PAINTING

[ Christ's Hospital (the Bluecoat School). ] Original photographs, reports, correspondence, from the papers of C. W. Carey, regarding his work on the removal and renovation of paintings by Verrio and others, on the move from London to Horsham. ]

Author: 
Charles William Carey (1862-1943), Curator of Picture Gallery, Royal Holloway College, Egham, Surrey [ Christ's Hospital (the Bluecoat School), successively of London and Horsham, Sussex ]
Publication details: 
[ Christ's Hospital, London and Horsham. C. W. Carey, Egham. ] Between 1900 and 1926.
£2,000.00

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

[ Charlotte Nasmyth, landscape artist. ] Autograph Note Signed [ to W. G. Herdman, Secretary, Liverpool Academy ], asking for information regarding her family's paintings in an exhibition.

Author: 
Charlotte Nasmyth (1804-1884), landscape artist, one of the daughters of the Scottish artist Alexander Nasmyth (1758-1840)
Publication details: 
Richmond Terrace, Pendleton, Manchester. 1 January [ no year ].
£220.00

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

[ Frederick William Fairholt, artist and antiquary. ] Autograph Letter Signed to '<Mayland?>, suggesting an appointment to discuss an individual who 'seems very anxious to come to some arrangement'.

Author: 
Frederick William Fairholt (c.1813-1866), artist and antiquary
Publication details: 
'Wednesday'. [ No place or date. ]
£50.00

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.

[ Sir Charles Holroyd, Director of the National Gallery. ] Two Autograph Letters Signed (both 'Charles Holroyd') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, declining to take the chair for two lectures.

Author: 
Sir Charles Holroyd (1861-1917), artist and curator, Keeper of the Tate, 1897-1906, and Director of the National Gallery, 1906-1916 [Sir Henry Trueman Wood, Secretary, Royal Society of Arts, London]
Publication details: 
First letter on letterhead of Sturdie House, Beechwood Avenue, Weybridge. 26 January 1915. Second letter on letterhead of the National Gallery [ London ]. 1 April 1915.
£45.00

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

[ William Roscoe of Liverpool, historian, art collector and abolitionist. ] Autograph Letter Signed ('W: Roscoe.'), giving various instructions to an unnamed London bookseller.

Author: 
William Roscoe (1753–1831) of Liverpool, historian, patron of the arts, and leading abolitionist
Publication details: 
Liverpool. 17 September 1808.
£300.00

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,

[ William Gilpin, art critic and educationalist. ] Autograph Letter Signed ('W. Gilpin') to his son William Gilpin the younger, Headmaster of Cheam School, with reference to Thomas Gisborne and William Farish.

Author: 
William Gilpin (1724-1804), writer on art and headmaster of Cheam School, Surrey [ Thomas Gisborne (1758-1846), religious writer; William Farish (1759-1837), chemist ]
Publication details: 
No place. 22 May 1795.
£320.00

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

[ Cecil Lawson, landscape painter. ] Autograph Note Signed ('Cecil Lawson') to London art dealer C. W. Deschamps, regarding the Melbourne International Exhibition.

Author: 
Cecil Lawson [ Cecil Gordon Lawson ] (1849-1882), English landscape painter [ Charles William Deschamps (1848-1908), London art dealer ]
Publication details: 
Bolton Bridge, Skipton, Yorkshire. 21 July 1880.
£45.00

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

[ George Denholm Armour, English artist. ] Autograph Letter Signed ('G Denholm Armour'), a letter of condolemce to the widow of composer Herman Finck.

Author: 
George Denholm Armour (1864-1949), English artist associated with Phil May and Joseph Crawhall, and horse breeder [ Herman Finck [ born Hermann Van Der Vinck ] (1872-1939), composer and conductor ]
Publication details: 
On letterhead of The Old Court House, Tetminster, Dorset. 22 April 1939.
£35.00

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

[ Frederick Kill Harford, poet and hymnologist. ] Autograph Letter Signed ('Frederick K Harford') to the artist Eric Forbes-Robertson, regarding the 'Te Deum Committee'.

