AND

[Arthur Henry Fox Strangeways, English musicologist.] Two Autograph Letters Signed (both 'A. H. Fox Strangeways') to an unnamed recipient, declining to print an article in 'Music and Letters', and providing information about the composer Rauzzini.

Author: 
A. H. Fox Strangeways [Arthur Henry Fox Strangeways] (1859-1948), English musicologist, music critic of the 'Observer' and founder of the magazine 'Music and Letters'
Publication details: 
Both on letterheads of 'Music and Letters', 38 Lansdowne Cresent, W11 [London]. 13 January and 3 February 1934.
£56.00

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

[Card games: 'Whist for two' and 'the game of Mrs. Allport'.] Autograph instructions by 'Miss Stanton' on 'How to play the game of Mrs. Allport' and 'Whist for two'.

Author: 
[Card games; pastimes; Miss Stanton; Mrs Allport; whist; Chelsea, London]
Publication details: 
No date (1920s?). On letterhead of 72 Elm Park Mansions, Park Walk, Chelsea, London, S.W.
£120.00

9pp, 12mo. On twi bifoliums and a single leaf, only the first of the bifoliums carrying the letterhead. In good condition, on aged paper. Folded once and in an envelope with 'Whist for 2. | Rules by Miss Stanton.' on cover. The letterhead has the feel of the 1920s, but the handwriting is Victorian, and presumably that of an old spinster. The first bifolium carries a separate set of instructions over four pages, headed 'Whist for two', and concluding: 'Hope you can read it excuse blots for I cant see what I have written'.

[ Margaret Gatty; children's author] Autograph Note Signed Margaret Gatty to Stephen [perhaps her grandson, Stephen Herbert Gatty?]

Author: 
Margaret Gatty [ Margaret Gatty (1809–1873), children's author and writer on marine biology. Some of her writings argue against Charles Darwin's Origin of the Species.
Publication details: 
Ecclesfield, 26 May [1860[8?]]
£45.00

One page, 12mo, staining and ink blots but text clear and complete, laid down on larger piece of paper, docketed The late Mrs. Margaret Gatty (writer for children) Editor of Aunt Judy's Magazine.

[ Trafford Smith, Lieutenant-Governor, Malta [ Typed Letter Signed Trafford Smith to Miss Felicity Ashbee, apparently giving her influential contacts for her travels.

Author: 
Trafford Smith, Lieutenant-Governor, Malta
Publication details: 
The Palace, Valletta, 14 August 1958.
£40.00

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

[Mary Martin, Broadway star.] Two Typed Letters Signed (both 'Mary') to 'Popie', i.e. the English theatre historian MacQueen-Pope, discussing her family's plans and the projected production of 'South Pacific' at the Theatre Royal, Drury Lane.

Author: 
Mary Martin [Mary Virginia Martin[ (1913-1990), American actress, singer, and Broadway star associated with Rodgers and Hammerstein [W. J. MacQueen-Pope; Larry Hagman]
Publication details: 
One 28 May [1950], the other undated, but from 1951. Both on her letterhead.
£120.00

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

[Dodie Smith, author of 'The Hundred and One Dalamatians'.] Autograph Letter Signed ('Dodie') to 'Popie' (theatre historian W. J. MacQueen-Pope), regarding her contract with Walt Disney, a celebratory dinner in London, the death of her own dalmatians

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
2 December 1957. On letterhead of The Barretts, Finchingfield, Essex.
£350.00

See the entries for Smith and MacQueen-Pope in the Oxford DNB. Walt Disney had read The Hundred and One Dalmatians earlier in the year in which the present letter was written, and had immediately begun negotiations for the rights, much to Smith's delight, as she had hoped that he would make it into a film. 2pp, 8vo. A long letter, in a close and elegant hand. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley, and on receipt of his latest book, she begins: 'Dear Popie, | How very, very kind of you to send us Give me Yesterday! Thank you so much.

