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Each wIndow is 22 x 20 cm, with a central 16 x 14 cm panel of white glass, surrounded by a border made up of eight pieces (2 x 2cm corner squares with stars in orange glass, connected by 2 x 14cm rectangular purple panels). Each window has a set of two metal loops at head, for hanging. Metal frame rusted on both, and two border panels cracked on one, otherwise in good condition, with both white glass reliefs undamaged. The two housed in a contemporary silk-lined black leather box with brass clasps.

Both letters 2pp., 12mo, on bifoliums. Both good, on lightly-aged paper. On both letterheads Brook has cancelled the printed address and the name of the Association's president. ONE: Regarding the renewal of Gunn's membership, 'the guinea entrance fee' being unnecessary in his case. 'I have also noted my enquiry if you will contribute a paper when convenient upon the Saxon works in your district. This will be very acceptable to us.' TWO: He has sent Gunn the proof of his 'interesting little paper with which you favoured us at Caistor'.

1p., 8vo. 23 lines. On discoloured aged paper. He thanks him for 'Cleveland': 'a decided improvement on the Tweddell press, as it sometimes has been'. He would not 'give any extravagant price' for the 'dull performance' of Walter Hilton [one of Wynkyn de Worde's editions of Hilton's 'Scale of Perfection'], 'but he is interesting, as I believe him to have been a Northern man. Walter de Helton was concerned in Appleby lands in 36 Edw. III. and Walter de Hilton was Rector of Moreby in 1369, and had a brother Wm.

1p., 8vo. 23 lines. On discoloured aged paper. He thanks him for 'Cleveland': 'a decided improvement on the Tweddell press, as it sometimes has been'. He would not 'give any extravagant price' for the 'dull performance' of Walter Hilton [one of Wynkyn de Worde's editions of Hilton's 'Scale of Perfection'], 'but he is interesting, as I believe him to have been a Northern man. Walter de Helton was concerned in Appleby lands in 36 Edw. III. and Walter de Hilton was Rector of Moreby in 1369, and had a brother Wm.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

2pp., 4to. Bifolium. 21 lines of text. Good, on lightly-aged paper, with minor traces of mount adhering to corners of verso of second leaf. Addressed, with red wax seal and postmark, on reverse of second leaf, to 'Mr Frazer [sic] | 215 Regent Street | London'. A significant letter, which shows Hare in conflict with Fraser over the publication his 'Vindication of Coleridge' a full year before the article appeared in the British Magazine (January 1835). The letter begins: 'I am very much annoyed at finding that you have put off my article for another month.

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.

16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.

On one side of a piece of pink paper, roughly 18 x 7.5 cm, cut from an autograph album. In good condition, on lightly-aged paper. At the head James has written ' "The Sun-God" W. G. James', with the opening two bars beneath this, beneath which he has written the words 'I saw the master of the Sun -' In the bottom right-hand corner: 'Yrs Sincerely | William G. James'. James's music for Aubrey de Vere's poem was first published in 1921.

8vo, 4 pp. Seventy lines of text. Clear and complete. Fair, on aged paper, with the outer pages browned. The identity of the recipient is suggested by the following, written in the margin of the first page: 'Ces Dames vous supplient d'agréer l'hommage de leurs souvenirs. Mesdames de Vaublanc et veulent elles me permettre de leur offrir ici la mienne?' His correspondent is writing his memoirs, and de Marchangy considers that he has 'mille fois raison de vivre dans le passé, s'il vous console du present'.

Privately Printed. [40]pp., 8vo, buckram gt, wear to spine and edges, faint foxing, hinge strain, front cover partly deatched, staining to edges inside covers. Inscribed by author, Mrs. Alfred Shaw [actress] with the Author's best regards. | September 1838.

4to, 22 pp. In original green printed wraps. Frontispiece photograph on art paper, inscribed in bottom right-hand corner 'A M. Maggs Bros booksellers | Souvenir de la guerre | Pce. Laforge de Vitanval | Madrid 12 Aout 16'. Text clear and complete. In fair condition, on lightly aged and worn paper. No diagrams. The invention is described as 'un Aéro-frein ou frein automatique pour aéroplanes et toutes espèce de machines volantes, empêchant le capotement des appareils, en cas d'accident ou d'arrêt subit du moteur'.

