AND

2pp, 12mo. On grey paper. In good condition, lightly aged, in neatly-trimmed remains of windowpane mount. Headed ‘Private’, addressed to ‘My dear M. D [M. P?]’, and signed ‘H. Brougham’. Thirty-four lines of text, in a somewhat challenging hand, resulting in the following tentative reading. (In his 1995 biography of Brougham’s later life, Trowbridge H.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. On light-blue paper, with letterhead in dark-blue and red. Signed ‘Ralom’, with ‘RALOM & ROSA’ typed beneath. In good condition, lightly aged. Writing to MP at the Evening News, London. ‘There has [sic] been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) For several decades Humphrey Joel was a leading British commercial photographer, providing the London magazines with scenic and architectural views. In 1914 he was described as the ‘Special Photographer to Fry's Magazine’. 2pp, 12mo. In fair condition, lightly aged and creased. The letterhead incorporates a reproduction of a drawing of Dryden Cottage. Signed ‘Humphrey Joel’.

From the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan’s play ‘The Sleeping Prince’, Olivier’s production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as ‘The Prince and the Showgirl’, with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp’s novels has grown in recent years.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). 1p, 4to. In good condition, lightly aged and folded three times. Signed ‘Basil Ashmore’. Begins: ‘Dear Mr MacQueen Pope, / Im [sic] sorry to keep bothering you about this film on Kean. Last time I saw you, you said “see me in March”[.] This week you said “leave it until they start in April”[.] / You may remember that I am a director, who has recently worked with Michael Powell on his new film.’ Ashmore is ‘anxious to contact the producer of your Kean film in case I can assist on this.

See his entry in the Oxford DNB, with those of Brougham and Goldwin Smith. 3pp, 12mo. Bifolium. In good condition, with thin strip from windowpane mount adhering to the blank reverse of the second leaf. Signed ‘O Gordon’ and addressed to ‘Dear Mr Da [Qeue?]’. An interesting letter, full of content. He begins by thanking him for ‘Ld Broughams letter which I have disposed of as directed’.

JISC records copies in five Scottish libraries, Birmingham University and the BL. Duplicated typescript. 50pp, 4to. Five-page introduction paginated, the rest not. Leaf of addenda loosely inserted. Printed on versos of leaves and stapled into buff paper wraps with title printed on the front. In fair condition, lightly aged and worn. The forty-four pages of the catalogue proper carry a total of 106 scholarly entries on exhibits.

Of the five copies on JISC only that at the BL is from one of the deposit libraries. 21pp, 4to. Collotype of engraving of Caxton as frontispiece. Sewn into grey card wraps with Yapp-style edges and title repeated on cover. In good condition, lightly aged.

Four pages, 8vo, foxed but text clear and complete. I am so forgetful for I have no recollection of saying I would send for Mapp & Lucia. But here it comes to you, with many regrets that I did not send it before. I hope it may amuse you (this is the American edition) and I haven't got an English one). Anyhow our minds must have been moving (like all great ones0 in parallel lines, for I too am being as patriotic as you, & am trying to get together money which I shall devote to helping to pay off the National Debt & to balance the budget.

See his obituaries in The Times, Burlington Magazine and elsewhere. Casting light on the process of reopening the British Museum in the wake of the Great War. From the papers of the recipient, Wilfred Seymour De Winton of Haverfordwest and Cardiff. 1p, 12mo. In fair condition, lightly worn and creased. Signed ‘R. L. Hobson’ and addressed to ‘Dear Mr. de Winton’. He has been ‘back at the Museum about 3 weeks & most of that has been spent in helping to get ready for the public some of the more accessible galleries’.

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

See his entry in the Oxford DNB. The first letter 2pp, 12mo; the other three 1p, 12mo. All four items in good condition, lightly aged; and all four folded once. Each with the stylized signature ‘Trenchard Cox’. None of the four gives the year, but the first is noted in pencil as being replied to on 14 January 1971, and the last is accompanied by its envelope, with 1972 postmark, addressed by Cox to ‘Peter Wiener Esqr / 2 Napoleon Road / RAMSGATE’. The middle two are from the same period as the fourth.

2pp, 12mo. Seventeen lines of text, with a few lines and the signature written lengthwise on the second page. On bifolium. Accompanied by the letter’s stamped and postmarked envelope, addressed by Power to ‘Mrs Lane / 67 Addison Road / W14’. (Note that she lives in the same street.) Both letter and envelope in good condition, lightly aged. Letter folded once. Signed ‘Geo. Power’. He explains that a friend of his, Rev. Eric O. Norman’, ‘who is a fine musician & pianist is trying to get together a small orchestra for a concert on the 24th. May’ and he wonders whether she would ‘care to join’.

See his entry in the Oxford DNB. On one side of 19 x 5.5 cm piece of laid paper. In good condition, lightly ruckled and with traces of mount on reverse. Clearly cut from a letter for an autograph hunter. Reads: ‘Captain Wynguard who has [...] is fit to succeed to that situation. / I am, Dear Mr Harrison, / Yours most sincerely / Frederick / Colonel 2d. L. Gds.’ The ‘2’ of ‘2d.’ looks like a ‘1’, but the signature is certainly his.

