VICTORIAN

4pp, 4to. Bifolium. In good condition, lightly aged. Folded four times. Encouraged by Scott's response to his wife's letter, Taylor is 'encouraged to ask for yr. advice in the predicament in which we stand at present. My boy has made hardly any progress in the last term & stands only four fm. the bottom of the upper Fifth.' He explains that on a former occasion he was in favour of 'a change of house & of companions', but that 'the boy was exceedingly averse & I was induced by assurances of doing better to let him go back to Mr Arnold's'.

4pp, 12mo. Bifolium. In good condition, lightly aged, with the conclusion and signature ('Juliana Horatia Ewing. | (Not an elegant signature!)') of the letter cross-written at the head of the first page. Drawing of a 'round chess board', with explanation, on second page. An excellent intimate letter, to a family member or friend whose name is not clearly written (Marion? Marnie?). She begins by acknowledging her 'very delightful' letter, and expressing pleasure at 'the prospect of our "play" in town'.

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

On 2 x 11 cm slip of paper cut from the end of a letter. In fair condition, lightly aged, with small tape stain from mount at the edge to the left of the signature. Reads: 'very truly yours | J. S. Mill'. On the reverse, in Mill's autograph, are the words: 'the Government for a pecuniary'. Mill is considered one of the most influential figures in the history of classical liberalism, and one of the leading English-speaking philosophers of the nineteenth century.

4pp, 16mo. Bifolium of grey paper, with letterhead printed in red. In good condition, lightly aged. Folded three times. The recipient is undoubtedly Elizabeth Missing Sewell or a member of her family, and the letter begins: 'My dear Miss Sewell, | I wish you could have accomplished giving us a day, hoping you might have found me in more lively and sensible trim than when you were here, when I had a headache just enough to make me stupid.' She is going to post her Roscoe's 'William I', which she got 'from the L[ending] Library'.

3pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. Begins: 'My dearest Aunt Agnes | Thank you very much indeed for your last letter. I send with this the announcement of my new book "Knight Errant", & if it would not trouble you to pass on the cards to any likely readers I should be very grateful.' She gives news of her children Amy and Maurice, and is enclosing 'a list of all the children of the family & their birthdays' (not present).

See the separate entries on the Gibsons in the Oxford DNB, which notes 'her eclectic salons, attended by diplomats, writers, politicians, and, after 1848, European exiles. Regular guests included Dickens, Thackeray, Hugo, Lady Morgan, the Disraelis, Cobden, and Louis Napoleon'. (Dickens wrote part of his last novel, 'The Mystery of Edwin Drood', at the Gibsons' London house.) The present item is from the papers of Arethusa's mother Lady Ann Cullum (1807-1875), wife of Rev. Sir Thomas Gery Cullum (1777-1855) of Hardwick House. 4pp, 12mo. Bifolium.

5.5 x 10 cm piece of paper, cut from the front of an envelope. In good condition, lightly aged. Reads: 'Immediate | The | Lord Archbishop of Canterbury | W Gladstone'. The signature is in the customary place, in the bottom left-hand corner.

On 12mo leaf, intended to be inserted in a book. In good condition lightly aged and worn. Centred on the page the inscription reads: 'With the author's kind remembrances. | W W Hunter. | Oaken Holt. | 1895.' The reverse is blank.

An interesting item in the field of Victorian Egyptology. The subject is what Owen describes here as 'one of the oldest Statues of an Egyptian Notable in the British Museum'. Its current Museum Number is EA103, and it has been in the Museum since 1835, but the details of its acquisition are unclear. In his translation Birch calls the sitter 'the Royal Scribe, Amenhelp', but the current BM description begins: 'Scribal statue of Amenhotep son of Hapu: of black grano-diorite. Hieroglyphic texts are inscribed on the papyrus unrolled on his lap and on the statue plinth.

On 3.5 x 5 cm slip, laid down on slightly larger rectangle of paper, removed from an album. In fair condition, lightly aged and worn. A neat, firm signature, on a small slip of paper. Presumably cut from a letter, in response to a request for an autograph.

