PAINTING

[ Eileen Chandler, artist. ] Personal album relating to her portrait work, mainly in Hollywood, and including photographs of her portraits, and original photographs of children of celebrities.

Author: 
Eileen Chandler [ born Eileen Harris ] (1904-1993), English artist who worked in Los Angeles on portraits of Hollywood children [ Liza Minnelli; Mia Farrow; Deborah Kerr; Maureen O'Sullivan ]
Publication details: 
Undated [ 1950s and 1960s ]. Mainly relating to her time in Los Angeles, California.
£800.00

For more information about Chandler, see the appreciative obituary by Vy Reiners in the Independent, 5 February 1993, which describes how 'An article in the Illustrated London News launched her on a successful career that took her to Hollywood, painting sensitive, charming watercolour portraits of the children of the stars, and many of the stars themselves.' The present item contains 70 photographs in a 24 x 33 cm album. The photographs, ranging in size from 19 x 23 cm. downwards, are in good condition, with light signs of age and wear.

[ Samuel Carter Hall, editor of the Art Journal. ] Autograph Letter Signed ('S. C. Hall'), explaining why he failed to give a lecture to a 'society'.

Author: 
Samuel Carter Hall (1800-1889), Irish journalist, editor of the Art Journal
Publication details: 
The Rosery [sic], Old Brompton [ London ]. 22 December [ no year ].
£45.00

2pp., 4to. In fair condition, lightly aged and worn. Writing in dramatic terms, he apologises for 'the disappointment to which I subjected your society', and explains that he had 'fully calculated on receiving some notice from you, a day or two previous to the day fixed'.

[ William Edward Frost, English artist. ] Autograph Letter Signed ('W. E. Frost') to Joseph B. Cooke, regarding family illness and the gift of a photograph.

Author: 
W. E. Frost [ William Edward Frost ] (1810-1877), English artist specialising in female nudes, Royal Academician [ Joseph B. Cooke; Oscar Wilde ]
Publication details: 
46 Fitzroy Square [ London ]. 30 January 1875.
£45.00

1p., 12mo. On aged and worn paper. He regrets to inform him that 'we have still a sick house'. His 'dear Sister' has been 'very ill', but he trusts they are 'both mending'. He concludes: 'I have pleasure in enclosing a Photo of myself, and shll be pleased to be admitted to your collection'. Professor Joseph Bristow, in his paper 'Homosexual Blackmail in the 1890s', describes how, twenty years later (on 11 August 1894), at a party hosted at 46 Fitzroy Square by John Watson Preston, twenty men were arrested, including two dressed in women's clothing.

[ Paul Sandby, artist and engraver. ] Pencil notes by 'Paul Sandby Esqr.', over 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy'. With portrait of Sandby, engraved by H. Landseer from a drawing by W. Evans

Author: 
Paul Sandby (c.1731-1809), English artist and engraver, Chief Drawing Master at the Royal Military Academy, Woolwich [ H. Landseer; W. Evans ]
Publication details: 
Engraving 'Published Dec. 4 1809 by T. Cadell & W. Davies, Strand, London'.
£135.00

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

[ Philip West, English surrealist artist. ] Autograph Letter Signed ('Philip.') to 'Vieanne', regarding his newly-born daughter Sandra Mercedes.

Author: 
Philip West (1949-1997), English Surrealist artist based in Spain
Publication details: 
Zaragoza [ Saragossa, Spain ]. 8 March 1977.
£56.00

1p., 8vo. Signed in blue felt-tip pen. Letterhead illustration of drawing by West, picked out in blue and red felt-tip. A jokey letter beginning: 'ta very much for the dress - it didn't fit me so now Sandra wears it. We have called her Sandra Mercedes. Sandra, though perhaps not very evocative, is easily pronounced in both English and Spanish.

[ Printed catalogue; Zoffany ] Loan Exhibition of 18th Century English Conversation Pieces.

Author: 
Philip Sassoon [ Sir Philip Sassoon (1888-1939), politician, art collector and social host ]
Publication details: 
[ 25 Park Lane, London. ] March 1930. [ At foot of back cover: 'M. W. D. N.' ]
£120.00

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

[ Rosalind Thuillier, sketches from Graham Sutherland. ] Sketchbook containing captioned ink sketches of 'GS paintings from museums & galleries 2008', for 'possible use in 2nd edition of Inspirations by Rosalind Thuillier'.

