CINEMATIC

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

A curious artefact, indicating Garbo’s iconic status, and an early example of a journalistic trend which has gained ground since the late 1960s. Hayden-Guest, still active as a writer, is the son of the diplomat Peter Haden-Guest, 4th Baron Haden-Guest, and brother of the 5th Baron, Christopher, who is won fame as ‘Nigel’ in the film ‘Spinal Tap’.

1p., 8vo. In fair condition, lightly aged, with pin holes to one corner. Date stamp. After thanking Luckhurst for his letter he writes: 'I am very flattered that your Council should wish to nominate me for election as a Fellow of the Royal Society of Arts and shall consider it a great honour to be so elected. I am returning the form of application together with my cheque for three guineas.'

2pp., 12mo. In fair condition, aged and worn, with a short closed tear along a fold line and small rust stain. He begins in conventional fashion, with a reference to 'Herman's countless friends', before continuing: 'As I write this there is in front of me part of a small collection of books I have each containing some personal inscription from its famous author. Among them is one from Herman. He had thought of me one evening, &, with his usual kindliness, he took a book from his collection, wrote in it, & brought it to me there & then. He spent most of that evening in my dressing room.

The material is in good condition, lightly aged, in a 12 x 9 inch white folder with 'The Arrangement' printed in red on cover. Each A4 page of duplicated typescript carries a similar title in the right-hand margin. 'The Arrangement', 1969 film directed by Elia Kazan. ] Folder of publicity material, including duplicated typescripts 'The Story' is 2pp., beginning 'Eddie Anderson (KIRK DOUGLAS), a brilliant advertising executive, has everything; all the accoutrements of success and affluence. Everything that is, except self-respect.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

Both items in fair condition, on lightly-aged and creased paper., the typed letter having a few autograph notes by Craig at end. ONE: ALS. 4pp., 8vo. He begins by telling Craig that he has been worrying about 'how to get your dope for you'. He is going to get in touch with 'Say & Drier', but does not know how the latter will react, 'being pro German you know - in the Guard Cuirasiers of the Prussian Guard in the last war'.

7 + [1]pp., 8vo. Stapled. In good condition, with lightly-rusted staples. Delivered on 1 December 1947. Introduction reads: 'The Governors of the British Film Institute feel that the contents of the following lecture of sufficient interest to justify their presentation to a wider audience. It should be noted, however, that the opinions expressed by Mr. Farley are not necessarily in agreement with the policy of the Bristol Film Institute.' Only three copies on COPAC and now scarce.

In a 28 x 22 cm album, with 'PREMIER PRESS SERVICE' label on cover, also carrying 'PERCY NASH, Esq' in manuscript. Cuttings and album in fair condition, lightly aged and worn. Of the 55 cuttings, 28 are laid down in the album, with the other 27 loosely inserted, some of the latter backed with card, and others with labels of Durrant's and other cuttings agencies. Publications include: Star; South Wales Echo; Era; Stage; Glasgow Citizen; Nottinghamshire Guardian; Yarmouth Independent; Bioscope; Evening News; Sunday Express; Aberdeen Evening Gazette; Daily Telegraph; Kinematograph Weekly.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

ONE: Typed playscript. 64pp., 8vo. Typed in purple ink, on rectos only. In pink card 'Ludgate File', with white typed label on front cover: 'THE FAIRYLAND EXPRESS'. In fair condition, aged and worn, with the leaves bound in with a rusted metal bar. Initial blank leaf with ownership inscription: 'Jack Denton | 12 Montague Road | Richmond | Surrey', as well as 'Mr Percy Nash | see phone'. The first page gives Denton's typed address as '25 Monmouth Road | Watford', and lists the cast, headed by 'Prudence . . . a little girl from Kensington', and 'Eric' and 'Marjorie', who are 'Her cousins . .

2pp., 4to. In good condition, on lightly-aged paper, with slight wear at head of second leaf. She begins: 'I always love to receive a letter from England, especially at this time of year when I become especially homesick, thinking of April at home with the bluebells and the primroses out! Your description of the forget-me-nots, tulips, fruit-blossm etc . . .

1p., 8vo. In good condition, on lightly-aged paper. He has 'not played cricket for twenty years, so you had better not count on me!' He will 'try to turn up as a spectator', and if Cathrey will send him a card, he will make 'a special effort to do so at Mesa, whichh I have visited several times'.

In blue ink on one side of a 10 x 16 cm piece of white card with Forbes's name printed at the head. In very good condition. He thanks him for the 'kind and interesting letter': 'I particularly liked your nostalgic reference to snak where I had many a meal "on the slate"!'

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

[1] + 10pp., crown 8vo. Held together with a metal stud, and placed in a brown card folder, with typed title on front cover. In good condition, with light signs of age and wear. Professionally presented, with the text typed out in columns and the sums and running totals written out in manuscript. An estimate, with costings for a large number of itemised elements, ranging from 'temporary lavatory accommodation for the workmen for all trades' to 'the removal of trees or shrubs as required, and grub up the roots - The timber will belong to the Contractor - and he must here allow for same'.

[8] + 344 + [7]pp., 12mo, and four pages of plates (vol.2, no.2). Fourteen issues, loose, with volume 1 (issues 1-9) continuously paginated to 244; and volume 2 (issues 1-5) paginated to 90; with the volume's separate prelims (8pp.) and index (7pp.) ready for binding up. Two identical fliers for the society (giving its 'Purpose') loosely inserted. The collection is in good condition, on lightly aged and worn paper, but with rusted staples to all volumes. Hunnings and Gillett are named as editors of the first four volumes, thereafter Hunnings alone.

Surprisingly little is known about this British cinematographic pioneer, and these items are rare survivals, there being no reference to Walford on COPAC. Handbill: 8vo (27 x 21 cm). Printed on both sides. Clear and complete. Aged and creased, with damage at edges. In portrait 8vo on one side, with picture of British Army lancer and border of Union Flags. Headed 'Great Additions with Augmented Change of Artistes since last visit. | The Schoolroom, Watton. | Monday, February 10th.' 'Walford's Royal Military and Naval Warograph & Vocophone Co.

4to, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. In green ink. He is pleased that her 'footsteps are treading in high places', and hopes that this 'leads to as much golden reward as it seems to suggest'. He will see her friend 'Mr. Kennerley', but he cannot be 'encouraging' as he is not at present 'casting any picture', and will not be doing so for 'a month or so'. His 'activities now never seem to bring [him] to Hampstead', he hopes she will see him when she visits his 'neighbourhood'.

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'