POET

See his entry and hers in the Oxford DNB. 1p, 16mo. In good condition, lightly aged, folded once for postage. Written in the shaky hand of an old man, and reads: 'My dear Lady Teresa, [sic] / I accept, with very great pleasure your kind invitation to dinner on Saturday April 1st / ever faithfully Yours / H. Luttrell'.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of the author Lady Theresa Lewis (1803-1865), successively wife of the novelist Thomas Henry Lister (1800-1842) and the Liberal politician Sir George Cornewall Lewis (1806-1863), all with entries in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and folded for postage. Reads: ‘Many, many thanks for thinking of me! When I came to myself in the morning, I remembered something of a kind proposition you had made to me & resolved to call & learn more about it. / Monday the 9th.

See his long and appreciative entry in the Oxford DNB, with that of the recipient Lady [Maria] Theresa Lewis (1803-1865), who lived in Kent House in Knightsbridge with her second husband Sir George Cornewall Lewis, Bart, her first husband having been the novelist Thomas Henry Lister (1800-1842). On front of 10.5 x 6.5 cm envelope. In fair condition, lightly aged, with the back flap torn at the tip. Reads: 'The / Lady Theresa Lewis / Kent House / Knightsbridge', with 'Macaulay' written below this at bottom left. See Image.

See his long and appreciative entry in the Oxford DNB, with that of the recipient Lady [Maria] Theresa Lewis (1803-1865), who lived in Kent House in Knightsbridge with her second husband Sir George Cornewall Lewis, Bart, her first husband having been the novelist Thomas Henry Lister (1800-1842). All items in good condition, lightly aged, with the letters folded for postage. ONE (6 July 1853): 1p, 12mo. ‘Dear Lady Theresa, / I will breakfast with you on Monday, and, in order to do so, will postpone my departure from town till the afternoon of that day. / Most truly yours, / T B Macaulay’.

See Cary's entry in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged and folded for postage. The recipient is not named, but the item is from the papers of Lady Maria Theresa Lewis, and the letter is written to her first husband, the novelist Thomas Henry Lister (1800-1842), whose father Thomas Lister of Armitage Park was a childhood friend of Cary's (see his 1847 biography by his son).

Curious items. Yale has the originals of these pages, in an ‘Album, formerly owned by John Murray, containing items either by Pope or related to him, 1717-1855’, described as ‘original proof of two pages from Pope's Epistles, pages 69 and 70, with the author's corrections’. Each of the present items is printed on a 28.5 x 37.5 cm leaf of wove paper. A previous owner(lord Houghton in fact) thought highly-enough of them to include them in an album, as a profession white stub adheres neatly at the left of each.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

An excellent letter, linking leading nineteenth-century writers of the French and English nations. See Daudet's entry in the Encyclopaedia Britannica, and Meredith’s in the Oxford DNB. Daudet’s association with Meredith during his ‘first and only visit to England’ is described on pp.122-124 of the 1911 edition of J. A. Hammerton’s ‘George Meredith, his Life and Art’, which also quotes extensively from Madame Daudet’s account of the Englishman, referred to in the letter. 2pp, 16mo. Twenty-one lines of closely- and neatly-written text. On the rectos of the leaves of a bifolium.

This item is from the autograph album of the author George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. It does not however appear to be addressed to Meredith, but rather to the author William Sharp (‘Fiona Macleod’). See the several references to Bourget in the first volume of W. F. Halloran’s edition of Sharp’s letters. 1p, 16mo. Laid down on part of gilt-edged leaf from Mrs Sturgis’s album. In good condition, folded once for postage.

See his entries in the Oxford DNB and History of Parliament. The present item is on one side of a 21 x 8.5 cm piece of wove paper. In fair condition, lightly aged and worn, with one fold. Minor traces of two red wafers from previous mounting on blank reverse. Written out by Harding in his attractive hand (he was a stylish fellow: his obituary in the Annual Register stated that ‘no one had a finer choice of words and few a more graceful delivery’), the note reads: ‘Received May 4th.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

See his entry in the Oxford DNB. Both in fair condition, worn and aged. The first item with one fold. Both signed ‘Edwin Waugh’ and addressed to ‘Mr. J. T. Baron’. ONE (14 February 1889): 2pp, 12mo. On the rectos of a bifolium. He would have answered Baron sooner, had he not been ‘tossing to and fro a good deal lately’. He thanks him ‘very heartily for the kind feeling expressed in your lines addressed to me on the 73rd [the 3 underlined three times] anniversary of my birth, in the Blackburn Times’.

Eight pages, 12mo, two bifoliums, one page stained but legible, mainly good condition. He discusses holiday plans initially for his Aunt Mary, and how they affect his own and others (we). He continues: Your sonnet on Columbus is greatly admired here - not least by me, who think [sic] it quite one of your finest.

Four pages, 12mo, small closed tear, darkened edges, text clear and complete. She apologises for bothering him with the accompanying little volume [Poems published this year, 1846] , explaining that Rogers was a friend of her dear & lamented father's youth.

