POET

On one side of a 6 x 11.5 cm slip of grey paper. In good condition, lightly aged, with small strip of glue staining along right-hand edge. Reads: 'A mile of daughters - | Family of Furlongs having 8 girls | 8 furlongs = 1 mile. - | T. Hood.' A joke on the surname of the person who requested Hood's autograph, as explained in Walter Jerrold's 'Thomas Hood, his Life and Times' (1907), which states that in 1838 Hood wrote to his friend Wright: '[…] only think of a mile of daughters! There is a family of Furlongs coming to live here, whereof eight are daughters – 8 furlongs = 1 mile.'

One of 50 copies (numbered 33}, 8pp., 4to, printed paper wraps, sewn, with device of the Press on front cover/title, good condition.

1p., 12mo. In good condition, lightly aged, tipped in onto leaf removed from album. After apologising for the late reply to the recipient's note he acknowledges 'the Compliment you make me'. He continues in his customary vainglorious style, appropriating Milton's words to himself: 'I am so deeply occupied in writing works I have been writing the last 20 years, that I have scarce a moment: my audience hitherto have been fit tho few'.

The note is 1p., 16mo, on a bifolium. In fair condition, on aged and worn paper, with small strip of staining from mount along fore-edge. It reads 'Mr d'Eyncourt will be extremely obliged to the Editor of the Globe to insert the enclosed. | Friday 8 ' Attached at the head of the page is the cutting from The Times ('Death of Mr. Tennyson d'Eyncourt'), with manuscript date.

4pp., 12mo. In fair condition, lightly aged, with closed tears along the fold between the two leaves of the bifolium. Trench's publishers were 'John W. Parker & Son, West Strand'. The letter begins: 'I heartily wish that I could go to the press at once with the 3rd. Edition of the Parables. [ 'Notes on the Parables of Our Lord', first published in 1841 ] I have been however working hard at them & they are nearly ready.

3pp., 16mo. Bifolium. In good condition, lightly aged, with traces of stub adhering to blank reverse of sevond leaf. He is 'very much flattered' at Waddington's 'wishing to include sonnets of mine in your proposed selection. You are quite welcome to those you have named, or any others of mine.' He hopes he will 'include some of Hartley Coleridge's beautiful sonnets', and asks him to accept 'a vol. of sonnets by my Father, the late Sir Aubrey de Vere. Wordsworth spoke of his sonnets (my Father's) as the best modern sonnets he was acquainted with'.

1p., 4to. In good condition, neatly inserted into a windowpane mount. Bloomfield, 'somewhat more than a year ago', laid 'before the Prince Regent at Sudbourne Hall, two small productions' of Hall's, and he now wishes, 'as they are my mite to the good of my Country, Cottage poems also to be laid before him'. He feels that the 'concluding little poem' in the collection 'cannot displease his Royal Highness'. No copy of the original edition of Hall's 'Cottage Poems' is listed on COPAC, and only one copy, at Oxford, of the new edition of 1820.

2pp., 12mo. On lightly-aged paper with a number of vertical fold lines. The reference to Sir John Bowring dates the letter to before his death in 1872. With reference to Julia Ward Howe (author of the 'Battle Hymn of the Republic') and her husband Samuel Gridley Howe she writes: 'Dr. & Mrs.

3pp., 12mo. In good condition. Plarr's entry in the Oxford English Dictionary does not note that he dealt in autographs, but the present item suggests that he was more than just a collector who dabbled. At the time of writing, and until his death, he was Librarian of the Royal College of Surgeons. The letter is addressed to 'H. T. Scott Esqre., M.D.' and begins: 'Dear Sir | It is long since you have heard from me. | I have just bought several autographs which you may care to know of -'.