According to his entry in the Oxford DNB, 'In 1844 Lover abandoned miniature painting as a result of failing eyesight but continued to paint and exhibit landscapes. He invented a new form of entertainment which he called Irish Evenings, a monologue of songs, recitations, and stories, all of his own composition. These he performed at the Princess's Concert Rooms, London.' Between 1846 and 1848 he toured North America with great success. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. Folded twice.

See Clarke's entry in the Oxford DNB. The present letter, signed 'Charles Mansfield Clarke', was written (from Caston, where Clarke's son-in-law Walter Patridge was rector) a few weeks after the death on 3 July 1856 of Clarke's wife of fifty years, Mary Anna (née Squire), by whom he had two sons and five daughters. Lady Clarke's own husband had died a year and a half before, on 26 January 1855. 4pp, 12mo. Bifolium with mourning border. In good condition, lightly aged, with minor traces of mount on reverse of second leaf. Folded once.

Without date or place. Rectangle of thin paper, cut from the end of a letter, clearly in response to a request for an autograph. In fair condition, aged and creased. Reads: 'I am | Your friend, | Khama | Chief of Bamangwato'.

Lady Bulwer Lytton is now best-known for her mistreatment at the hands of her husband (see their entries in the Oxford DNB). Both letters are in good condition, lightly aged and worn, the first carrying traces of mount and with slight damage at one corner. ONE: 28 February 1836. 4pp, 16mo. She is delighted to hear of Lady Cullum's return to England.

See Mitford's entry in the Oxford DNB. At the time of writing he had been retired for five years from the editorship of the Gentleman's Magazine, a post he had held for seventeen years. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to the blank reverse of the second leaf. Folded twice. Forty-four lines in a close hand.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

This unusual item is scarce: no copy has been located on OCLC WorldCat, and no reference to the poem has been discovered. Not dated, but the printer was active at the end of the nineteenth century: two other items at least were printed by 'C. Oswald' in Staines, one in 1887 and the other in 1898. Its subject is now obscure, but perhaps may be illuminated by the local historian. 8pp, 12mo. Stapled. Aged, worn and creased, with closed tear at foot of fold to outer bifolium.

An amusing unpublished jeux d'esprit by Martineau, revealing a lighthearted aspect of her character. 1p, 16mo. Bifolium, addressed by Martineau on reverse of second leaf 'To | Lady Cullum.' In good condition, lightly aged. Folded once.

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

See Cameron's entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition, lightly aged. Folded once. Having traversed the African continent from East to West in 1875 (the first European to do so), Cameron now turns his attention to the establishment of tennis club in Croydon. He has received a letter 'from Mr. Jaques about the tennis ground. The fencing is nearly finished and he seems in a hurry'. There is a problem however: lack of members.

1p, 12mo. In good condition, lightly aged. Folded once. Neatly and closely written out. Good firm signature, not hyphenated (as opposed to his entry in the Oxford DNB). A short letter, begging with thanks to the unnamed recipient 'for a sight of your beautiful drawings.' He continues: 'I have nothing to do with the publication of “Lives of the SS” as I parted with copyright at the time they were just done.' The sixteen volumes of his 'Lives of the Saints' appeared between 1872 and 1877.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

1p, 12mo. In good condition, lightly aged. In envelope with penny red stamp and postmark, addressed to Steggatt at 53 Norwich Street, Cambridge. The letter reads: 'Dear Sir | I regret that I cannot give you an order. I have no doubt of the excellence of the cigars, but I never by any chance smoke a cigar. | Believe me | Yours truly | C S. Calverley'. A nice Cambridge association, given that Calverley's most famous poem is 'Ode to Tobacco', and that it features in Cambridge on a brass plaque on the wall of the former Bacon's tobacconists.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

4pp, 16mo. Bifolium. Forty-two lines of text. Letterhead of family crest in gold and red. In good condition, lightly aged, with traces of white paper mount adhering to last page. Three fold lines. The editor's 'obliging Note' affords her 'sincere pleasure to have the opportunity of expressing her gratitude to him in person', and she asks him not to call some day the following week (she is 'going out of Town' the week after), but not in the morning, as she has 'much business, of a disagreeable and imperative nature to transact now'.