[Dodie Smith, author of 'The Hundred and One Dalmatians'.] Two Autograph Letters Signed (both 'Dodie.') to 'Popie' [W. J. MacQueen-Pope], discussing her dalmatian dogs, failed musical, his latest book and offer of collaboration, petrol rationing.

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
23 and 28 January 1957. Each on letterhead of The Barretts, Finchingfield, Essex.
£120.00

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

[Ruby Dunn, widow of Sussex poet Peter Dunn, writes to Christopher Fry.] Autograph Letter Signed to Fry from Ruby Dunn, discussing the effect on her of editing her husband's work, with duplicated copies of his poems.

Author: 
Peter Dunn (1918-c.1998), Sussex poet, naturalist and printer (Poet and Printer, Hatch End), and his widow Ruby Dunn [Christopher Fry (1907-2005), playwright, leading exponent of dramatic verse]
Publication details: 
Letter with printed label of 84 Eldred Avenue, Withdean, E. Sussex; 17 October 1998.
£220.00

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

[Gilbert White, naturalist.] Original Manuscript, said to have been dictated by White himself, of 'Gilbert White's statement' on the venomous properties of the toad, with eleven authorial emendations. Together with a series of thermometer readings.

Author: 
Gilbert White (1720-1793), naturalist and ornithologist, author of the celebrated 'Natural History of Selborne' (1789) [Thomas Bell (1792-1880), zoologist]
Publication details: 
Without date or place.
£350.00

A very nice artefact of one of the best-loved books in the England language, Gilbert White's 'Natural History and Antiquities of Selborne', which at one point was claimed to be the fourth most-printed book after the Bible, Shakespeare, and Bunyan's 'Pilgrim's Progress'. White's entry in the Oxford DNB concludes by describing the book as 'an expression of universal thanksgiving, treasured by all'.

[J. O. Halliwell-Phillipps, Shakespearian scholar and antiquarian.] Autograph Letter Signed ('J. O. Halliwell') to Messrs Dickinson & Co., settling a bill and praising the paper supplied by them for his 'folio edition of Shakespear now completed'.

Author: 
J. O. Halliwell-Phillipps [James Orchard Halliwell-Phillipps, born James Orchard Halliwell] (1820-1889), Shakespearean scholar, antiquarian, and folklorist [John Dickinson & Co, papermakers]
Publication details: 
5 May 1866; on letterhead of No. 6, St Mary's Place, West Brompton, London, S.W.
£150.00

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

[Edmund Boyle, 7th Earl of Cork and 7th Earl of Orrery, Irish peer ] Autograph Signature ('Cork') to part of document addressed to the Duke of York (as Commander in Chief of the British Army).

Author: 
Earl of Cork [Edmund Boyle, 7th Earl of Cork and 7th Earl of Orrery] (1742-1798), Irish peer, on whose wife Mary Monckton Dickens modelled Mrs Leo Hunter in 'Pickwick Papers'
Publication details: 
[November 1795]; no place.
£35.00

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

[Henry Betty, actor.] Autograph Letter Signed [to Madame Celeste, lessee of the Royal Lyceum Theatre, London], announcing his father's recovery from illness, and requesting 'the favour of an Order' [to a performance of 'A Tale of Two Cities'].

Author: 
Henry Betty [Henry Thomas Betty] (1819-1897), actor and founder of Betty's Fund for Poor Actors and Actresses, son of actor William Betty (1791-1874) [Madame Celeste, lessee, Royal Lyceum Theatre]
Publication details: 
'Thursday Morning. | Feb 16/60. [16 February 1860] | 37. Ampthill Square. | Hampstead Road. | Regents Park.' [London]
£90.00

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

[British Army Regimental Colonels during the reigns of William and Mary and Queen Anne.] Contemporary Manuscript of Regimental Colonels in Britain, South Britain, North Britain [Scotland], Ireland, Gibraltar and Port Mahon (Minorca), with emendations

Author: 
British Army Regimental Colonels during the reigns of William and Mary and Queen Anne
Publication details: 
No date but circa 1715, and amended until the mid-1720s. No place [War Office, London?]
£280.00

The present early eighteenth-century document lists the heads of British Army regiments from the period of the Glorious Revolution to the accession of George I. Internal evidence suggests that it was compiled around 1715, and that it was amended until the mid-1720s. The care with which it was compiled, over a decade and in a number of hands, would appear to suggest some sort of official standing. It is on nineteen 18 x 7.5 cm leaves of laid paper, formed in ten bifoliums, now loose but originally bound together, and with traces of thread still present.

