BRITISH

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

4to, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. In green ink. He is pleased that her 'footsteps are treading in high places', and hopes that this 'leads to as much golden reward as it seems to suggest'. He will see her friend 'Mr. Kennerley', but he cannot be 'encouraging' as he is not at present 'casting any picture', and will not be doing so for 'a month or so'. His 'activities now never seem to bring [him] to Hampstead', he hopes she will see him when she visits his 'neighbourhood'.

Both 12mo, 1 p; and both bifoliums. Both aged and creased. Letter One (recipient not named): Asking to be sent any works 'that would give information on the subject of Chaplaincies abroad in connection with the Government or otherwise', as well as 'a copy of the publisher's circular regularly'. Letter Two (to Smith): Asking if there 'have been any sales of Salverte since the Athenaeum Advertisement', and what Smith would give 'for the whole lot on hand (say per 100 copies) if willing to take them off my hands'.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

12mo, 1 p. Ten lines. Clear and complete. Fair, on aged paper. Letterhead in red. Headed 'My Garden' (in 1907 Arrowsmith published 'My Garden and other Poems by John Gregory. With an appreciation by E. J. Watson'). He wonders whether the book is 'worth notice'. 'There is no mistake about Gregory being a working man [he was a cobbler]. His son is Prof. of astronomy and Assistant Editor of Nature'.

Landscape 12mo, 1 p. Text clear and complete. Good, on aged paper, with light traces of mount adhering to the blank reverse. Asking for a copy of his 'Sermons for Families & Villages' ['Sermons chiefly designed for family reading and village worship', 1842] to be given to an individual, and 'put to my Account'.

12mo, 1 p. Nine lines. Text clear and complete. Begins 'Selfishly I can't help feeling sad at the announcement of your retirement', which means that he will see 'even less' of him. He rejoices at Senhouse's 'liberation' and sends him 'all love and blessings - not unmixed with envy'.

4to, [16] pp. Drophead title. Disbound and with some leaves loose. Text clear and complete. On aged paper. From Patron King George III and President Sir Joseph Banks to the last of the 'Foreign Members' 'D. Eustatius Zanotti, Astronom. Bonon.' Scarce: the only copy on COPAC at the British Library.

4to, 1 p. In reply to a request for an autograph, she feels 'flattered'. She has copied out seven lines from her poem 'Lines on Mr. Johnstone's Picture of the Covenanters' Marriage' (which was published in 'The New Monthly Belle Assemblée' of 1844).

12mo, 2 pp. Bifolium. Fair, on aged paper. He begins 'Print the farce', and gives two conditions, ending 'There that's definite'. He will have the farce published after it is performed in London, 'at a good theatre of course'. 'But get on with it and lets have the proofs.' He will 'most likely' play it himself 'at Manchester and somewhere else, when I will put all this stage business &c in'. Ends 'Toole wants to do it. | Yours Tooley - I mean Truly'. In one of two postscripts he hopes Lacy has 'a good supply of Billy Taylor. Hopewood & Crew publish it.'

One page, 8vo, some marking but text clear and complete. "Iam glad that your messenger caught me here, & that the picture could at once be returned. There is nothing to bid fo. It is a wothless painting, clumsily touched upon to make high lights &c. & is in miserable condition might be any child of the period".

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

8vo, 6 pp. Two bifoliums sewn together. On laid paper with Britannia watermark. Text clear and complete. Neatly written out at approximately 38 lines to the page. On aged paper, with slight damage to the first bifolium, the leaves of which are detaching at the spine. Some of the items have been lightly scored through in pencil, but are still legible. The inclusion of such items as '149 Blank Silk Paper for copying Maps' would appear to indicate that the document is an inventory (for probate?) of a cartographer's stock. Last two entries read '165 Blank Sheets of Paper for copying Maps.

On a square of paper, circa 10 x 11.5 cm. Aged and lightly-creased. Evidently a reply to a request for an autograph. Bold signature, with the whole reading 'Your's faithfully | Clarendon'. Docketed with a few biographical details on reverse.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

On eight pieces of 8vo paper, one of which has ha d a 3 cm horizontal strip cut away at the foot (not affecting the image). On a variety of different paper types, all wove. Good, on aged paper. Attractive images, ranging in height from 7 to 9 cm, of four women and four men, all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images, of a young woman with curls and a bow, treated twice in slightly different styles.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

All nine slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper library, all carry labels with captions and the shelf-mark 'M74 Box 286 637.1'. Evocative and instructive images, apparently all dating to the 1920s. Captions of 'engine rooms and compressors', 'machine filling one third three flavour blocks', 'mixing and pasteurising', 'hardening room', 'ice cream packaging machine', 'three double packing machines', 'making', 'two chocolate ice machines', 'mix storager tanks'.

All forty-five slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper picture library, all carry the label 'M57 637.1 Box 286', and are almost all captioned in manuscript. A good range of photographs, apparently taken in the nineteen-twenties.

All twenty-one slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded, with only one slide damaged (glass shattered in a corner, not affecting image). All with labels numbered 394.5.

12mo, 1 p. Neatly written with six items, beginning with '2 weeks pay for Serjt: Deans and Dr. Marton', and ending with 'Expences Contracted on account of Mc.Dougall'. Includes 'A Cockade for Joseph Harriegat & one for Dr. Harris'. Deans acknowledges receipt of £2 11s. The last item, of 5s is not included in the payment, and the bill is docketed on the reverse '1778 | Serj. Deans Bill a 5s Mist[ak]e.' The identity of the relevant regiment is unclear.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon. COPAC only lists copies at Cambridge, Oxford, Lambeth Palace and the British LIbrary.

A total of twelve 12mo pages and two 4to pages. All texts clear and complete. Good, on lightly-aged paper. The first letter addressed to 'Mrs Norbury', and the others to 'Grace'. After a first letter of 1948, in which he complains that he is 'becoming more & more a home dweller', the correspondence continues in 1951, with Keith thanking Mrs Norbury for a gift of sugar ('Its arrival made my housekeeper Miss Holman quite elated'), and sending Lionel Norbury encouragement on his Hunterian Oration ('My heart goes out to the Orator & to his Better Half').

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Folio, 12 + [i] pp. Text clear and complete, with a few pencil underlinings. Aged and somewhat worn. Folded vertically in the centre to make the conventional long legal packet, with the right-hand side of the reverse of the last leaf (with is stamped in red with the number 273683) carrying the printed title, with the address of the solicitors altered in pencil to 18 Pall Mall SW1, and with two manuscript names deleted: 'Mr. Finlay. Q.C. | Mr. Rowland Gibson'. Unsigned draft copy. No copy of this historical item on COPAC.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon: most of the entries listed on COPAC are for the electronic reproduction.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon. COPAC only lists copies at Cambridge, Oxford, Lambeth Palace and the British LIbrary.

Small 4to, 4 pp. Disbound, and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. A few contemporary pencil notes in margin, presumably by Gilbert Buchanan, from whose collection of pamphlets the item derives. Uncommon. Five copies on COPAC: Oxford, Cambridge, Edinburgh, Lambeth Palace and the British Library.

Folio, 4 pp. Text clear and complete. Fair, on lightly-aged and creased paper.