See his entry, and that of his brother Leo, in the Oxford DNB. 2pp, landscape 12mo. The top half of a small 4to leaf of grey paper. In good condition, lightly aged. The recipient’s name is not well written, but he is the critic Derek Stanford (1918-2008), who also has an entry in the Oxford DNB. Reads: ‘Dear Derek, / Thanks for send me a copy of your review. And thanks too for writing it! It is as generous as I would expect you to be. I do hope we may meet up somewhere soon. Our brief meetings over the years are punctuated - as far as I’m concerned - by intervals much too long.

Text 40pp, with 6 unnumbered pages of advertisements for books, apparently re-bound (judging by the image of the other copy currently on the Net), hf-lea., sl. speckled, one corners sl. damaged, faint foxing first few pages, with decorated endpapers (gold and silver shells), with the bookplate Ex libris C. and G.M. Bonham-Carter. Editor's Note (p.[8]): These poems are the work of a young lieutenant of the New Army. Written for the most part before the war, they reflect it in one instance only : the poem immediately following the introduction and dedication [...].

See his entry in the Oxford DNB. Removed from album, and closely trimmed, having been cut down to 9 x 7 cm, with corners cropped. Lightly aged, with one fold for postage. In neat close hand, reads: ‘My dear Lady Burdett / I am very sorry indeed that an Engagement from which I cannot release myself will deprive me of so great a pleasure. Yours ever / S Rogers.’ See image

See the entries on Robert and Sylvia Lynd, and Clement Shorter, in the Oxford DNB. (Shorter’s first wife, the Irish nationalist poet Dora Mary Shorter (née Sigerson), had died in 1918.) Both items are in good condition, lightly aged. Both 1p, 12mo, and each folded once for postage. ONE: SL to CS, 18 January 1922. Signed 'Sylvia Lynd'. Begins: 'My dear Clement, I hear that you have a little daughter. Many many congratulations & good wishes. It is very nice to know that you are so happy.' She turns to her own family: ‘We are all well down here & very busy. Sheila & B. J.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.

See his entry, and that of Colburn, in the Oxford DNB. Campbell agreed to edit Colburn’s ‘New Monthly Magazine’ in 1820, his first number in the post being that of January 1821, and the letter was presumably written between this period and Mrs Campbell’s death in 1828. The reference to ‘Mr Ollier’ would close the dates even further: the Oxford DNB’s entry for Charles Ollier (1788-1859) stating that, after financial difficulties, ‘by the autumn of 1825 he returned to the publishing trade as the chief literary reader and adviser to Henry Colburn in New Burlington Street’. 1p, 12mo.

The last paragraph of McKenny Hughes’s entry in the Oxford DNB deals with his marriage, noting that his wife was ‘a keen amateur archaeologist, a botanist, and a distinguished artist, and under his tuition she became a valuable geologist’, and that the couple ‘travelled together on field excursions’, being accompanied on a trip to the Balkans by an armed guard. Six boxes of her papers are among the rest of those of the Hughes family in the Sedgwick Museum, Cambridge. The present item is 64pp, 4to, mostly on the rectos of a ruled ‘Universal Exercise Book.

On one side of a 12mo a piece of grey-green paper; creased, worn and torn at the bottom. A fifteen-line poem in five three-line stanzas, titled ‘REST’. At end: ‘JOHN GAWSWORTH’. Proof directions in pencil to convert a full-stop at the end of the fourth stanza to a comma. While the poet's attempt at direct simplicity verges on triteness, one should recall that he served manfully in the RAF: ‘Beneath the oaks the soldiers lie / Staring at the open sky / Drowsily, lazily. / Like England is this plot of green / But in the mountains all unseen / The guns’ complaint affects the scene.

Peteris Cedrins possessed an interesting dual heritage: born in the US to exiles from communism, he grew up in Chicago, was educated at Bard College (NYS), and settled in Latvia on the fall of the Soviet Union. He published in English and Lavian in the US, UK and Latvia. See the appreciative obituary by Jeffrey Sommers, posted on the ‘Counterpunch’ website on 11 August 2022: ‘Memoriam: Latvia’s Peteris Cedrins, Last of the National Poets’.

See his father’s entry in the Oxford DNB. 2p, 12mo. Neatly written over 26 lines. With mourning border. In good condition, lightly aged. Folded twice for postage. Signed ‘E. G. Marsh’. Recipient not named (‘My dear Sir’). He explains that, having happened on the previous day to be in the chair ‘at the monthly meeting of our clerical society in Maidstone’, he was present when the recipient’s ‘two letters to Dr. Maitland’ were presented, and is requested to convey the meeting’s gratitude, not only for the letters, but for his history of Rome, ‘received by them on a former occasion’.

See his entry in the Oxford DNB. Rectangle of paper, evidently cut from a letter for an autograph hunter. Reads: ‘Yours truly / Tom Hood’. See image.

See the two men’s entries in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Written with a light touch, making the dating doubtful. Signed ‘F Egerton’ and addressed to ‘O. Blewitt Esq.’ Reads: ‘Sir / In reply to your letter I beg to state that it is my intention to vote for you in the election to the Secretaryship of the Literary Fund Society.’

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.