TOM

Part of leaf from exercise book (it seems), 12.5 x 11.5cm, laid down on paper slightly larger, good condition. Dear Sir: I comply with your request very willingly, and subscribe myself Yours autographically | and truly | B.P. Chillaber | for sef and | Mrs Partington.

For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. At the time of writing Carlile was in prison for refusal to pay the church rates. The proofs Carlile asks to be allowed to receive in the first letter are presumably those of his journal 'The Gauntlet'. The phrenologist 'Mr. Hohn' referred to in the second of the letters - the 'Mr. Holme' of the accompanying slip - is the German-born physician and phrenologist John Diederick Holm (d.1856).

Maguire was, his entry in the Oxford DNB states, 'one of the most popular orators of his age, and from 1829 until 1843 he addressed huge crowds and packed congregations in churches and at venues throughout England and Ireland'.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

Both items in good condition, lightly aged. ONE: 3 March 1884. 1p, 12mo. Addressed to 'Dear Mr. Kynnersley'. Having received Kynnersley's undated letter he writes: 'I shall meet Blandford as you propose on the 11th. with very great pleasure. He was one of the heroes on whom I used to look with awe as a 3rd. form boy in 1834 in which year I joined & he I think left Rugby.' He is sitting at Congleton on the day of the meeting, and 'there is just a chance that some perverse suitor may be in full blast at my train time in which case (as I never leave a cause part heard) I may be late'.

1p, 8vo. In fair condition, lightly aged, with creasing at edges. Signed at bottom right in red ink. Limited edition numeration added with a stamp. Beneath the heading 'The Real Thing' in block capitals, a characteristically-quirky eighteen-line quotation of a speech made by 'Henry', while 'holding his cricket bat', ending: 'This isn't better because someone says it's better, or because there's a conspiracy by the MCC to keep cudgels out of Lords. It's better because it's better.'

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

Page from an autograph album, 16.5 x 12cm, containing autographs as follows: "Compliments of | Count Primo Magri | from Bologna | Italy || Comtess [sic] M L Magri (Mrs Genl Tom Thumb)", filling the page. Overleaf signatures of C. W. Couldock, American Shakespearian Actor; Theodore Thomas, American conductor; M.W. Whitney and another ("W.. Fort"[?]).

1p., 12mo. In fair condition, lightly aged, laid down on part of a page from an album. Reads: 'Dear Teg. | Miss Elizabeth Philp has sent a batch of Songs of her own Company to the Queen. Will you kindly interest yourself to get them a notice?'

1p., 4to. In good condition, lightly aged, laid down on leaf removed from album. Clarke writes that a King's student, also named Clarke, whom Stuart took 'for vacation work', has returned 'full of enthusiasm & gratitude for all you & your people have taught him'. He only hopes that the student 'made as good an impression on you as you have done on him'. He concludes: 'Why don't you come and give the students a talk one day?' According to an official account: 'The University of London ran courses in journalism from around 1923.

[4] + 78pp., 12mo. In original grey-green printed wraps. Presentation inscription on fly-leaf, dated January 1907. The volume comprises three pieces. First, an untitled memoir, with footnote at end: 'My father begun [sic] this autobiography at the request of my brother Jack, and after his death did not continue it.'; second, an account of a street fight between a policeman and a 'bone-picker', titled 'A Street Adventure, 1845'; lastly, 'The Working Men's College'. Four copies on COPAC, but now uncommon.

4pp., 12mo. Bifolium. In fair condition, on lightly aged and worn paper. Arnold, whose conversion to Roman Catholicism hindered his academic dvancement in England, was grandfather of the writer Aldous Huxley, and taught James Joyce at Dublin. At the time of writing he was running a private tutoring establishment at Oxford. He begins the letter by explaining that it has hardly been possible to reply to Hutchinson 'during term time [...] I had so much work on my hands'. He is returning 'Canon Bright's letter', and has 'not had time to look at the treatises on Perseverance and Predestination'.

On 3.5 x 16.5 cm piece of paper, cut from the end of a letter. Ruckled and lightly stained, with small closed tear (not affecting signature). Good firm signature. Reads: 'Kindest regards to your wife | Ever most truly yours | Thos Hughes'. At bottom left: '1873'. Same year printed on reverse, which carries more autograph text by Hughes, written at right angles to the text on the other side.

The Clarke family ran the Argyle for fifty years from 1890 to 1940, during which period it was one of the best-known provincial theatres. It opened as the Argyle Music Hall in 1868, and between 1876 and 1890 was named the Prince Of Wales Theatre, being used mainly to stage plays. In 1890 the focus returned to music hall and variety and it was renamed the Argyle Theatre. Its archives are in the University of Sheffield. 2pp., 12mo. In fair condition, on lightly-aged paper, somehwhat grubby and creased at foot of leaf.

48pp., thin 12mo. (20 x 9 cm.) Stapled. In good condition, on aged newspaper stock. Divided into ten sections: 'List of Delegates and Bodies Represented', 'The Conference', 'Chairman's Opening Remarks', 'Tom Mann's Address', 'The Resolution', 'The Discussion', 'A Weekly Newspaper' 'Manchester Syndicalist Education League', 'Parliamentary Action', 'Next Conference'. Ends with page on 'Industrial Syndicalism. What it is, and What it isn't', and two pages of details of 'Persons willing to speak as advocates of Industrial Syndicalism in their respective districts'.

Three pages (expansive hand), 12mo, fold mark, good condition. "Ihave decided on offering you our Drawing Mastership. | The salary will be half a guninea for every Boy in the School not on the Foundation up to a maximum of 160 guineas. | The boys have steadily exceeded 320, not on the Foundation, for years. But [...] is our rule of payment in all cases. | I should be glad if you could come in about a month."