Author: 
Frederick K. Harford [ Frederick Kill Harford ] (1832-1906), cleric, poet and hymnologist [ Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
'On letterhead of Purcell House, Dean's Yard, Westminster. 28 August 1902.
£56.00

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

[ Edward Lucie-Smith, poet and art critic. ] Two mimeographed typescripts: one with five poems (first, 'A Tropical Childhood'; last, 'To be justified'), the other a commentary on each poem, signed at head: 'one of 24 | No 2: Edward Lucie-Smith'.

Author: 
Edward Lucie-Smith (born 1933), wrtier, poet and art critic
Publication details: 
Without place or date. [ Mid-sixties? ]
£200.00

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

[ James Faed, Scottish artist. ] Autograph Note Signed to 'G. Ashley Dodd Esqre', thanking him for a 'great favour' and 'privilege'.

Author: 
James Faed (1821-1911), Scottish artist
Publication details: 
'<GlenCoe'?> 23 July 1870.
£25.00

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

[ The John Hassall Correspondence Art School. ] Sixteen Typed 'Lessons', being personalised anonymous assessments of the work of Miss E. Elderton of Teignmouth.

Author: 
The John Hassall Correspondence Art School, London [ John Hassall (1868-1948), artist and poster designer; E. Elderton of Teignmouth ]
Publication details: 
The John Hassall Correspondence Art School [ London ]. Lessons I to XVI, 17 November 1932 to 24 May 1934.
£450.00

The 16 'lessons (I-XVI)' total 31pp., 8vo., with Lesson XIV on 1pp., and the other 15 on 2pp. In fair condition, on aged paper with slight rusting and pin holes at the corner where the sixteen have been attached. All 16 are anonymous, but each carries a set of initials at the end: the last 12 ending with 'JH/W', and of the first four two with 'JH/D', and two with 'JH/MW'.. 'JH' presumably stands for 'John Hassall', with 'D', 'MW' and 'W' the name of the writer of the response.

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

[ Katharine Ada Esdaile, art historian. ] Autograph Letter Signed ('Katharine A. Esdaile') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, requesting access to James Barry's paintings in the Adelphi and explaining the nature of the work.

Author: 
Katharine Ada Esdaile [ née McDowall ] (1881-1950), art historian, wife of Arundell Esdaile (1880-1956), Secretary of the British Museum [ Sir Henry Trueman Wood, Royal Society of Arts; James Barry ]
Publication details: 
On letterhead of Keynes, Austenway, Gerrard's Cross. 22 January 1913.
£180.00

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

[ Wilfrid Henry Wells, sinologist. ] Typescript of his paper 'The Auditory Element in some Chinese Landscape Paintings. With Autograph draft of his paper 'A Blue-print of Chinese Landscape Painting | For the Use of Beginners' and portrait photograph.

Author: 
W. H. Wells [ Wilfrid Henry Wells ] (b.1878), Reader at the University of Munich, sinologist
Publication details: 
The Typescript with authorial inscription: 'W. H. Wells | Reichersbeuern | Germany 13b'.
£950.00

There is no indication that either of the two papers was ever published. Wells's 1935 book, 'Perspective in early Chinese Painting' is considered the first Western treatment of the subject. The three items in good condition, lightly aged and worn. ONE: Typescript of 'The Auditory Element in some Chinese Landscape Paintings'. 6pp., with three plates (i.e. black and white photographs laid down on three leaves with typed credits). Bound up in a folder of orange card, with title and Wells's details on cover in his hand.

[ Vera Stacey Wainwright, West Country painter and poet. ] Autograph Letter Signed ('Vera (Wainwright)') to Ida Forbes-Robertson ('Dear Idzie'), with reference to Gaugin's drawing of her father Eric Forbes-Robertson.

