Fair, on lightly-aged paper, with some creasing at head. The delay in replying is due to 'a rather severe attack of influenza'. She has no photograph to send ('I have been meaning to have some new ones taken, but never seem to get time'), but is 'so glad that my books give you pleasure, & I hope that I shall be able to continue to entertain you with them'.

4to, 2 pp. Bifolium. Twenty-eight lines of text. Clear and complete. On aged and stained paper. Docketed by the recipient on the reverse of the second leaf. The recipient drew up her will in 1819, but 'the many changes from Deaths &c which have since taken place' mean that it 'no longer expresses my wishes in several particulars'. Asks a number of questions. States that she is 'aware that as a married woman I have no right to make a Will but as in the former distribution of my property Sir George Scott authorized my doing so (as you many remember) so he will now any alteration'.

8vo, [iii] + 66 pp. Computer printout in plastic binder. Text clear and complete. Creasing to first four leaves, otherwise in very good condition. On title-page: 'ACTING COPY ONLY'. Note by 'C. W.' on next page: 'This version of the script is taken from Paul Roberts' unedited first draft transcription for a public reading of the play at the Powys Society's Annual Conference, at the Royal Agricultural College, Cirencester, at 7.30pm on Sunday, 28th August, 1994. | Where words have still not been deciphered in the transcript, temporary ones have been inserted.