Author: 
Rosalind Thuillier [ Rosalind Adams ] (1939-2015), art critic and artist, authority on her friend Graham Sutherland (1903-1980)
Publication details: 
Place not stated. 2007 and 2008.
£400.00

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

[ Helene Winzberger-Ford, Austrian artist. ] Long Autograph Letter Signed ('Helene') to Welsh artist Nerys Johnson, on bacck of poster for a joint exhibition.

Author: 
Helene Winzberger-Ford, Austrian artist [ Nerys Johnson (1942-2001), Welsh artist and museum curator ]
Publication details: 
Poster for show at Galerie, Austria. Letter (presumably from same place) 21, 25 and 26 July 1977.
£56.00

The poster is printed in black on one side of a 59.5 x 42.5 cm piece of glossy art paper. In fair condition, on lightly-aged paper, folded four times. It is for a joint show with Livia Szadai at the Galerie Hildebrand, Klagenfurt. There is a photograph of her work (Wollbilder oder Umh

[ Sir Edwin Landseer, painter and sculptor. ] Autograph Signature ('E Landseer.').

Author: 
Sir Edwin Landseer [ Sir Edwin Henry Landseer ] (1802-1873), English artist and sculptor, best known for his works depicting animals
Publication details: 
Without place or date.
£20.00

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

[ William Powell Frith, English painter. ] Printed 'Vanity Fair' 'Spy' cartoon by Leslie Ward, of W. P. Firth ('No. 236. Men of the Day, No. 63. | "The Derby Day."'), with Autograph Note Signed by Firth ('W. P. Frith') to 'The Misses Savage'.

Author: 
William Powell Frith (1819-1909) [ Sir Leslie Ward [ Sir Leslie Matthew Ward ] (1851-1922), English cartoonist for 'Vanity Fair', under the name 'Spy'
Publication details: 
'Spy' cartoon from 'Vanity Fair' (London), 10 May 1873. Autograph Note Signed on letterhead of 114 Clifton Hill, [ London ] NW. 12 May 1887.
£90.00

ONE: Printed 'Spy' cartoon. 35.5 x 23 cm. Coloured. In fair condition, lightly aged and worn. A placid Firth is shown before an easel, with brush in one hand and pallette in another. TWO: ANS. 2p., 12mo. With mourning border. 'Dear young ladies | I have pleasure in complying with your request for an autograph. | Faithfully yours | W. P. Firth. | To | The Misses Savage'.

[ Sir Lawrence Alma-Tadema, artist. ] Autograph Note Signed ('L Alma Tadema') to 'Mr. Sparks', declining an invitation.

Author: 
Sir Lawrence Alma-Tadema [ Lourens Alma Tadema ] (1836-1912), Anglo-Dutch artist
Publication details: 
On letterhead of 10 Park Street, Windsor. 15 July 1885.
£50.00

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

[ G. D. Leslie, artist. ] Two Autograph Letters Signed (both 'G. D. Leslie') to 'Grant'

Author: 
G. D. Leslie [ George Dunlop Leslie ] (1835-1921). RA, English genre painter
Publication details: 
Both on letterheads of Riverside, Wallingford [ Berkshire ].16 and 23 December 1883.
£80.00

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

[ John Pye, landscape painter. ] Manuscript Letter to fellow-artist Walter Field, written by an amanuensis and signed 'John Pye', giving his opinion of a copy of Turner's 'England and Wales' being offered for sale at Christie's.

Author: 
John Pye (1782-1874), English landscape painter [ Walter Field (1837-1901), artist ]
Publication details: 
17 Gloucester Crescent, NW [ London ]. 3 March 1871.
£135.00

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

[ Carl Haag, artist. ] Autograph Note Signed to Edward Baker, agreeing to accept a gift from 'Mr: Morris'.

Author: 
Carl Haag (1820-1915), Bavarian artist settled in England, court painter to the duke of Saxe-Coburg and Gotha
Publication details: 
Ida Villa, 7 Lyndhurst Road, Hampstead, NW, on cancelled letterhead of 16 New Burlington Street [ London ]. 28 November 1867.
£55.00

1p., 12mo. In good condition, lightly-aged, with traces of glue from mounting on blank reverse. Reads: 'Sir, | In reply to your polite note of the 22nd. inst:, I am quite prepared to receive the "Camel Coats" [?] with which my friend Mr: Morris has kindly bethought me, and I shall thank you for their delivery.'