Author: 
Vera Wainwright [ Vera Stacey Wainwright ] (1893-1967), West Country painter and poet, friend of Austin Osman Spare [ Ida Forbes-Robertson, daughter Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
Crows Nest, Darite, Liskeard, Cornwall. 18 September 1947.
£56.00

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

[ Eric Forbes-Robertson, artist. ] Three Autograph Letters Signed (all 'Eric') to his daughter Ida ('Idzie'), written while serving with the Royal Artillery during the First World War.

Author: 
Eric Forbes-Robertson (1865-1935), artist and brother of the Shakespearian actor Sir Johnston Forbes-Robertson [ his daughter Ida ('Idzie') Forbes-Robertson ] [ Royal Artillery ]
Publication details: 
The first two on Royal Artillery letterheads of the 'R. A. MESS, | SHOEBURYNESS.' 19 October and 19 November 1916. The third on letterhead of the Prince of Wales' Hospital for Convalescent Officers, Marylebone [ London ]. 7 March 1917.
£220.00

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

[ Printed item. ] Burlington Fine Arts Club. Catalogue of a Collection of Counterfeits, Imitations and Copies of Works of Art.

Author: 
'R. C. W.' [ Sir Robert C. Witt, editor; Burlington Fine Arts Club ]
Publication details: 
London: Privately Printed for the Burlington Fine Arts Club. 1924. [ Printed in England at the Oxford University Press by Frederick Hall ]
£50.00

112pp., 4to. Internally in good condition, on lightly-aged paper, in worn and chipped printed grey wraps, with slight tape staining at foot of spine. An elegant production, on good paper, with catalogue of 329 items in the fields of pictures, drawings, furniture, carpets, metalwork, ceramics and sculpture, preceded by list of contributors, bibliography. and seventeen-page introduction by a variety of specialists.

[ Sale catalogue by Maggs Brothers of London. ] Original Drawings by Kate Greenaway and Hugh Thomson | Chiefly in watercolour.

Author: 
[ Maggs Brothers, London booksellers; Kate Greenaway; Hugh Thomson ]
Publication details: 
Maggs Bros. Ltd. London. [ Printed in Great Britian by The Courier Press, Leamington Spa and London. ] No date. [ 1930s?]
£50.00

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

Unused 4to sketchbook/album of good thick paper, with the ownship inscription of the artist/diarist Joseph Farington, and the words 'The Incorporated Society of Artists' on the spine. Enclosed: a membership list and three other items

Author: 
Joseph Farington (1747-1821), landscape painter and diarist [The Incorporated Society of Artists, London]
Publication details: 
The volume contains paper watermarked 1806. The printed membership list of the Society of Artists, London, is dated 1774, and another item is dated 1777.
£200.00

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

Anonymous coloured print on sateen [cotton satin] entitled 'Three Christmas Roses'.

Author: 
The Gentlewoman [Victorian illustration; printing on cloth]
Publication details: 
'Supplement to The Gentlewoman Christmas Number.' [1890s]
£85.00

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

[ James Stuart ('Athenian Stuart'), painter and architect. ] Autograph Letter Signed ('J Stuart'), requesting that the bookseller Francis Wingrave ('Frank') place a number of advertisements regarding 'our exhibition'.

Author: 
James Stuart [ called 'Athenian Stuart' ] (1713-1788), painter and architect [ Francis Wingrave (c.1745-1820), London bookseller ]
Publication details: 
Place and date not stated.
£180.00

1p., 4to. On bifolium. Written in an elegant assured hand. Addressed on second leaf, 'To | Mr Francis Wingrave'. In fair condition, on lightly aged and worn paper. Reads: 'Dear Frank | I shall be much obliged to you if you can possibly get the copies I leave with this, inserted in the Gazeteer, the Public, & the Ledger, & the Morning Chronicle, we suppose it of consequence to the success of our exhibition, the interests of which I have greatly at heart. | Yours sincerely | J Stuart | Any expence attending the publication I shall gladly reimburse you'.