[Robert Gibb, Scottish painter.] Autograph Letter Signed ('Robert Gibb') to the publisher of 'Black and White Budget', W. J. P. Monckton, re. 'the incident depicted in "Saving the Colours" ["Saving the Colours: The Guards at the Battle of Inkerman"]

Author: 
Robert Gibb (1845-1932), Scottish painter; Keeper of the National Gallery of Scotland and Painter and Limner to the King [W. J. P. Monckton, publisher of the London magazine 'Black & White Budget']
Publication details: 
8 May 1901. On letterhead of 2 Bruntsfield Crescent, Edinburgh.
£45.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gibb hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street.

[Richard Kearton, pioneer wildlife photographer; plus ANS] Printed advertisement w. list of works and fourteen photographs, carrying Autograph Note Signed ('R. Kearton'), directing the admittance of 'bearer and friend' to 'my lecture | Muswell Hill'.

Author: 
Richard Kearton (1862-1928), naturalist and pioneer wildlife photographer with his brother Cherry Kearton (1871-1940)
Publication details: 
Advertisement undated. Kearton's note dated 15 January 1906.
£120.00

Printed in black ink on both sides of a 26 x 30 cm piece of thick shiny art paper. Worn and folded twice. One side carries a priced list of eleven 'Natural History Works by R. KEARTON, F.Z.S.

[Dudley Moore, comedian and jazz musician, interviewed by Les Tomkins for 'Crescendo'.] Typescript of 'The Serious Side of Dudley Moore', with second part ('More Music and Moore'), gig review, and carbon of Tomkins letter to editor Victor Graham.

Author: 
Dudley Moore, comedian and musician, half of the 'Pete and Dud' duo with Peter Cook; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine [London].
£50.00

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

[The Ranyard Mission: district nursing in London.] Printed pamphlet: 'The District Nurses of the Biblewomen & Nurses Mission. 2, Adelphi Terrace, Strand, W.C. Report, 1894.' [With 'Notes' of eight medical cases.]

Author: 
Ranyard Mission [Biblewomen & Nurses Mission, founded by Ellen Henrietta Ranyard as London Bible and Domestic Female Mission]; her neice Emily Selfe Leonard; Mercers Company; London district nursing
Publication details: 
[The Biblewomen & Nurses Mission [Ranyard Mission], 2 Adelphi Terrace, Strand, W.C., London. 1894.] Printed by Cassell & Company, Limited, La Belle Sauvage, London, E.C.
£80.00

The Biblewomen & Nurses Mission was founded as the London Bible and Domestic Female Mission in 1857, with the aim of bringing religious education to the poor. See the account of the founder Ellen Henrietta Ranyard (1810-1879) in the Oxford DNB. In 1868, Ranyard expanded the organisation to include the nursing of the sick poor in their own homes, in response to what the 'Biblewomen' saw of the sick, and three years later the Mission began to receive support from the Mercers Company. After Ranyard's death she was succeeded as Hon.

[George Grossmith, the original 'Ko-Ko' in Gilbert and Sullivan's 'Mikado'.] Autograph Quotation from the operetta ('”Bother the Flowers that Bloom in the Spring”'), signed 'Geo: Grossmith'.

Author: 
George Grossmith (1847-1912), comedian, writer, composer, actor, and singer associated with Gilbert and Sullivan, author with his brother Weedon Grossmith of 'Diary of a Nobody'
Publication details: 
Without date [after 1885] or place.
£150.00

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

[Chiswick Press, London.] Small printed pamphlet: 'A List of Typographical and Bibliographical Works by Chas. T. Jacobi | Managing Partner of the Chiswick Press'.

