ARTISTS

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

Both letters in very good condition, neatly written out on lightly-aged paper. ONE: 2pp., 4to.

Both in good condition, on lightly-aged paper, and both with a mourning border (the first thick and the second thin). ONE: 3pp., 16mo. He apologises for 'having neglected to answer' her 'too kind and pretty note'. 'And really such neglect does great injusticce to my feeling, for your note brought back to me in vivid recollection, a visit to when we were both in great sorrow, which I am sure was a bond between us, though we had our games of Whist in the Evening with your Aunt Laura & Mrs. Buchanan!' TWO: 2pp., 16mo. He is glad she likes 'both print & frame'.

On one side of an 8 x 18cm piece of paper, with counting house spike hole in centre. In very good condition, lightly-aged, and neatly placed in a windowpane mount of 26 x 20.5 cm. With embossed Four Pence government stamp. Neatly and elegantly written out, it reads: 'Janry: 23 1789. Recvd. of Ald: Boydell Fifty Pounds upon acct: of Engraving a Print of The Royal Children after Mr: Copley | Francis Bartolozzi | 50. 0'.

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

Both items in fair condition, on lightly-aged and worn paper, each with pin holes in one corner. Both items in a hurried, difficult hand. ONE: To 'Dear Madam', dated 19 March 1893. Docketed 'Mr. B. Joy | 29/3/93'. 2pp., 12mo. Bifolium. He begins by apologising that 'your letter should not have been replied to you [sic]', as he has been 'laid up'. He asks her to inform him when 'the busts' will be needed, '& I will see whether I can send anything'. TWO: Incomplete letter, signed 'A. Bruce Joy'. 4pp., 12mo. Bifolium. Numbered by Bruce-Joy '2'.

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.

2pp., 12mo. 14 lines. With the address and date on the second leaf of the bifolium, the top part of which is lacking. Fair, on aged paper. Writing to an unnamed male correspondent, Mrs Combe states that if he should arrive during her absence, he will find his lodgings 'at Mrs. Capel 7. St. Giles's, Pastry Cook'. She describes the terms as '£1 a week including attendance, plate, cooking linen, with a gratuity to the servant at the end of the term'. She concludes: 'I hope Mr.

ONE: Typed Letter Signed ('Henry') from Moore to Juda ('Dear Hans'). On letterhead of Hoglands, Perry Green, Much Hadham, Herts. 29 March 1973. 1p., 12mo.

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

Two pages, 12mo, bifolium, good condition. He visited Redgarve's house but the latter was out. But he caught up with him later in the day when the family returned to town. [He] suggested that I should write a letter to him explaining the object desired; which he would forward to his Brother without a moments delay; So I want you to write out the particulars, something like the enclosed for me to copy in my letter.

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.

Measuring 9 x 6 cm. With 'Mrs.. Byam Shaw' in larger type in centre, with '62, Addison Road, W.' in bottom left-hand corner, and '2nd. Wednesday &| 2nd. Thursday' diagonally in top left-hand corner. On aged paper, with the address '21 Wilton Street | S. W. 1 | Wednesday' in ink at head, and '88 Brook Green' in pencil on the reverse. A pencil name and telephone number ('Vic. 3583') have been erased.

8 pp, 12mo. In very good condition, on lightly-aged paper. Addressed to 'Dear Ernest'. He begins by congratulating Gye on his promotion and 'on going to Tangier - a delightful spot'. It is however 'very sad' that Gye's 'guiding hand over our destinies will no longer be there in the Office'. He thanks Gye for his 'kindness' and 'sympathy': 'My path has lain along uneventful ways and it has been an untold solace to feel you did not despise those who had mearly [sic] to 'stand & wait''.

The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.

12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.

