LITERATURE

1p., 12mo. In fair condition, lightly aged and worn. Reads: 'Dear Mr Case, | You are most welcome to my Autograph, which I send in signing myself - | Yours faithfully | Agnes Giberne'.

1p., 4to. In fair condition, lightly aged. She thanks her for her 'tribute to my book', adding: 'Fancy you thinking that I lived in Australia! My brother to whom I gave a dedication lives there. I never get further than Monkstown which is part of Dunlaoghaire.' She ends by observing that Cond's letter 'seems to have been a long time travelling'. Beatrice Coogan was the daughter of a policeman, a Dublin socialite who was crowned Dublin's Civic Queen of Beauty in 1927. She was the author of 'The Big Wind', won the Frankfurt Book Fair’s 'Novel of the Year' in 1969.

2pp., 8vo. 2pp., 8vo. In fair condition, lightly aged. She begins, after stating that she is returning her bookplate (which she has signed), with details of a forthcoming visit to England, involving a drive 'up North to my father's birthplace', where she will 'stay in Northumberland a fortnight at least, and investigate some of the masses of cousins I have there'. Later she may 'be down your way' (Devon): 'Do you still run the Deer Park?

1p., 12mo. On grey paper. In fair condition, lightly aged. Reads: 'Dear Sir, | Will you please give me an appointment on Thursday next when I am in town? | Faithfully yours, | Lewis Melville'.

1p., 4to. She thanks her for her letter, and agrees to inscriber her bookplate. 'I am so glad that you have got "The Malady in Madeira"; I do hope you will enjoy it, especially as you know Madeira.

Sepia-coloured studio photograph on 19 x 14 cm card. Backed on the reverse with brown paper on which are printed the details of the photographic studio responsible, Swaine's of London and Southsea. The print itself is in good condition, lightly aged and worn; the reverse is heavily-worn with traces of glue from previous mounting. Vachell has written his underlined signature in black ink diagonally upwards at the bottom right-hand corner: 'Horace Annesley Vachell.' This studio photograph of Vachell is not present in the National Portrait Gallery collection.

The three items in fair condition, lightly aged and worn. Postage stamp and paper beneath torn from third letter,, resulting in loss of full date All three signed 'George Saintsbury'. Saintsbury's handwriting is difficult to decipher and the following description only gives a phrase from each of the letters. Mansel had pretentions as a poet, and the first two items at least appear to concern volumes which he had sent Saintsbury. ONE (15 January 1911): 2pp., 12mo. Explaining that he has been compelled to 'make it a fixed rule to decline giving <?> opinion on poetry'.

2pp., 8vo. In good condition, lightly aged. She condoles with her over her 'sad loss last June. I had no idea of it, or I should have written to express my sympathy at the time. I was so much interested to meet your son, & hear how splendidly he had done.' On receiving Sladen's letter she wrote to her neice Betty Brichenough, and wonders if 'Captain Christmas', i.e. Danish sea captain and author Captain Walter Christmas (1861-1924), has heard from her. Fearing that she has mislaid Christmas's card she asks Sladen to write to him on her behalf.

1p., 16mo. In fair condition, lightly aged. With neat central vertical and horizontal folds. Reads: 'My dear Seymour | Will you direct an early copy to be sent to Lady Herbert. | Ever truly yours | A. Hayward'.

2pp., 4to. In fair condition, on aged and worn paper. He begins by stating his great appreciation of 'the kindness of the Committee – I have had a long and sympathetic experience of the Club and the relationship has been to me a happy one from first to last'. Were he able to 'fulfil the duties of the President's office' he would be 'strongly tempted to accept their generous inviation and stand for re-election.

PLAY: 81pp., 8vo. On one side each of 81 leaves of yellow paper. In good condition, lightly aged, with the first leaf a little dogeared. No cast list or other prelims, but the complete play, and with each page paginated from 1-81. First page headed: 'CHAMPOEG: THE STORY OF OLD OREGON | by Charles Deemer'. An unpublished two-act historical drama, in 35 scenes, covering a thirty-year period, with the first scene titled 'The Return of the Brigade (1829)', and the last 'Statehood (1859)'.

1p., 12mo. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Tinsley Brothers of 8 Catherine Street, Strand, were Ainsworth's publishers during this period. The letter begins: 'Dear Mr. Tinsley, | You are quite incorrigible.' Ainsworth complains that Tinsley has sent him a letter, 'delayed since Novr. 11th. last', and that he has 'been obliged to write a long letter of explanation and apology'. He hopes that 'the lady – for the writer is a lady – will be satisfied'.

1p., 4to. The leaf is divided into four panels by a central horizontal crease; Arlen writes on the upper panel of one page, the rest of the leaf being blank. In fair condition, lightly aged and worn. Arlen writes neatly at the centre of the panel: 'Dear Sewell Stokes | Pip, Squeak and Wilfred. | Yrs. | Michael Arlen.' And at top left: '14 Queen St. | Mayfair. | October, 1924.' At the time of writing the precocious Stokes was an assistant editor at T.P.'s Weekly. 'Pip, Squeak and Wilfred' was a cartoon which ran in the Daily Mirror from 1919 to 1956.

On one side of a 2.5 x 11 cm slip of paper, cut from the end of a letter. Reads 'Yours very sincerely | Louisa Molesworth'.

On 6.5 x 12 cm slip of thin laid paper, cut from the end of a typed letter. Signature in blue ink. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Reads: '[...] | Yours sincerely, | [Graham Greene] | Graham Greene. | The Lord Iddesleigh, | Pynes, | Exeter.'

