LANE

Five letters, each 1p., 4to. In fair condition, aged and creased. ONE: Palace Theatre, 4 July 1912. In capitals. Conveying the thanks of the King and Queen to the members of the orchestra for their work at the previous night's royal performance, and adding, for Finck: 'I have already told you how much I appreciate what you did on Monday night and the splendid manner in which you conducted. The success of the performance would have been impossible without your invaluable assistance.' TWO: Garrick House, 23 March 1921.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

Small octavo. Pages: xx + 257. Original black cloth decorated in orange. Orange dustwrapper. Eight illustrations in colour, sixty-five in half-tone, and map. Good copy, though foxed throughout, in good binding lightly worn at head and tale of spine and with a little spotting. Dustwrapper discoloured and with wear and loss at corners and head and tail of spine.

2pp., 12mo. In good condition, lightly aged and worn. The letterhead, printed in red and black, features the illustration of a phoenix in fire which featured on the covers of some Penguin Books publications of works by D. H. Lawrence. He begins by stating that Malcolm Kelly has sent him Bailey's letter 'with its very flattering reference to me'. He explains that he has 'always regarded the book business as a whole & not as two camps as it were, book-sellers & publishers'.

Both items are printed with elegant restraint, and  designed by Sebastian Carter (from the horse's mouth). Both are in good condition, with light signs of age and wear. The service with a horizontal central fold and the ticket with a vertical fold. The funeral service is printed in black and red on deckled-edged wove paper. The second page gives details of 'The Music' and the third 'The Order of Service', which features Michael Morpurgo, Richard Hoggart, Robert Lusty and Harry Paroissien, with Rev. Austen Williams officiating. The last page gives details of the eight musicians.

Both letters 1p., 4to. Both in fair condition, lightly aged and worn. The letters concern a drawing of Bleackley, made by Hill at the instigation of 'Mr Lane'. On 1 July 1915 Hill writes that he has 'placed it before such authorities as Mr Willette and Mrs Lane, persons all I think to whom the shock of an unlikeness would have evoked candid opinion in criticism. I found them agreed as to its likeness Mr Lane voicing the common opinion by declaring on the instant: "That's got him!"'

7 + [1]pp., 12mo. Stitched. On aged and grubby paper. Second page reads: 'NOTE. | Clients wishing to make use of the volumes in this list, are requested to apply to the Sale-Room Clerk, to whom all books should be returned when finished with. | HODGSON & CO. | 115, Chancery Lane. | August, 1908.' The works are all in English and date from the late nineteenth century onwards. They range from 'Abbott (T. K.) Catalogue of Fifteenth-Century Books in the Library of Trinity College, Dublin 1905' to 'Wright (C. T. Hagberg) Catalogue of the London Library, St. James's Square 1903'.

27pp., small 4to. In vellum-paper wraps with decorative cover printed in red and brown. With six plates: two collotypes (portraits of Edmund Hodgson and Henry Hill Hodgson) and four black and white photographs: 'Exterior of Premises, 115, Chancery Lane', 'The Auction Room', 'Compiling a Catalogue (First Floor Room)' and 'Unpacking a Library (Basement)'. Title-page in red and black. In fair condition, internally good, on aged and worn paper, lacking free endpapers. A characteristically-tasteful production by the Chiswick Press. Now scarce.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

4pp., 4to. Bifolium. In good condition, on lightly-aged paper. Addressed, with postmark, to 'John P. Aston, Esqre | Messrs. Ainsworth & Co | Solrs | Essex Street | Manchester'. Aston was Ainsworth's father's law clerk. The year after this letter was written the novel 'Sir John Chiverton', on which Ainsworth and Aston collaborated, was published to great success (and endorsement by Sir Walter Scott).

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

Jeffrey Richards, in his 'Imperialism and Music: Britain, 1876-1953' (2001), pp.272-274, discusses this piece at some length, beginning: 'There was a late entry in the imperial cycle, the now-forgotten The Song of The Drum, written by Fred Thompson and Guy Bolton, which opened at the Theatre Royal, Drury Lane, on 9 January 1931. It starred Derek Oldham as Captain Anthony Darrell, Bobby Howes as comic relief Chips Wilcox, Peter Haddon as silly-ass "Goofy" Topham and Marie Burke as glamorous spy Countess Olga von Haulstein.

The two advertisements are variants of one another, with much the same text in two columns of small type, surrounded by a decorative border with oriental influence (featuring flamingo, vase, bamboo). Both printed in black ink on one side of a 33 x 26cm piece of tissue. They are frail and unusual survivals: aged and creased with wear and slight loss to the extremities. Both are headed 'UNITED KINGDOM TEA COMPANY | SUPPLY THE FINEST TEA IN THE WORLD | FIRST HAND, DIRECT FROM THE MINCING LANE MARKET.' One is headed, in fancy type: 'THIS PAPER IS MADE IN JAPAN & IS A CURIOSITY'.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

1p., 12mo. On bifolium. In fair condition, on lightly-aged paper, with one dog-eared corner, and minor traces of previous mount to blank second leaf of bifolium. The text is neatly written out in the two men's autographs, as follows, with Chorley's writing in square brackets. 'My Autograph? With pleasure. Another Lady begged me to get an autograph of H. F. Chorley. She did not ask for mine. | I immediately wrote to Chorley, and he promptly replied. | [But not for Hope I pray, to day contriving | Tomorrow's dreams. | Only for Patience, through long years of striving | Against the stream.