Folio, 3 pp. Bifolium. On watermarked laid paper. Headed 'A La Gloire du Grand architecte de L'univers sous Les auspices et au Nom du Serenissime G M | Le Grand orient de france a tous les Maçons reguliers, | union force salut'. Apparently regarding relations 'Entre Nous & Les directoires

8vo, 3 pp. Bifolium on laid paper. Fair, aged and lightly-creased. 'Composed in Lexicon, designed by Bram de Does in 1992. 250 copies printed by Offsetdrukkerij Jan de Jong, Amsterdam. | Presented to the members of The Wynknyn de Worde Society on the occasion of the International Luncheon Meeting 21 September 1995.' The facsimile of the letter, by 'Jan', dated 'Heemstede 12 March 1947', is on both sides of the first leaf. Biograpical printed text by Dreyfus on recto of second leaf, the verso of which is blank.

12mo, 73 pp. Introduction followed by bibliography (pp.11-19). In original red and black printed wraps. Good tight copy, in lightly-worn and chipped wraps. Unlimited edition, without illustrations. The only copies of this edition at the British Library and University of London.

Folio, 4 pp. Both on the same bifolium. All texts clear. On aged and worn paper, with chipping and fraying to extremities. Presumably part of a series of ongoing receipts, as the the first begins in the middle of the preamble '<...> commandement de Monsieur le Marquis de Roye Lieutenant general, | De la somme de deux cent cinquante neuf livres onze sols huit deniers [...]'. The receipts are neatly written out, with two long authorisations in the margins, each bearing the same illegible signature.

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

8vo, 15 pp. Disbound. Text clear and complete. Good, on lightly-aged paper. The opening paragraph makes clear the theme: 'Les pluies continuelles venaient d'enlever au cultivateur ses plus chères espérances; la récolte avait entièrement manquée, et ce désastre était commun à presque toute l'Europe: dèslors il fut facile de prévoir les malheurs qui affligeraient le continent et particulièrement la classe pauvre et sans travail jusqu'à la récolte prochaine.' Scarce.

Pp.[159]-164 and [165]-172, reports and debates on the "massacre" on pp.163-4 and 166-8. On the 17 July the Assembly decided that Louis XVI could continue as King. Republicans led by Danton held a protest meeting on the Champs de Mars and were in the end fired upon by Lafayette's National Guard, about 50 people being killed.

MARITIME SAILING COAST BRASIL BRAZIL RIO DE JANEIRO

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.

4to, 3 pp. Bifolium. Neatly and closely written. Text clear and complete. Fair, on aged paper. Evaluations of the conduct of more than thirty families, from a staunchly Bourbon point of view. First entry: 'Lorraine. Des sentiments trés pur. Ils quitterent ce Pais et furent trouver l'Empereur, qui les Emploie dans ses Armées.' Some families come in for criticism: 'Bethune. Cette maison si illustre s'est couverte d'ignomenie, un seul Bethune d'Artois a Emigrée.' Longest entry (twenty lines) on the Durfort Boissier family.

4to album of 33 leaves, with the 112 illustrations each on a separate piece of paper, and all laid down on 59 of the album's 66 leaves (the blank leaves of the album bearing traces of other illustrations having been removed). The illustrations range in size from 19 x 15.5 cm to 6 x 3 cm, with the average around 15 x 11 cm. The album's brown cloth covers are faded and worn, but internally the album is sound, with the illustrations themselves in good condition, on lightly-aged paper. Around twenty are signed, half with the spelling 'Duchene' and the other half 'Du Chene'.

All ten slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper library, all carry the shelf-mark 'T46', and all but three are captioned in manuscript. Evocative and instructive images, apparently all dating from the Edwardian period. Captions of 'Protestant College, Madrid; Toledo Cathedral; La Feria [Seville]; Gandia Market; Hendaye; and the Patio de Los Leones, Alhambra, Granada.

12mo, [ii] + 28 pp. In original pink printed wraps. Card frontispiece in three panels, folding out to 18.5 x 37.5 cm., carrying facsimiles of 48 numbered coins in collotype. Text clear and complete. Fair, on lightly-aged paper, with minor damp staining at foot, in chipped and faded wraps. 893 lots, beginning with 'Monnaies Grecques et Gauloises', and ending with 'Jetons' and 'Médailles'. Excessively scarce: no copy on COPAC, and the only copy on WorldCat in the Institut National d'Histoire de l'Art, Collections Jacques Doucet, Paris.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.