ENGRAVING

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

NOT in George. Dimensions of paper 27.5 x 41 cm. Dimensions of image 20.5 x 31.5. On aged, grubby paper with wear to extremities. Image entire, but with one closed tear intruding from right across 3 cm of the blue background, and three closed tears (the longest 4cm) horizontally across a central vertical crease. A splendid full-length figure of Wellington (entirely undamaged), in full military uniform, with boots, red coat with gold epaulettes, white breeches, gloves, and sword, flees, hands in air and plumed hat falling to the ground, from a giant pig with three human heads.

Printed on one side only of a piece of watermarked laid paper, dimensions 32.5 x 19.5 cm. Folded twice for insertion in the magazine. Good, apart from strip of approximately 0.5 x 5.5 cm loss along top fold, affecting one word of text, and neatly repaired with archival tape. At head of page clean impression of satirical engraving (roughly 8.5 x 13 cm), showing Beckford (father of the connoisseur), in Lord Mayor's robes, telling Harley to 'Receive Instructions & not Silver'. Harley, holding a jacket, tailor's iron and shears, replies 'Teach us our Lesson! Are we then School Boys?

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

On a piece of paper 24 x 15.5 cm. Dimensions of image roughly 6.5 x 6 cm. Paper heavily foxed and creased at foot. Image clear and uncreased. Titled 'CHAPELLE.' Head-and-shoulders engraving of a tousle-haired Chapelle, with open white shirt, waistcoat and cloak hanging off shoulders.

12mo, 1 p, 7 lines. Good, on light aged paper, with 1 cm closed tear to top corner (not affecting text, which is clear and entire). Reads 'I regret having to inform you that the Salford Mayoralty Seal has broken all to pieces in the process of hardening and that I am afraid that I am obliged to engrave another which I am proceeding with as expeditiously as possible'.

On wove paper, with watermark '179< >'. Dimensions roughly 22.5 x 39 cm. Very good on lightly aged paper. One small unobtrusive spot of foxing. The illustration is within an oval roughly 21.5 cm wide, enclosed in a decorative box of dimensions 18 x 27.5 cm. A couple of bishops with croziers and a mass of nobles in ermine look on in a vaulted castle hall while Henry II presents what looks like a pie to his bemused offspring, who is seated beneath a canopy.

12mo bifolium: 2 pp. On laid paper, with strip from previous mount in right-hand margin of recto of first leaf. Good, with a little wear at gutter, and slight damage (not affecting text) to second leaf from breaking open of red wax seal, parts of which still adhere. Twenty-two lines of text, clear and entire. Smith's uncle 'Mr ' is 'very glad to hear that you are well & desires to be remembered'. Asks if Smith has 'ever found me a portrait of Sr yet'.

4to: 2 pp. Eleven lines. Good, on lightly creased and discoloured paper. Column of printed advertisements in left-hand margin of first page, which is headed by a printed description of d'Olincourt's qualifications, enclosed in an engraving of a jumble of disparate items including a book-press, beehive, scientific instruments, laurel wreath and sailing mast. He has begun to publish an 'immense ouvrage d'architecture', and he hopes Bance will subscribe for a number of copies which he will be able to sell 'chez vos clients'.

Octavo: 16 pp. Stitched and unbound. Grubby and a tad creased. Items, in alphabetical order from H (beginning with the Earl of Hardwick) to J (ending with Dorothy Jordan), with a few miscellaneous items on the last page, numbered 3002 to 3837. Interesting for the information it provides about minor English celebrities ('3651 JACKSON, Joseph, letter founder, nat. Old-street, 1733, res. Cock-lane and Dorset-street, London, ob.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Dimensions of paper roughly eight inches by five; dimensions of print four and a quarter inches by three and a half. Good clean image, on paper aged and creased at extremities only. A wild-haired octogenarian Gent leans on a pile of books in a stone archway, holding open a copy of his History of Rippon (1733). Taken from Thorpe's edition of Gent's 'Life', published in 1832.

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

Good clean image of a seventeenth-century engraving, from an earlier idealised portrait of the putative 'father of printing'. It is of irregular shape, the background having been carefully cut away. Neatly mounted on piece of beige paper, illustrated with a brown pseudo-frame with decorative book devices in the four corners. Half-length portrait of a bearded Gutenberg in fur-lined hat and coat, with composing stick in left hand and stylus in right. Dimensions roughly eight and a quarter inches by seven wide. Engraved beneath is 'P Stent Excudit: R Gaywood fecit'.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Landscape. Dimensions of paper roughly nine inches by thirteen and a half. Trimmed. Clear image on aged and foxed paper. Captioned 'This ENGRAVING of the BOOKSELLERS' PROVIDENT RETREAT at Abbots Langley, Herts, erected upon ground presented by JOHN DICKINSON, ESQ.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

On piece of paper roughly three and a half inches by three wide. Good, lightly aged with a little creasing to one corner. Pleasant armorial design within floral arrangement. Motto 'VIGILANS' on scroll above 'Sir Richard Burton' in copperplate at foot. Indentation of plate around edge.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.