On one side of an 11.5 x 12.5 cm piece of paper, cut down from a larger leaf. In good condition, lightly aged; laid down on a 15.5 x 15 cm piece of card to which a typed biographical slip is attached. Reads: 'Dear Madam | I have just received your note and write in haste to say that I shall do myself the pleasure of waiting upon you tomorrow (Wednesday) about ten oclock. | I remain Dear Madam | Your very respectful Servt. | Allan Cunningham'.'

Both items in good condition, lightly aged. ONE: Autograph Note by Andrew Lang. 1p., 12mo. Reads: 'With Mr Lang's Compliments, and regrets that he has no room for the translation from the German. TWO: May's translation of the poem 'Marie' by Rudolf von Gottschall' ('Marie, am Fenster sitzest du'), titled 'Marie | (From the German of R. Gottshall [sic])'. 1p., 8vo. The translation is attributed at the end to 'M.' Beneath this is written the name and address of 'Mary F. May | The Grange. Elstree. Hants. | 14th.

16pp., 16mo. Stapled. One minor manuscript correction. Aged and worn, in lightly-stained card covers carrying six Bewick woodcuts in black, with text lengthwise and upwards in red. The insides of the covers are red in colour, and on the front inside cover is written 'love from | Sim & Arnold'. Whether the hand is Rattenbury's or his wife's is not clear. Fourteen poems, from 'Considering K 279 to K 284' to 'Koechel's Adoration'.

On nine loose 12mo leaves torn from an album. In fair condition, on aged and browned paper. Wrapped by Gawsworth in a larger piece of paper, on the front of which he has written in pencil the presentation inscription: 'Kenilworth | love | from | His King | J R | 16 Feb. 1967', with the following in blue ink over the 'J R': 'Abdicated | Juan R'. 'Marlow Hill' was Gawsworth's fourth collection, self-published by his Richards Press in 1941. Three of the nine leaves carry layouts of the book's title-page and prelims, with pencil notes 'Pubd 15 Oct 1941' and '33 lines to page'.

According to his obituary in the Guardian, 2003, after a long period of neglect, Prince was rediscovered b the New York School, and by the end of his life had 'come to be regarded by writers as diverse as Geoffrey Hill and the American innovator John Ashbery as one of the most significant poets of the 20th century'. 40pp. of closely-written text in a small (13.5 x 9 cm) 'Lion Brand' notebook. Stapled, in card covers. In fair condition, aged and worn.

5pp., foolscap 8vo. Paginated [1]-5. On three leaves of wove paper, stapled together. In good condition, lightly aged and worn. Good firm signature ('George MacBeth') in blue ink at head of first leaf. Each poem signed in type at end 'George MacBeth'. 'The Castle | after Le Chastel d'Amours' (p.1): seven three-line stanzas, first stanza: 'Tell me the broad moat of | Love's castle: | Sloth.' 'The Last Will' (pp.1-2): twenty-two three line stanzas and a single final line, first line: 'In the name of God, amen. I, Harold, | [...]'.

9pp., 8vo. In fair condition, on nine leaves of worn and creased paper, the first leaf white, the others green. Minor emendations throughout. The poem is in five sections: 'The Exhortation' (beginning: 'In the crook of my arm | Rest again, nest again.

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

4pp., 12mo. Bifolium. Heavily creased and worn. A large number of Norton's productions are listed on the front and back pages. Eleven eight-line stanzas. The poem, which does not mention Bradford once, begins: 'On the 21st of August, | In the year nineteen-sixteen, | A great munition works in Yorkshire | Was a busy, lively scene.

On two leaves. The illustrations on both are undamaged, but both leages are aged and worn, with chipping and closed tears to extremities. Fragile. ONE: Steel engraving: 'Photo. by Beniczky. | Engd by R. O'Brien.' Captioned with a facsimile of Cutter's signature, with 'THE LONG ISLAND FARMER POET' beneath it. 30 x 24 cm. On thickish wove paper. Head and shoulders image of a middle-aged Cutter, with goatee beard, smartly dressed with bow tie, waistcoat and jacket. TWO: Two small wood engravings on a 31 x 24 cm leaf of wove paper (thinner stock than Item One).