The letter and draft each on one side of the same piece of 8vo paper. In good condition, aged and worn, with a short closed tear along one fold line.

Both items in fair condition, on lightly-aged paper. ONE: 3pp., 12mo. Bifolium. The letter begins: 'Dear Mr Lane, | Conscientious research in Titmarshian activities seems to point to the fact that you owe to the club the sum of 22/- for two dinners in October 1907.' He continues on this theme for a while, before turning to Reynolds: 'I am very glad to hear that you are going to bring out the Holy Mountain & Poor Mans House by Reynolds. As partly responsible for the suggestion of the Mountain & the location at Acton, I take some interest in the book & also in its author.

1p., landscape 12mo. In fair condition, on lightly aged and worn paper, with cropped margins. He begins by explaining that O'Donnell's letter has been sent to him 'from Theatre Royal, Drury Lane, on the staff of which I am and whose whose [sic] historian I am too'. He continues: 'I fear a night vigil would be of little use so far as the Ghost is concerned. He is a day time visitant. Never yet has he been seen before 9 a.m. or after six p.m. Between those hours - frequently.' He refers O'Donnell to the 'full account' in his book 'Theatre Royal'.

1p., 8vo. Bifolium, addressed on reverse of second leaf 'To Thomson Hankey Junr.' In good condition, on lightly-aged paper. The letter begins: 'Dear Thomson, | I give to you as a free Gift the Sum of Four Thousand Pounds & authorize you on 30th. of this Month to place that Sum to your Credit with our House by the Debit of my private Account. I also give you the one fourth Share of my two thirds Share of the Ship Elizabeth Capt.

3pp., folio. Bifolium. In good condition, on lightly aged and worn paper. Signed 'Isabella Hankey' and witnessed by 'John fforster Carey Street'.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

Letter: 1p., 12mo. In fair condition, foxed at head. He informs them that the article was on Dr Johnson's house, and will be published in the magazine's 'Autumn Number', writing: 'If I send you the proofs would one of you care to write a few appreciative words on Lord H? I shall add a short biography culled from The Times'. In an autograph postscript he requests 'an old wood-block or a stone-litho which I could reproduce in O. L. of Johnson's House'. Magazine: 46 + [2]pp., 12mo, in printed wraps. With foxing and pinholes to cover. Includes articles by W.

2pp., 4to. In bifolium, the recto of the first leaf of which is addressed by Mary Lane to 'Doctor Robert Lane, Mobile Point, Alabama Territory'. In fair condition, on aged and worn paper. Mary Lane is semi-literate, but her letter is infused with anguish. 'Dear Brother | I have written to you Since I received your letter, but perhaps mine has never reach'd you almost every one of the family has wrote to you before this period no doubt you heard of the deaths of our father and Brother.

2pp., 8vo. Neatly written out on two leaves of laid paper with watermark of Caxton Superfine Vellum. In very good condition, on lightly-aged paper. The poem consists of twenty-eight lines arranged in seven four-line stanzas, the first reading: 'On lake and fell the loud rains beat, | And August closes rough and rude.

1p., 4to. In very good condition, on lightly-aged paper. Engraved illustration of the Old House at the head (signed 'S. Holden'), with an engraving of the Plague-Stone beneath it, followed by the text: 'The Relic represented above formed the corner coping-stone of a garden wall, immediately above the spot indicated in the drawing by the letter A. It is traditional in the neighbourhood that about the middle of the 17th century, (probably in the year 1665,) several cases of The Plague occurred in this house.

17 items, the collection in good condition, on aged paper. Item One: Autographs of sixteen individuals associated with the production, all signing to 'Sonia'. 2pp., 12mo. On bifolium removed from ruled notebook. The signatories are: Michael Bryant, Robert Hunter, Margaret Whiting, Hilda Braid, Vivian Matalon, Tony Church ('Sonia, our proletarian beauty | from hungry Hugo'), Jack MacGowran, Robert Adams, Prunella Scales ('Maggie'), Michael Balfour ('May you triumph over virtue'), Patrick Magee, Tony Robertson, Joby Blanshard, Anthony Jacobs, Lee Montagu and Ian Bannen.

40 + 3 + 4 pp., 12mo. With frontispiece, and three plates on one fold-out strip. In original grey printed wraps (giving the price as 2s 6d). In good condition, on lightly-aged and spotted paper, in worn wraps. Excellent frontispiece portrait, with tissue guard, captioned 'Rev. Joseph Nightingale. | Drawn by Shoosmith - Engraved by R. Roffe. | Published by J. Robins & Co. London. Feby. 1. 1824.' Six-page preface, dated 'Southwark Square, 1823.' Three plates on one fold-out strip, facing p.12.

8vo., 69pp. Unbound as issued. In fair condition, on lightly-aged and worn paper, with worn and chipped printed front wrap still present, with ownership inscription at head (''). 482 lots, with several of the books ticked in pencil. Included, as lots 95 to 112A, are 'specially printed copies of the various Lyceum Plays, as arranged for the Stage by SIR HENRY IRVING; they contain numerous manuscript alterations in the text in the handwriting of the great Actor, and are in consequence of very great interest'.