J.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

See his entry in the Oxford DNB. Strangwayes published his ‘Materials for a Genealogical History of the House of Strangwayes sometime of Strangwayes Hall, in the County of Lancaster’ in two parts, 1894 and 1895. 4pp, 12mo. Bifolium. In fair condition, lightly aged, with thin strip of paper from mount laid down along inner and outer top edges. With large bold signature. He explains that Strangwayes’ name was sent to him by ‘Mr Ryland’ a few weeks before, but he has delayed in replying, having been ‘laid up all this month’.

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

Williams, who has an entry in the Oxford DNB, became a close friend of Spalding and her sister Anne after lodging with their parents during the Second World War. The present item is a transcription, made and printed out around the 1980s, of the 1961 radio programme, on one side each of 34 numbered pieces of A4 paper, loosely gathered by a black plastic spine.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to ‘My dear Mr Cooke’. Cooke’s ‘friendly note’ about the time he ‘proposed setting out for Deal’ was received on the Thursday, and the Robinsons are ‘glad indeed to hear that your dear Mother is again restored to her usual health’. The Robinsons think that ‘change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad’.

See the entries for writer and recipient in the Oxford DNB. 2pp, 12mo. In good condition, folded once. In envelope (with Oxford crest on flap), with stamp and two postmarks, addressed by Magrath to ‘Henry Jenner Esq / British Museum / London E.C.’ From ‘a communication I have received from Madan’ (Falconer Madan, Bodley’s Librarian) he gathers that Jenner ‘would be interested to know the results of the kind assistance you gave a Committee of the Hebdomadal Council in May in the matter of the extension of the Bodleian Library’.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

Totalling 4pp., sm.fol. Very good, on lightly-aged paper. The letter (1p., 8vo) is a circular, and in it Keenan writes: 'Do not be alarmed at the sudden appearance of these instructions. Rather accept them as a fact that some one has your interests at heart'. The instructions (2pp., 8vo) are headed 'APPX 3 TO ANNEX D | CAMP HOLF SOP NO 2 | INSTRUCTIONS TO FAMILIES'. Divided into 13 sections, under the headings: Introduction; Wardens; Precautions; Children; Shopping; Special Warning Procedure; Leave; Finally.

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.

See his entry in J. F. Smith, 'The Admission Register of the Manchester School'. 6pp, 12mo. Written in a neat, close hand. In fair condition, lightly aged. Folded three times. A vivid example of the methodology of the nineteenth-century English clerical antiquary. The main subject is the controversialist Richard Montagu (1577-1641), Bishop of Norwich, about whom, in January of the following year (that of his death), Backhouse would publish a letter in 'The Academy' under the title 'The Abbreviations in Bishop Mountagu's [sic] Dedication'. The recipient is not identified.

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

1p, 4to. In fair condition, on aged and creased paper. The letter begins: 'Dear Mr. MacQueen Pope, | Please forgive me for bothering you, but you are I know, the horse's mouth as regards theatre history.' She explains that she is 'in the throes of a book on ballet' for her publishers William Collins, and she asks him to help her with 'a problem in the section on early ballet in England'. The problem concerns 'the King's Theatre Haymarket' and 'the Italian Opera House'. She gives a facts and dates, asking 'was it all one and the same theatre?

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

1p, 4to. In fair condition, aged and creased. Folded twice. Headed by Macleod 'Physiological Laboratory' and addressed to 'Professor Luigi Luciani'. He begins by explaining that '[t]hrough Dr G. A. Barricelli [i.e. Giovanni Alfonso Barricelli (1873-1934)] of this city' he has received 'the most interesting collection of "researches on Physiology and allied Sciences" published in honour of your 25th year as Professor in Rome'.

See McCulloch's entry in the Oxford DNB. He was appointed Comptroller of H.M. Stationery Office in 1838. 1p, 16mo In good condition, lightly aged. Folded once. Reads: 'Mr. McCulloch presents compts to Sir James and Lady Em. Tennent, and begs to thank them for their kind invitation to dine with them on the 5th proxo, which he has much pleasure in accepting.'

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.