Moffatt is an interesting minor figure. In a 1924 piece titled 'Brief History of the Failsworth Pole', Rev. James Smith writes: 'The Jacobins' Club Library was kept in a room next to that in which Ben Brierley was born, and old John Moffatt, tailor, of "Crockey Hall," opposite the Pole, had charge of the Library'. Smith quotes lines which he considers 'remarkable for their patriotism', noting: 'He must have been a mild sort of Jacobin.' A total of sixteen pages, on eight leaves.

[xiv], 207pp., dark green cloth, corners bumped, mainly good to very good. A copy inscribed by Matthew Arnold to Lady Dorothy Neville, 'writer, hostess, horticulturist and plant collector', with a letter by Arnold concerning his gift of the book tipped in. Also with prined "From the Author" note enclosed (loose), a printed bookplate alleging "Stolen from Lady Dorothy Neville", and a newspaper clipping concerning Matthew Arnold's burial place tipped in. The letter from Arnold reads as follows: "Dear Lady Dorothy | The Fourth Party are excellent company, but Sunday is impossible for me.

ONE: Letter. 1 November 1901. On letterhead of 56 Wimpole Street, London. 3pp., 12mo. Bifolium. In good condition. With blank reverse of second leaf laid down onto a flyleaf of the book. Benson is not named, but is without doubt the recipient.

On piece of laid paper folded twice to make a 19 x 14 cm. card. In good condition, with light signs of age. Tiny printer's device on back cover the only illustration. Front cover in black ink reads: 'Christmas Greetings from Rosalind & Gerald Bullett The Old Farm East Harting Sussex'. Colophon in brown ink on left-hand side of opening. Right-hand opening carries the sixteen-line poem, in four four-line stanzas, the first of which reads: 'I went to the window, where the morning was, | And saw innocence scattered on the grass.

On 7 x 11 cm slip of paper, torn from the end of a letter. In fair condition, lightly aged, with minor staining to one corner. Reads, with top line slightly cropped: 'I may have more leisure. | Yours sincerely, | J. Masefield.'

1p., 12mo. In good condition, with small printed slip from catalogue pasted above letterhead. The recipient is named as 'Mr. Green | Claremont House | Clapton'. Reads: 'Madam | My autograph can be of little value to any one, but in compliance with your wish so courteously expressed I enclose it & am | Madam | Faithfully yours | Theodore Martin'.

Written lengthwise on front of a 9 x 15.5 cm. envelope. In good condition, lightly aged. Reads: 'A. E. W. | I had a list of the autographs in thy literary collection but unfortunately have mislaid it. If there is a duplicate it wont make any difference because this is an uncessary little note of | D. M. C.' The page also carries annotations in another hand in light pencil.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

ONE: Letter. 1p., 12mo. In good condition, lightly aged. He cannot attend the breakfast club, as he is to be best man to a friend in Wimbledon at that time. He is 'rather too old for the character but all his other friends are married'. He would 'prefer the chat but, alas, it cant be managed'. TWO: Note. 1p., 12mo. In fair condition, on aged paper with slight damage at foot. He regrets that, being out of town, he will be unable to 'join the breakfast club' at the recipient's house.

14pp., 12mo. Disbound without wraps. In good condition, lightly aged. Poem of seventy five-line stanzas, arranged in four parts.

Each letter 2pp., 12mo. Both in good condition, on lightly-aged paper. He starts the first letter by expressing 'great pride and immense joy' in sending 'my seventh book of French poems [...] According to the reviews, it is the best I ever wrote'. He continues with references to the recipient's 'short but memorable visit to Johannesburg', and to 'the uncomplimentary remarks passed by my confreres in Johannesburg', these being 'indeed compliments, for they indicate that I do not belong to them, in spite of our common profession.