MAGGS

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

1p., 4to. In fair condition, on aged and worn paper. The letterhead styles the firm: 'Maggs Bros., | Rare Books, Prints & Autographs. | Catalogues issued. | Publishers, Exporters & Shippers.' gives thhe address of the firm's warehouse, telegraphic and cable address, 'Code in Use', and telephone number. With reference to an order, the firm is sending 'a large plate of the "Mistaken Marriage" and another of "The Whiskers" of these latter kindly use the larger of the two but do not inlay'.

J. F. Austen was the son of John Austen VII. For his relation to the novelist see 'Jane Austen's Letters', ed. Le Faye (OUP, 2011). The present item is excessively scarce, with no copies traced on either COPAC or OCLC WorldCat. 4to, 18pp. on ten leaves, paginated [1-2], 17-24, 57-63, 79. In original brown printed wraps. Aged and worn, with rusted staples.

The two letters each 1p., 4to. Both on aged paper, with wear to left hand margin causing loss to text. In the first letter Lent gives details of 8 of his 17 purchases on that day, adding that 'The Lots sold quite well, a good many co are here, also Bowes, Blackwell, Mc Leis Taylor (Scheurer). Edwards, Pickering & E. Mathews, have marks.' In the second letter he gives details of 5 of his 10 purchases, one of them for 'Mr Butterwick'. He gives details of three commissions which Butterwick left with him, only one of which was successful. Catalogue: 31 + [1]pp., 4to.

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.