[ Anonymous pamphlet by Firmin Didot of Paris, inscribed by the author. ] Notice Historique sur la Vie et les Ouvrages de P. P. Prudhon, Peintre, Membre de la Légion-d'Honneur et de l'Institut.

Author: 
[ Jacques-Philippe Voïart [ Voiart ] or his wife Élise Voïart (1786-1866) ] Firmin Didot, Paris printer [ Pierre-Paul Prud'hon [ Prudhon ] (1758-1823), French painter ]
Publication details: 
A Paris, chez Firmin Didot, Rue Jacob, No 24; Chez Boulland et Ce, Libraire, Rue du Battoir, No 12. 1824.
£80.00

46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.

[ Laura Theresa Alma-Tadema, artist. ] Autograph Signature ('Laura. T. Alma Tadema').

Author: 
Laura Theresa Alma-Tadema [née Epps] (1852-1909), artist, wife of Sir Lawrence Alma-Tadema (1836-1912), Anglo-Dutch painter
Publication details: 
Without date or place.
£28.00

On 3 x 11 cm piece of thin card, cut from conclusion to a letter. In fair condition, aged and with traces of mount to two corners (not affecting signature). Reads: 'Yours sincerely | Laura. T. Alma Tadema'. Text on reverse: '[...] with us, I should be so pleased if you would join us - [...]'.

[ Victor Pasmore, artist and architect. ] Autograph Card Signed ('Victor'), thanking Basil [ Jonsen ] for his appreciation.

Author: 
Victor Pasmore [ Edwin John Victor Pasmore ], English abstract artist and architect
Publication details: 
With letterhead, 12 St German's Place, Blackheath, London. 1 June 1965.
£56.00

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

[ Minnie Walters Anson, English miniaturist. ] Two Autograph Letters Signed to 'Miss Newcomb' [ secretary of Marcus Adams Limited], regarding miniatures made from photographs of children taken by her brother-in-law Marcus Adams

Author: 
Walters Anson [ Minnie Walters Anson ] (1875-1959), RMS [ Royal Miniature Society ], miniaturist [ Lambeth School of Art ], wife of artist Chris Adams (1867-1960), brother of Marcus Adams
Publication details: 
Both on her letterhead ('WALTERS ANSON, R.M.S.'), 48 Parkstone Avenue, Parkstone, Dorset. 6 and 11 February 1950.
£180.00

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

[ Richard St John Tyrwhitt, art critic. ] Autograph Letter Signed ('R St John Tyrwhitt') to 'Miss Bosworth', presenting a copy of his 'A Handbook of Pictorial Art' to her. With inscribed copy of the book.

Author: 
Rev. R. St. John Tyrwhitt, M.A. [ Richard St John Tyrwhitt (1827-1895), English art critic, cleric and supporter of John Ruskin ]
Publication details: 
Lettter dated 29 March 1869, no place. Book published at the Clarendon Press, Oxford. 1868.
£150.00

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

[ Richard St John Tyrwhitt, art critic. ] Autograph Letter Signed ('R St John Tyrwhitt') to 'Mrs Paul', regarding his book 'Our Sketching Club. Letters and Studies on Landscape Art.' With a copy of the book.

Author: 
Rev. R. St. John Tyrwhitt, M.A. [ Richard St John Tyrwhitt (1827-1895), English art critic, cleric and supporter of John Ruskin ]
Publication details: 
Letter from Ketilley, Oxford, on cancelled letterhead of Christ Church. 25 September 1875. Book published by Macmillan and Co., London, 1874.
£150.00

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

[ Dame Sybil Thorndike. ] Typed Letter Signed ('Sybil Thorndike') to 'Mrs. Radcliffe', explaining her reasons for being unable to sit for 'Mr. Priest'.

Author: 
Dame Sybil Thorndike [ Agnes Sybil Thorndike ] (1882-1976), English actress [ Alfred Priest (1874-1929), English artist ]
Publication details: 
On her letterhead ('Under the Direction of Bronson Albery & Lewis Casson'), from the Criterion Theatre, London. 1 February 1923.
£35.00

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

[ George Arnald and Sir Thomas Lawrence, painters. ] Autograph Letter Signed from 'G. Arnald' 'To the President and Council of the Royal Academy', requesting relief for the widow of artist Thomas Whitcombe. With Autograph Note by Lawrence in reply.