The five posters, presumably produced for the classroom, are scarce, with no reference to them on the internet or elsewhere. They are attractively painted in a bold and vivid panoramic frieze style. Each carries a single illustration showing two (counting the Cabot brothers as one) explorers in front of groups of men, with a merged background behind them.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

12mo, 22 pp (followed by final blank leaf). Stitched pamphlet. Text clear and complete. On discoloured and worn paper. 152 'ouvrages d'arts' arranged in alphabetical order under the names of the artists, from 'François Alewaters, peintre à Malines' and 'Henri Adams, à Malines' to 'G. P. Wuyts, de Lierre' and 'L. Zwitzer, de Malines'. Preliminary notice headed 'Police du Salon'. Scarce: no copy on WorldCat or COPAC.

12mo, 2 pp. Bifolium. Written out in one hand, and signed 'Bradley & Co' in another. Addressed to 'W. F. Stocks Esqre | Glen Elwy | St Asaph. | Flint[shire]'. Thirteen lines. Text clear and complete. On foxed and lightly-aged paper. Giving the firm's 'charge for receiving unpacking & delivering pictures to the R.A. or other London Exhibitions' and for 'collecting repacking & forwarding', as well as the dimensions of pictures for which these charges apply.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on aged paper. Providing a 'recommendation as a teacher' for his correspondent, 'in the neighbourhood of Leamington'. 'My observation of the progress you have made, during your studentship at the Royal Academy enables me to state, that, you are, in my opinion fully competent to undertake the teaching of the elementary branches of art'. From a small archive of Walter F. Stocks's correspondence.

12mo, 1 p. Ten lines. Clear and complete. On bifolium with mourning border. Fair, on aged and discoloured paper. Endorsing the application of Walter F. Stocks for 'the vacant professorship of landscape painting in Queen's College'. Stocks 'has been an exhibitor at the Royal Academy for many years' and Calderon 'has admired his paintings on our walls'.

All three letters 12mo: the first of three pages, and the last two one page apiece. Texts clear and complete. Good, on lightly-aged paper. Letter One: Sir Henry Vansittart Neale will be pleased to allow Grundy 'a look at his pictures' at Bisham Abbey. Gives directions. Discusses Grundy's letter in the Daily Express, complaining about the 'crowding out' of pictures at the Royal Academy.

8vo, 1 p. Nine lines. Text clear and complete. Fair, on aged and lightly-spotted paper, lightly-creased and with small closed tears at edges of central crease. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Hassall writes that the previous year he 'got into trouble through giving subscriptions to stewards of other society's than the R[oyal]. I[nstitution].', so that 'if there's to be an R. I. table this year I must support it for all I'm worth'.

Foolscap (31.5 x 20.5 cm): 1 p. 24 lines of text. Address, with postmark, on reverse. Good, on lightly aged and creased paper. Discussing a picture he has been painting of 'Captain Tonyn', which 'is within one days work of being finished'. Points out that there has been a misunderstanding about the price: 'fifty five pounds [...] could not be the case because I never yet reced from any body pounds, but always Guinneas'. Because of 'the great work that so large a Canvas wod. require (it being bigger than a whole length for which I had at that time 50 Gs. and now 60 Gs.

Landscape sketchbook of eighteen leaves. Leaf dimensions roughly 17.5 x 13 cm. One leaf loose. A further leaf has been removed. Drawings on twenty-five pages and the rear pastedown. Bound in rough grey cloth with printed design on front board. Printed stationer's ticket (label) on front pastedown. Grubby, and with the inevitable pencil offsetting, but good and tight on good paper, lightly-aged but unaffected by damp or stain. Contains some charming images, showing the promise that would win Wright a scholarship to the Royal College of Art three years later.

On piece of watermarked laid paper 12.5 x 13.5 cm. In fair condition: lightly-aged and creased. Clearly in response to a request for an autograph. Firmly written, with the signature 5.5 cm long. Reads 'A. N. Roussoff | Cairo 1892'. Roussoff famously wagered that he could produce a dozen pastels indistinguishable from those of Whistler. He lost the bet, and was 'obliged to take a course of mud baths after his defeat'.

Scottish art critic and engineer (1864-1950). One page, octavo. Very good. Bearing the Society's stamp. 'It is very good of the Council of the Royal Society of Arts to ask me to become a member, but, while thanking them, I regret that I do not see my [^ way,] at present, to join any more societies.' Signed 'James L. Caw'.