LONDON

See his entry in the Oxford DNB. From the papers of Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Rees-Mogg’s book was published in 1974, and the present item appeared in ‘Books and Bookmen’ in the same year. A late draft, neatly written out on 5pp, small 4to, with each page on separate leaf. Signed at end ‘Colin R. Coote’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 12mo. In good condition, lightly aged and creased. Folded once for postage. Signed ‘Peter Quennell’. He ‘can’t co-operate’ with the questionnaire that Dosse has sent him.

An elusive figure, Dosse is certainly a candidate for a full-length study. The novelist Sally Emerson gives an excellent account of her time as editor of ‘Books and Bookmen’ in its last days in an article titled ‘Death of a Bookman’ (Standpoint magazine, October 2018). These six items are in good condition, lightly aged and worn. ONE: 2pp, foolscap 8vo, second page numbered. Complete rough draft of typed letter, with manuscript corrections, endorsing ‘Books and Bookmen’.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. Signed ‘Norman Collins’. In good condition, lightly aged. He is submitting a review of J. B. Priestley’s ‘Instead of the Trees’, in the hope that it is ‘the kind of thing that you had in mind’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. Signed ‘Miron Grindea’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The typed letter is in fair condition, aged and worn; the three cards are in very good condition. The signature on the four items is little more than a squiggle. Of the three cards, only Item Four below is addressed.

Onyeama was the second black boy to go to Eton, and the first to complete his education there. See his obituary in the Guardian, 11 February 2022. His hugely-controversial 1972 book ?Nigger at Eton?, which resulted in him being banned from the school, was reprinted by Penguin Books in 2020 under the title ?Black Boy at Eton?. Philip Dosse, the recipient of the first two letters, was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are in good condition, lightly aged and worn, and folded for postage. All three signed loosely ?Bernard Levin?. ONE: TLS, 6 February 1974. 1p, foolscap 8vo.

See the entries for Angus Wilson and Christina Foyle in the Oxford DNB. ‘Dolly’ is clearly the ‘Mrs. A. G. Dowdeswell’ who was secretary of the Johnson Society of London in the 70s and 80s (arranging luncheons) and named as a member of the Johnson Society at least as late as 1992. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018.

An indication of how slavers spent the fruits of their slaves’ labours. With the advent of slavery studies William Atherton has been the subject of a deal of interest, reflected on his Wikipedia page. Thorpe and Lee are listed as coachmakers at 210 Holborn in 1791; in 1803 the firm is named as Thorpe and Co at the same address. The two items are written out in a secretarial hand, each on a long strip made by cutting a folio leaf in half vertically. Both in fair condition, lightly aged and worn. Each with slight damage from the breaking open of the wafer.

Engraved advertisement printed in dark blue, light blue and pink on both sides of 20 x 14 cm piece of unwatermarked wove paper. An amusing fake bank note or bond, designed to showcase the firm’s competency. The paper stock and layout are entirely consistent with the firm’s work. On one side, instead of a picture of a monarch or president, is the face of a rather imperious young woman (one of the directors’ wives?), together with a design featuring the fasces and motto ‘VIS UNITA FORTIOR’.

An attractive collection of chromolithographs, suited to display. The plates are all in good condition, laid down on the aged and sometimes damaged leaves of a small 4to (17 x 21 cm) album with good tight bevelled-edged binding in dark brown cloth, on which an embossed stylized pattern of foliage and two storks is printed in black with the word ‘ALBUM’ on the front cover and blind-stamped on the back cover. The album has an ornate title page, printed in red, with illustration of flowers, branches and a butterfly, together with the word ‘Album’ and publishers’ details.

Stapled periodical in black and white: iv + 12 pp, 4to. The outer leaves carry advertisements, with the front leaf paginated i-ii and the back leaf iii-iv. Engraved masthead at top of front cover. Containing thirteen articles between ‘Foreword’ (the journal aims ‘to address itself to all who, caring to read about Books, care especially to read about the Best - about those which are, beyond question, always worth reading and worth writing about’) and ‘Editorial Notices’, including ‘Books and Life’ by W. Macdonald, ‘The Birth of a Classic’ (i.e.

See his entries in the Oxford DNB and History of Parliament, the former of which notes his ‘high reputation for courage’ and his presence ‘at Neerwinden and Landen in 1693, covering the retreat on 19 July, and saving William III from capture by the enemy’. 1p, 8vo. On aged and worn paper, with chipping to edges and pitting along a horizontal central line, but with both signatures clear and unblemished. The customary printed document, completed in manuscript. Records in a secretarial hand, the receipt of £25 by ‘Hen: Lumley Esqr. attor to the Rt.