285pp., 8vo, including newspaper cuttings laid down on 24pp., and one loose cutting. In contemporary black leather half-binding, with brown cloth covers, and 'MINUTE BOOK' in gilt on front. Marbled endpapers. Ticket on rear pastedown of 'W. BLAIR, | Stationer, | Post Office Buildings | TONBRIDGE'. Internally in good condition, on lightly-aged paper, in worn binding with front hinge split. Manuscript title: 'Tonbridge Cricket Week. | 1894. | First Held 1890'.

v + 83pp. In grey printed wraps. Printed on rectos only and comb-bound. On aged and worn paper, with stamps of the Hire Library of Messrs Chappell & Co. Ltd, 50 New Bond Street. With pencil markings and annotations. Loosely inserted is an 'On Loan' receipt to 'Mr. T. Dickinson, 12A, York Mews, London, N.W.5.' The first English production of the play was at the Apollo Theatre, London, opening on 7 September 1961. It ran for 44 performances.

ONE (Elliott's letter): 3pp., 12mo. 34 lines. Bifolium. In good condition, on aged paper, loosely attached to the title-leaf of the book by a small piece of gummed paper. The letter begins: 'My dear Driberg | I ought to have acknowledged your letter sooner, but I only received it on my return from abroad, and since then I have been busy struggling with the arears which always accrue during absence.' He thanks him for sending his 'son's little volume', which he has read 'with much interest & congratulate him on the neat & modest appearance he has made in print'.

34 + [1]pp., 12mo. In fair condition, on aged paper, a little ruckled. Advertisement for 'Jan Cladpole's Trip to Merricur' ('Just published') on last page. A three-page preface is followed by the poem, in 152 four-line stanzas, with pp.33-34 carrying another poem titled 'Tom Cladpole's Return'. Surprisingly uncommon.

The three items derive from the Bilainkin papers. Each is separately paginated and stapled, with the text on one side only of the leaves. All three in good condition, on lightly-aged and creased paper, with rusty staples. Item One: Titled 'ADD 1960 DIARY. Saturday, July 23.' 7pp., foolscap 8vo. With carbon copy of the same.

8pp., 4to. On eight leaves pinned together. In good condition, on lightly-aged paper, with rust staining from pin. Apparently unpublished. Typed at head of first page: 'From J. H. Driberg, 19, Dryden Chambers, W.1.', above which, in manuscript: 'NL. N. 10 pt Miscellany'. Driberg is clearly the author: 'Anyanga' is a surname common in the area of Kenya in which he was based as a colonial offical. The first paragraph gives an indication of the tone of the piece: 'The War left me with one fragrant memory. Her name was Yvonne Beaubouchais, and the date was 1915.

The nine large prints are in good condition, lightly-aged with slight wear to corners. The smaller print is lightly-creased. In worn blue faux-leather album, with large facsimile signature of 'Lenare' on cover in gilt, with the address 'Portraiture | 28, GEORGE STREET | HANOVER SQUARE | LONDON, W.1.' ONE to FOUR. A series of four head-and-shoulders portraits of Driberg, each signed in pencil by Maurice Beck, and with the stamp on the reverse: 'Photograph by | Maurice Beck | F.R.P.S.' Each on a piece of 37 x 29.5 cm.

Black and white portrait of Driberg from the waist up, by Converse Studios Inc., New York. In good condition, in lightly-worn printed card folder, 35 x 25.5 cm. The image is mounted behind a 23.5 x 18 cm windowpane. Driberg, in his early thirties, in a double-breasted pin-striped suit, white shirt, and tie, faces the camera with hands in pockets. From Driberg's own papers.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

Valuation: 29pp., 4to, in a brown folder bound with green ribbon. In good condition, on lightly-aged paper. With a few manuscript additions. The title reads: 'T. DRIBERG, ESQ., 601 MOUNTJOY HOUSE, BARBICAN, LONDON, E.C.2. | VALUATIONS FOR INSURANCE | CHRISTIE, MANSON & WOODS.

2pp., landscape 12mo. In good condition, with minor water stain. He begs Driberg's pardon for having to 'break my engagement to play Bridge with you on Saturday evening - though it seems very impolite when I accepted so long ago': 'The fact is that the Master of Trinity has announced his intention of bringing the Belgian Ambassador to dine with me in Hall at Magdalene on that evening, and I regard this as so near to a Royal Command that I dare not evade it!' He hopes that '[w]ith this amount of notice' Driberg will be able to find a replacement, and asks for 'another chance later on'.

1p., 12mo. In good condition, on lightly-aged paper. The letter begins: 'Dear Jack | It is a long time since we met - but perhaps that is my fault. If so, will you let bygones be bygones - and come over to Toppesfield some time?' She suggests a date, 'Or any Sunday lunch in the immediate future', stating that 'after July, all plans are "Hitler permitting"!' Driberg has noted his acceptance of the invitation up one margin. [Driberg was a Lecturer in Anthropology at Cambridge University from 1934 to 1942. His brother was the colourful Labour MP Tom Driberg.

1p., 12mo. Good, on lightly-aged paper. He begins: 'My bookseller has sent me tonight "Island India at School" - Chicago University Press $2 [in fact 'Island India at School', E. R. Embree et al, 1934], and therefore, presumably, C.U.P. in this country.' He apologises for troubling Driberg unnecessarily: 'But yesterday they told me that they couldn't even trace it in Publishers' Catalogues.' Postscript reads: 'I hope I'm not robbing you of your proper style & title. I feel that it might be "Dr."