Author: 
'Chas. T. Jacobi, Managing Partner of the Chiswick Press' [Charles Whittingham and Co., London publishers and printers]
Publication details: 
London: At the Chiswick Press | Tooks Court, Chancery Lane'. [Colophon: 'Chiswick Press: Charles Whittingham and Co. Tooks Court, Chancery Lane, London.'] No date [1909].
£120.00

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

[Charles Mackay, Scottish poet, journalist and author.] Autograph Letter Signed ('Chas Mackay') to Rev. G. Bainton, granting permission to publish a letter.

Author: 
Charles Mackay (1814-1889), Scottish poet, journalist, and author of 'Extraordinary Popular Delusions and the Madness of Crowds' [Rev. George Bainton (1847-1925)]
Publication details: 
12 October 1887; 47 Longridge Road, South Kensington [London].
£45.00

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg], soprano singer and actress with the D'Oyly Carte Opera Company, suffragist.] Autograph Letter Signed ('Decima Moore') to 'Mrs. Horton', regretting that she cannot provide an introduction.

Author: 
'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg] (1871-1964), soprano singer and actress with the D'Oyly Carte Opera Company, suffragist [Gilbert and Sullivan]
Publication details: 
Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London].
£80.00

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

[Percy Anderson, D'Oyly Carte stage designer.] Four Autograph Letters Signed to theatrical wigmaker William Berry Clarkson, praising the work he has done on his behalf, in connection with several productions.

Author: 
Percy Anderson (1851-1928), stage designer and painter with D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [William Berry Clarkson (1861-1934), theatrical wigmaker; Gilbert and Sullivan]
Publication details: 
12 March 1912, 31 December [1912], and the other two without year; all on letterheads of 55 York Terrace, Regent's Park, N.W.
£450.00

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

[Joseph Sams of Darlington, Quaker bookseller and traveller.] Autograph Letter Signed ('J. Sams.'), explaining his practice with regard to the return of items, and including a list of 'fine & curious coloured prints' and drawings.

Author: 
Joseph Sams (1784-1860) of Darlington, Quaker bookseller, dealer in antiquities, traveller in Egypt and Palestine
Publication details: 
'Darlington 21/7mo (July) 1853'.
£150.00

See Sams's entry in the Oxford DNB. 4pp, 12mo. On a bifolium, the second leaf of which has had a rectangle, almost amounting to half, cut away from the bottom. The text of the letter is complete, but the priced list of the prints and drawings on the last page, lacks the lower half. A long letter, closely written. Signed 'J. Sams.' Aged, worn and lightly stained, but nevertheless in passable condition. The recipient, saluted as 'Esteemed Friend', is not named.

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

[Edward Harley, 5th Earl of Oxford and Earl Mortimer.] Autograph Letter Signed ('Oxford') [to his steward], regarding the sending of his coach from England to Naples ('now open for the English'), and 'the Sadler [sic] in North Audley Street'.

Author: 
Edward Harley, 5th Earl of Oxford and Earl Mortimer (1773-1848), nobleman and connoisseur.
Publication details: 
'Cagliari [Sardinia] March 7th. 1814.'
£120.00

The Earl's wife was a mistress of Lord Byron. Her infidelities let to her children being jokingly referred to as 'The Harleian Miscellany'. 1p, 4to. Heavily aged and worn, with spike hole at centre. Folded several times. 'Sir | As Naples is now open for the English I beg you will send the Carriage to Naples for me by the first Ship that Sails from England for that Country. We are going there immediately. & shall [the]refore want it. I hope therefore you will lose no time in sending it. I will thank you to call on Wh.

[Yvonne Arnaud, French actress and musician.] Autograph Letter Signed, in English, at the time of her first triumph ('Suzanne' in 'The Girl in the Taxi'), to a 'Cher Monsieur', regarding having her picture taken by 'Mess. Foulsham and Banfield'.