[ Frederick Richard Pickersgill, RA. ] Autograph Signature ('Fred R PIckersgill') on part of letter.

Author: 
F. R. Pickersgill [ Frederick Richard Pickersgill ] (1820-1900), RA, English artist and book illustrator
Publication details: 
36 Mornington Crescent, 24 May 1853.
£20.00

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

[ E. Rimbault Dibdin, art critic and curator. ] Five Typed Letters Signed (all 'Edwd Rimbault Dibdin') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, regarding the Liverpool artists Richard Wright, Peter Perez Burdett and William Tate.

Author: 
E. Rimbault Dibdin [ Edward Rimbault Vere Dibdin ] (1853-1941), art critic, curator of the Walker Art Gallery, Liverpool [ Sir Henry Trueman Wood (1845-1929), Secretary, Royal Society of Arts ]
Publication details: 
The five on letterheads of the Walker Art Gallery, City of Liverpool, and dating between 27 November 1915 and 23 February 1916.
£220.00

The letters total 5pp., 4to; and 1p., 12mo. In good condition, on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes, presumably by Wood.

[ Peter Wardle, British portrait painter. ] Around 90 items from his papers, including incoming material relating to his work for the National Portraiture Association; correspondence with Ruskin School of Drawing, Oxford; receipts; payslips; tax.

Author: 
Peter Wardle (b.1929), British portrait painter [ William Deeves (1893-1977), Director, The National Portraiture Association; ]
Publication details: 
Mainly from London. Dating from between 1972 and 1974.
£320.00

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

[ Felix Stone Moscheles, English painter. ] Autograph Note Signed ('Felix Moscheles') to 'Mrs Lewis', acknowledging receipt of a cheque.

Author: 
Felix Moscheles [ Felix Stone Moscheles ] (1833-1917), English painter of Jewish origin, peace activist and advocate of Esperanto
Publication details: 
On letterhead of Cadogan Gardens, Sloane Street, S.W. [ London ] Undated.
£30.00

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

[ Jane Wardle, psychologist. ] Three Autograph Letters Signed (all 'Jane') to her father the painter Peter Wardle, together with a small collection of childhood writings and drawings.

Author: 
Jane Wardle [ Frances Jane Wardle ] (1950-2015), Professor of Clinical Psychology, University College, London [ Peter Wardle (b.1929), English artist ]
Publication details: 
Two of the letters from 48 Abingdon Road, Oxford, and one on letterhead of the Department of Experimental Psychology, University of Oxford. One of the childhood items from Lidstone, Enstone, Oxfordshire. All items undated (adult letters pre-1991).
£180.00

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

[ Antoine Renou, French painter and playwright. ] Autograph Letter Signed ('Renou'), 'Au Citoyen Monger', a secretary to the Institut National

Author: 
Antoine Renou (1731-1806), French painter and playwright [ Monger of the Institut National; Pierre Bénézech (1749-1802), French Minister of the Interior ]
Publication details: 
'ce 4 Thermidor. An 5e.' [ 23 July 1797 ]
£450.00

4pp., 8vo. Bifolium. In good condition, on lightly-aged paper. Signed 'Salut et fraternité | Renou'. A long and interesting letter, regarding student unrest in the French revolution, and involving a descision taken by the 'Classe des Sciences et Artes de l'Institut, qui acorde un jour de prolongation aux Concurrens pour les prix de Peinture', and the attempts of the Institut National to impose discipline.

[ William James Callcott, marine artist. ] Autograph Letter Signed ('W. J. Callcott') to Dr Maitland Coffin, offering a painting at an 'awfully low' price so that he can pay his studio rent.

Author: 
William James Callcott (c.1823-1900), English marine artist [ Maitland Coffin ]
Publication details: 
From 48 Stockwell Park Crescent, London S.W. On letterhead of the Savage Club, Lancaster House, Savoy, W.C. 22 December 1886.
£180.00

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.

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