Each of the seven plans is on a 27 x 35.5 cm piece of paper.The source has not been established, and each carries the pencil date 1878 in a modern hand. They are uniform in layout, each with heading of the name of the theatre followed by a plan in the form of a 22 x 15 cm lithographic illustration of the respective theatre, as viewed from the stage, with the seating numbered. Beneath each plan are names of proprietors, lessees and managers, prices of admission, and in every case the details of the two ticket agents ‘Mr.

See Armstrong’s entry in the Oxford DNB.

Not only an interesting item of sigillography, but also a nice item relating to Victorian philanthropy. Eight red wax seals and two black, of varying sizes. Laid down in three rows on reverse of 15 x 11 cm card, tastefully printed in blue, red and gold, with facsimile of the signature of the Secretary, S. J. Aldrich. Originally ten seals were present, those that remain in good condition, most with good impressions of crests.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

viii + 133pp, 8vo. A good tight copy, with slight discoloration and damage to the early and late leaves. In very good modern grey boards, with title printed in black on white label on spine. Unobtrusive inscriptions lightly-written in the same elongated contemporary hand at head of half-title and title. Now a scarce item, with no other copy on ViaLibri.

See his entry in the Oxford DNB. The correspondence dates from the year 1901, Bligh having acceded to the earldom on the death of his elder brother Edward on 31 October 1900, and the material consists of what is probably the first set of banking instructions, mainly relating to his ‘accession account’, with recipients of payments ranging from the Dowager Countess to Rochester Golf Club. 10pp, foolscap 8vo; 2pp, 4to; 10pp, 12mo. The fifteen items range in size from foolscap 8vo to 12mo. Four items (letters to Coutts from Wadeson & Malleson) are typed and the rest are in manuscript.

Counsell, Ford and Fry all have entries in the Oxford DNB, that of Counsell noting that he was ‘assistant to Neville Grazebrook and composed the instrument of German surrender, signed at Rheims by General Jodl, which officially ended the war’. The two items are in good condition, lightly aged and creased from folding. Counsell’s TNS is stapled to the TLS from ‘Edward’, which is laid down on a leaf of ruled paper, at the head of which Fry has written: ‘Letter from John Counsell / re possible visit of H.M. The Queen to “Lady’s Not for Burning”’. ONE: Counsell’s TNS.

Lonsdale’s entry in the Oxford DNB has the following to say: ‘In 1925 The Last of Mrs Cheyney was produced at the St James's Theatre, with the leading roles played by Gladys Cooper, Ellis Jeffreys, Ronald Squire, and Sir Gerald Du Maurier. This, Lonsdale's most famous play, ran for 514 performances [from 22 September 1925] in London, and enjoyed comparable popularity in New York, Berlin, and Paris.

ONE: ‘The National Front and the Jews / A briefing document by the Anti Nazi League / March 1978’. Stapled pamphlet of 8pp, 8vo. In fair condition, lightly aged and creased. Striking cover with title in large letters printed in black onto strips of green. Two-page introduction followed by two pages of illustrations (‘merely intended as a sample of the National Front’s continual argument by innuendo. All are taken from the National Front monthly, Spearhead’); page headed ‘Before the National Front / 1959-67’, followed by two pages titled ‘The National Front / 1967-’.

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

With the surge of interest in the slave trade attention has lately been directed at Simond and Hankey, a ‘past constituent’ of the NatWest Bank. These two items are nice artefacts of the firm. Both are in good condition, lightly aged, and laid out in the same way, with the bill written out on one side of a 22.5 x 9 cm slip of laid paper. One is for ‘Deux Cent Livres Sterling a trente quatre Sols neuf deniers de gros’ and the other for ‘Cent Soixante Sterling a Trente quatre Sols dix deniers de gros’. Both drawn on ‘Messrs. Vernede & Co’.

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

See the two men's entries in the Oxford DNB. Russell's papers are in the Harry Ransom Center at Texas. 1p, 4to. Aged and worn, with creasing and closed tear along left edge. Folded one. Carrying a neat and controlled signature, ‘Leonard Russell.’ He has ‘just come across’ the books Wilson lent him, ‘buried under a mass of books and papers’, and apologises. He ends by asking how Wilson’s ‘Notes from a Bookshop’ are going. ‘Copy as soon as you like.’ Wilson has ticked across the two paragraphs to signify action taken.

See the entries in the Oxford DNB on Browning and firm’s founder Adam Black (1784-1874). 1p, 12mo. In fair condition, lightly aged and creased. Folded three times. Addressed to ‘Oscar Browning Esq’ and signed ‘A. &. C. Black’. The firm is replying to a note of Browning’s of 7 July 1891, ‘desiring our assent to the separate publication in book form of your Articles, from the Ency[lopaedi]a Brit[annic]a. on Dante & Goethe’. They ‘have pleasure in complying therewith, on the usual understanding that the sources of the articles is duly acknowledged & a copy of the book sent to us when published’.