Author: 
George Arnald (1763-1841), English landscape painter; Sir Thomas Lawrence (1769-1830), President of the Royal Academy and portrait painter [ Thomas Whitcombe (1763-c.1824), English artist ]
Publication details: 
18 June 1829.
£150.00

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

[ Oliver Hall, RA, English artist and engraver. ] Drypoint etching titled 'Hayling Island' (in Hampshire). One of an edition of 40, signed by Hall and inscribed by him to Robin Wallace.

Author: 
Oliver Hall (1869-1957), RA, English landscape artist and engraver [ Robin Wallace (1897-1952), English artist from Kendal, Westmoreland ]
Publication details: 
Without place or date. The subject is Hayling Island in Hampshire.
£65.00

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

[ Robin Wallace, English landscape painter. ] Drypoint etching titled 'The River'. Inscribed to 'Father Richard' and described as a 'working Proof'.

Author: 
Robin Wallace (1897-1952), English artist from Kendal, Westmoreland
Publication details: 
Signed by the artist and dated by him 'July 1927'.
£56.00

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

[ Sir Lionel Cust, art historian. ] Autograph Letter Signed ('Lionel Cust') to 'Lucas', regarding a trip to Ostend, problems with luggage and the Belgian railways, and a lost umbrella.

Author: 
Sir Lionel Henry Cust (1859-1929), British art historian, director of the National Portrait Gallery and editor of the Burlington Magazine
Publication details: 
On letterhead of Oliphant House, The Crescent, Windsor. 26 July 1907.
£35.00

3pp., 12mo. Bifolium. In fair condition. He has been 'clinging' to Lucas's umbrella since the return from a trip to Ostend, where Cust had 'an awful quart d'heure with the luggage people, who were very unwilling to send it on, [...] but by bribery and threats of weeping and pcitures of you all shivering on deck, I <?> them to entrust the 16 or 17 packages to the guard of the train next due'. The letter continues in much the same chatty tone.

[ Thomas Faed, RA, Scottish artist. ] Autograph Signature and Christmas message.

Author: 
Thomas Faed (1826-1900), RA, Scottish artist
Publication details: 
No place. 25 December 1881.
£30.00

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

[ Thomas Faed, RA, Scottish artist. ] Printed handbill poem in Scottish dialect by 'Tom Faed', titled '"The Shadow"', and beginning 'Oh wae is me! - I sit alane'.

Author: 
Thomas Faed (1826-1900), RA, Scottish artist
Publication details: 
No place or date.
£120.00

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

[ Samuel Cousins, engraver. ] Autograph Note Signed ('Saml: Cousins') to the Scottish artist Thomas Faed

Author: 
Samuel Cousins (1801-1887), RA, English mezzotint engraver [ Thomas Faed (1826-1900), RA, Scottish artist ]
Publication details: 
On letterhead of 24 Camden Square, N.W. [London] 29 October 1877.
£30.00

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

[ John Faed, Scottish painter. ] Autograph Letter Signed to 'My dear Fanny', making a Christmas present of an engraving to 'fill a corner in your Boudoir'.

Author: 
John Faed (1819-1902), RSA, Scottish painter, brother of Thomas Faed (1826-1900), RA
Publication details: 
On letterhead of 38 St. John's Wood, Park, N.W. [ London ] 25 December 1865
£25.00

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

[ Charles Kirkpatrick Sharpe, Scottish antiquary and artist. ] Watercolour drawing of Edinburgh murderer Mrs Mary Mackinnon with a young girl in her condemned cell, attributed to him in a contemporary hand.

Author: 
Charles Kirkpatrick Sharpe (1781-1851), Scottish antiquary, artist and collector, and friend of Sir Walter Scott
Publication details: 
Without date or place. (Mackinnon was hanged 16 April 1823.)
£400.00

A watercolour drawing in ink, coloured in yellow, blue and red, against a sepia ground. The drawing is on a 24.5 x 18.5 cm piece of thick white paper, laid down on a 28.5 x 29.5 cm piece of grey paper. In good condition, with light signs of age. In pencil in a contemporary hand on the grey-paper mount: 'Mrs Mackinnon - hanged | done by Charles K. Sharpe Esq | She had been a great beauty | murdered a man'. The drawing is not signed, but is in much the same style as other examples of his watercolours (for example those in the Victoria and Albert Museum, London).

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