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

2pp., 12mo. Bifolium. In good condition, lightly aged, with minor traces of glue on reverse of blank second leaf. He thanks him for his 'kind remembrance', and undertakes to 'come with much pleasure to Clarence House, a little before the time of Inspection and bring two friends'. The letter concludes: 'Meantime we must not forget that you and I are going to set apart some afternoon to make a sentimental pilgrimage into the Past in some corner of old London!'

1p., 12mo. Bifolium. In good condition, lightly aged. Addressed by Southey on the reverse of the second leaf, which has been overlaid top and bottom with grey paper, 'To | Andrew Picken Esqre | Gothic Cottage | Regents Park East.' The note reads: 'Keswick. 13 March 1833 [year possibly altered in pencil to '1835'] | Sir | I subscribe willingly to your volumes & wish you success with them | I remain Sir | Yr obedt servt | Robert Southey'. Southey is presumably referring to his last work, The Black Watch (1833), which appeared just as he died of a stroke. Suitable for framing.

1p., 12mo. In good condition, lightly aged. He writes: 'Dear Mr Montague Ball: - | I am very pleased to have your kind wishes & appreciation. | Yours very sincerely | Louis Tracy'.

Lambie is the subject of a long obituary in The Scotsman, 21 January 2015. Both items 2pp., 4to. Both in good condition, with light signs of age and wear. ONE: 21 September 1973. She has 'heard good accounts' of the Gladstone Court Museum, and a friend 'now promises me to motor me there some time soon. At 81, I am no longer able to go “under my own steam”'. She agrees to let him use her poem 'Background' in a Christmas card, but would like to see the design before printing.

On one side of a 12mo leaf. In good condition, lightly aged. Howitt's seal in red wax is at the head, and beneath it, in a firm clear hand, is written: '"The tempest, says , belongs to God's weather." | Mary Howitt'.

On 3.5 x 8.5 cm slip of paper, cut from a letter. In good condition, lightly aged, laid down on part of a leaf from an autograph album. Reads: 'faithfully yours | Mary Cowden Clarke'.

1p., 4to. In fair condition, lightly aged and worn. A circular appeal for donations and a well-printed facsimile. Galsworthy writes that he is taking the chair at 'the 139th Dinner of the Royal Literary Fund, on May 9th: in the Edward VIIth Room of the Hotel Victoria. | The beneficial work of the Fund must be well known to you; nor is it needful for me to stress the urgent nature of the many appeals that tax its resources to the utmost.

S1p., 4to. In good condition, lightly aged, with minor traces of mount on reverse. Addressed to 'Frederick I. Cowles, Esq., F.R.S.L., F.R.S.A., F.S.A.' Reads: 'Dear Sir, | In reply to your letter, I should have liked to oblige you but it is impossible for me to do so. The matter would require much more time than I have to spare.'

Three pages, 12mo, good condition."Mrs Lynd's [ Sylvia Lynd, author ] letter about the Femina Committee followed me here where I am spending a few days. The onlky objection I can see to inserting the word 'formerly' before F.V.H. [Femina - Vie Heureuse ] is that the title of the Prize Committee would be even more unwieldy than it already is!- but of course I am in favour of trying to settle the difference between the two French committees, and hope Mrs Lynd will write the letter she suggests in her letter. I must admit that I didn't realize there were two [underlined] French committees."

1p., 12mo. In good condition, lightly aged. Tipped in onto paper mount. Reads: 'Mr Gally Knight requests Mr Radley to let him have a Room for a few Hours on Monday Morning - He & Mrs Knight purpose to be at Liverpool about twelve oclock & will go to Manchester by the 1/2 p 2 Train. - They wish to have some Luncheon between one & two oclock.' Scott's Ivanhoe is set near to Firbeck Hall, and Knight may have been his source of local information.

1p., 12mo. In fair condition, lightly aged, Laid down on part of a leaf removed from an album. Reads: 'My Dear Sir | My absence from home must plead my excuse in not sooner replying to your obliging note of the 22nd Ulto - | I have desired 30 more Copies to be forwarded to you as you request, & I am sure you will be glad to hear that thro' your kindness, & that of many others who have interested themselves, we are likely to realize a sum commensurate to the Scholars moderate establishment'.

1p., 12mo. In fair condition, lightly aged. Begins: 'Mem. for Mr Henry Gray | I have received your Catalogue dated April 25th. | Will you send me, if still in hand, […]'. A list of five works follows, the last four French, including Sarah Scott's Utopian "Millenium Hall", following which Besant writes: 'for wh. I will remit by return post – on receipt.'

On one side of a 6 x 11.5 cm slip of grey paper. In good condition, lightly aged, with small strip of glue staining along right-hand edge. Reads: 'A mile of daughters - | Family of Furlongs having 8 girls | 8 furlongs = 1 mile. - | T. Hood.' A joke on the surname of the person who requested Hood's autograph, as explained in Walter Jerrold's 'Thomas Hood, his Life and Times' (1907), which states that in 1838 Hood wrote to his friend Wright: '[…] only think of a mile of daughters! There is a family of Furlongs coming to live here, whereof eight are daughters – 8 furlongs = 1 mile.'

2pp., 12mo. On bifolium of grey paper. In good condition, lightly aged. The letter would appear to be addressed to a contributor to Adams's 'Cyclopaedia of Poetical Quotations' (1853). It begins: 'Sir | I have much pleasure in acknowledging the receipt your obliging communications, and in thanking you therefore: the extract on Love I shall endeavour to find room for'. As it is 'a subject on which so many beautiful things have been said', he cannot include everything.