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 4to. In poor condition, aged and worn. Folded three times.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

On 22 x 14 cm piece of laid paper, cut from the foot of a document. In fair condition, lightly aged and creased, with tiny closed tear to one edge. Folded three times. At head, in the kings hand: ‘[...] terrattelse lander. Stockholms Slott den 6 Maj 1847. / Oscar’. Directly beneath the firm, clear signature, is the embossed circular seal, under paper, 6 cm in diameter, with motto ‘OSCAR SVER NOR GOTH OCH W KONUNG / RATT OCH SANNING’.

See her entry in the Oxford DNB. 1p, long 8vo. In good condition, lightly aged. Headed ‘TORRINGTON SQUARE. / To the EDITOR of The TIMES’. Whether the letter was published or not, and if so whether it appeared in its entirety, is unclear. Clearly a carbon, but with her characteristic signature at end in black ink ‘Margot Oxford’. The forty-seven-line text has four autograph emendations.

On 15 x 11 cm card, with vertical central fold making it into a bifolium with front and back covers, and central text across the opening. In fair condition, a little aged. Perforated outer corner removed from bottom of second leaf, no doubt as proof of use; with slight creasing to first leaf at same point. Printed at the head of the back cover is the word ‘AUTOGRAPHS’, and here in blue ink is the signature ‘Victor Silvester’. There are no other autographs. The front cover is headed ‘T. F. Firth and Sons Ltd.

See Sidney Webb's entry in the Oxford DNB, now unaccountably placed within that of his wife. From the papers of Arthur George Liddon Rogers (1864-1944), son and editor of the economist Thorold Rogers [James Edwin Thorold Rogers] (1823-1890), for information regarding whom see his entry in the Oxford DNB. The three items in good condition, lightly aged. Each folded once. All three signed ‘Sidney Webb’; the first to ‘Sir’, the second to ‘My dear Rogers’, and the third to ‘Dear Rogers’. ONE: 22 September 1891. 4pp, 12mo.

See his entry in the Oxford DNB. The recipient is the publisher Henry Blackett (1825-1871) of the leading London firm Hurst & Blackett, and the meeting was evidently to discuss terms, possibly for Wiseman’s ‘Recollections of the Last Four Popes’, which the firm published in 1859. 1p, 8vo. Laid down on another leaf. In fair condition, lightly aged, on thin paper, and with discoloration from the glue used in laying the item down. Small red armorial letterhead.

The present item dates from a year of turmoil for Boulanger. At the start of 1889 it had seemed likely that he would exploit his tremendous working-class support to become dictator, but by April a warrant had been issued for his arrest and he had fled first to Brussels and then to London, before setting in Victor Hugo style in Jersey. He would return to Brussels in 1891, to shoot himself dead at the grave of his recently-deceased mistress. Complete 12 x 9.5 cm white envelope. In fair condition, lightly aged, and with back flap torn.

William and Mary owes its survival to Ewell: he rebuilt it from ruins after the American Civil War, and every morning during several years of closure he is said to have rung the assembly bell to keep the memory of the college fresh. The present item is 1p, landscape 8vo. It is in poor condition, on brittle high-acidity paper, with significant chipping to all the edges except the bottom one, which has resulted in the loss of a few letters of text, and to the engraved illustration of the college in the letterhead. The letter reads: ‘Mr. Walter G.

See her entry in the Oxford DNB, which states that ‘During his periods of ‘madness’, George III imagined that he was married to Lady Pembroke. Apparently, 'his infatuation went back to the days when he was only seventeen and she, of the same age, was Elizabeth Spencer'. The king went so far as to make 'her handsome offers if she would be his mistress.’ [...] In 1804 the king suffered another attack of dementia and again announced his desire for Lady Pembroke. This situation aroused some amusement among younger courtiers since she was by this time almost seventy years old.” 1p, 12mo.

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

Dupré is thinking of retaining Brett as architect in the rebuilding of a house on an attractive site, and the two items deal with the practicalities. Both signed 'Lionel Brett', and both in fair condition, lightly aged. ONE: TLS. 2pp, 4to, Folded three times. Forty-two lines of text. Addressed to Dupré at The Lodge, Windlesham, Withyham, Sussex. Deals firstly with ‘the estimate for demolition’, with comments ‘On the technical side’, before moving on to the question of ‘salvage materials’.

Poyser was the author of the first 'Official Song-book of the Scout Movement', 'The Scout Song Book' (1912). He published a history of the Tower of London in 1908, 'when I was Master of the Music of the Collegiate Church of Allhallows Barking-by-the-Tower, City of London'. For more information, see The Times, 3 August 1964 ('Roll of Honour for Scouts'). 125 items, including letters, programmes, drawings, postcards, invitations, newspaper and magazine cuttings, relating to the Boy Players and 1st City of London Scout Troop.

Two pages, 4to, good condition, lacking at least a signature page. An impediment in the arrangement of the Miscellaneous Records of the Exchequer which I feel it my duty to submit to the notice of the Board.