Author: 
Yvonne Arnaud (1890-1958), French actress and musician who settled in London [Lyric Theatre; Foulsham & Banfield, London photographers]
Publication details: 
'11th. 7bre. [11 September] 1912. Lyric [i.e. The Lyric Theatre, Shaftesbury Avenue, London].
£45.00

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

[Edward Moxon, publisher and poet, son-in-law of Charles Lamb.] Holograph 'Sonnet' on William Wordsworth and his sister Dorothy, beginning 'There is in Rydal's vale a river sweet', signed 'Edward Moxon'.

Author: 
Edward Moxon (c.1801-1858), publisher and poet, son-in-law of Charles Lamb, associated with Wordsworth, Tennyson and the printers Bradbury and Evans
Publication details: 
London. 5 January 1847.
£450.00

See Moxon's entry in the Oxford DNB, which describes his association with William Wordsworth as 'arguably his most important publishing relationship'. The present poem was published as 'The Two Streams' in the 'Literary Souvenir' of Alaric Watts in 1830, a year before Moxon published his first volume of Wordsworth's verse. The present item is 1p, 4to. In good condition, lightly aged, and laid down on a leaf removed from an album. Folded three times. Entirely in Moxon's autograph, titled 'Sonnet', and signed at the end 'Edward Moxon | London Jan. 5th | 1847'.

[Cavour, Italian statesman and leading figure in the Risorgimento.] Autograph Letter Signed ('C Cavour'), in Italian, enclosing a letter for the Marquess of Azeglio, and inviting the recipient to contribute writing in a powerful 'organ of publicity'.

Author: 
Cavour [Camillo Paolo Filippo Giulio Benso, Count of Cavour, Isolabella and Leri] (1810-1861), Italian statesman, leading figure in the Risorgimento [Massimo Taparelli, Marquess of Azeglio (1798-1866)
Publication details: 
Without date or place.
£250.00

1p, 12mo. On the recto of the first leaf of a bifolium, the rest being blank. In good condition, lightly aged, with a hole on a blank part of the paper at the foot of the first leaf. Neatly written and signed 'C. Cavour'. Cavour begins by taking up an offer by the unnamed recipient, by asking him to convey a letter to his rival Massimo Taparelli, Marquess of Azeglio (1798-1866), Prime Minister of Sardinia.

[Vice-Admiral Sir Thomas Dundas, Royal Navy officer who distinguished himself at Trafalgar.] Autograph Letter Signed ('Thomas Dundas') to Sir John Philippart, regarding his writing of an article for the Naval and Military Gazette.

Author: 
Vice-Admiral Sir Thomas Dundas (1765-1841), Royal Navy officer in American War of Independence, French Revolutionary and Napoleonic Wars, and at Battle of Trafalgar [Sir John Philippart]
Publication details: 
Falkirk. 11 January 1832.
£220.00

3pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with traces of mount, and red wax seal, adhering to the reverse of the second leaf, which is franked (the franker's name and signature illegible) to 'Sir John Phippart [sic] | &c &c | No 8 New Burlington St'. Slight loss to one corner of second leaf, from breaking open of seal, with damage to one word of text.

[Herbert Whittaker, Canadian theatre critic, designer and director.] Eight long Signed Letters (six typed and two in autograph) to English playwright Christopher Fry, on theatre matters including a reading at the Toronto Arts and Letters Club.

Author: 
Herbert Whittaker (1910-2006), Canadian theatre critic, designer and director [Christopher Fry (1907-2005), playwright; Canadian Players; Hart House Theatre; Crest Theatre; Montreal Repertory Theatre]
Publication details: 
From his address in Lamport Avenue, Toronto, Ontario, Canada; between 11 July 1998 and 7 April 2002.
£850.00

An interesting correspondence on theatre matters, from one of Canada's most influential critics and designers to 'a favourite poet', the English verse dramatist Christopher Fry. Whittaker discusses, among other matters, mutual acquaintances including Sir John Gielgud and Leonard White, past productions of Fry's plays, a 1998 meeting with the playwright at his West Dean home, and a reading he organises of Fry's 'A Ringing of Bells' at the Toronto Arts and Letters Club. The eight letters are in good condition, lightly aged.

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