JOHN

2pp, 12mo. In fair condition, on aged and worn paper, with binder holes in one margin. Folded once. He apologises for not answering her letter sooner, but he has been 'buried in a film studio for the past four months'. She will know that the film he is working on is 'Green for Danger'. The film has a planned autumn release.

Both 1p, 8vo, and each in fair condition, on aged paper, with creasing along one edge. The first letter with smudged date of receipt in one corner. The first letter signed 'Paddy Carstairs', the second 'John Paddy Carstairs'. ONE: Begins: 'Dear Miss Greenwood | What can I possibly say? I am “set” for my next pic, but always want very unique stories – who doesn't?! | In 22 years (nearly!) I've only sold 3 originals for the screen and none of my novels – you see, there aren't any rules'.

ONE: Typed Letter Signed from 'Bertie' (i.e. Herbert van Thal) to 'John' (i.e. J. C. Trewin). 15 March 1978. On letterhead of the London publishers Weidenfeld & Nicolson. In fair condition, lightly aged and worn. The letter reads: 'My dear John, Alas, they do not think that they would be able to sell this Eugene Aram idea here, without the backing of a television programme or a film to back it up. But Orbis recently asked me if I had any ideas, and I have sent it on to them. Will let you know what they have to say.

On 34 x 27 cm unwatermarked laid paper. Dimensions of plate 34 x 23 cm. Dimensions of print 5.1 x 7.4 cm. Dimensions of print and text 15 x 7.4 cm. In fair condition, lightly aged, spotted and creased, with stub from album adhering to one margin. This is an early state of a print of which the British Library has a copy (acquired in 1867) of the undated third state, dated to 1820, carrying only four lines of text rather than the substantial amount present here. The present copy has, engraved in small letters immediately beneath the print: 'Robt. Balmanno delt. 1818. Jno.

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin.

1p, 12mo. In good condition, lightly aged, with a two fold lines. Ornamented engraved letterhead. Reads: 'Dr Lindley presents his Compts to Major Abby & begs to inform him that there are no such birds as he enquires for in the Garden of the Horticultural Society, nor has there ever been. There is only a couple of gulls & a duck, which were presented by the Zoological Society'.

2pp, 12mo. In fair condition, lightly aged, with fold lines. Annotated up one margin: 'Writer of Travels &c'. Andersson writes: 'Dear Mr. Blackett, - | I enclose a literal translation of a paragraph extracted from one of the best Swedish newspapers, by which you will see that the King has honoured me with a medal. If you think that this paragraph may be of any use to you when advertising the 2d. Edition of “Lake Ngami”, it is quite at your service. Of course you may put it any [sic] language you may think proper. | Yours faithfully | Chs. J.

4pp, 12mo. Bifolium. In good condition, lightly aged. She asks Adams to inform her 'what day has been fixed for the Committee in the Vane Estate Bill' (in which she clearly has a family interest), continuing: 'When the Duke of Marlborough saw Mr Adam with Lord Redesdale last night he understood that Tuesday next was the day on which he was to be present in order to give his consent to the Bill; he has since heard from Mr. Wagstaff to say that Friday or the following Monday will be the earliest day on which the Bill can be committed.

3pp, foolscap 8vo. On laid paper with watermark: 'GOLDING | & | SNELGROVE | 1811'. Aged and worn, with closed tears along folds, but with text complete and clear. The document includes two passages written in red ink which has faded but is still legible. The background to the present letter is given in Lambert's entry in the Oxford DNB: 'On 4 June 1813 Lambert was promoted major-general, and was appointed to a brigade of the 6th division. […] Having been sent to America, he joined the army under Sir Edward Pakenham below New Orleans on 6 January 1815, with the 7th and 43rd foot regiments.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think.

2pp, 12mo. Bifolium. In good condition, lightly aged. He sends her belated thanks for her 'kind compliance with Mrs. Caird's request'. His wife has been very ill since he received her letter, but he believes that 'the critical stage of the disease is fairly over; & besides her illness, the death of an old servant, has left me little time to attend to other engagements'. Mrs Caird is 'much gratified' that Marshall is 'to share in management of her stall'.

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

On one side of 14 x 2 cm slip of paper, cut from the flyleaf of a book. Aged and with contemporary blotting to one corner. The slip is neatly placed in a paper windowpane mount. Reads: 'Catalogo Evelyni inscriptus. | Meliora Retinete' Two shelfmarks deleted: 'N. 16' and 'J: 231'. A good brief description of Evelyn's book collecting is given in his entry in the Oxford DNB. As there are four catalogues of his books, identifying the work to which the two present shelfmarks are assigned should not present any difficulty.

Autograph Note in the third person. On one of 11 x 20 cm slip of paper. In good condition, lightly aged, with stub from mount adhering to reverse. Reads: 'Mrs. Piozzi's Coms. And if Dr. Perney is disengaged this Eveng & would like to hear Mr. Yaniewitsh play on the Violin She should be happy in his Company to Tea - - - and it would be very obliging in him to bring the Viol D'Amore with him. | Streatham Park | Friday 24.' Perney was domestic chaplain to the Earl of Coventry.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

1p., 8vo. In fair condition, lightly aged, with pin holes to one corner. Date stamp. After thanking Luckhurst for his letter he writes: 'I am very flattered that your Council should wish to nominate me for election as a Fellow of the Royal Society of Arts and shall consider it a great honour to be so elected. I am returning the form of application together with my cheque for three guineas.'

This is the transcript of John Freeman's celebrated interview of Evelyn Waugh, broadcast in the BBC series 'Face to Face' on 26 June 1960. The Waugh interview is not among those which feature in Burnett's book 'Face to Face' (Jonathan Cape, 1964) and has never been published. Waugh was apprehensive about the interview, writing beforehand to his friend Tom Driberg, who knew Freeman from his time as a fellow Labour MP: ‘I have let myself in for cross-examination on Television by a man named Major Freeman who I am told was a colleague of yours in the Working Class Movement.

1p., 8vo. Slight damp damage along left-hand margin, otherwise in fair condition. Reads: 'My Lord, | I have been honoured with your Lordship's Letter of this day's date; and I will lose no time in giving fresh authority to the Secretary at War to issue the pay and allowances to the Lamerton and Milton Abbott Corps, according to the amended return now transmitted to me by your Lordship.' Docketed on reverse.

Printed on one side of a 75 x 56 cm piece of thick wove paper. In fair condition, lightly aged and worn, with short closed tearing to edges and two light vertical fold lines. The lower part of the page carries the almanack, flanked on the right by a list of the 'University Officers', and on the left by the 'Heads of Colleges'. The upper part of the page carries a fine 31 x 44 cm aerial view, in colours, of 'THE UNIVERSITY PRESS | From a drawing by David Gentleman for its quincentenary year', A nice item, now uncommon.

Two items relating to Sitwell's interview with John Freeman (1915-2014), broadcast in the BBC series 'Face to Face' on 6 May 1959. The two items are from the papers of the programme's producer Hugh Burnett (1924-2011). ONE: Autograph Letter Signed to Burnett. Signed 'Edith Sitwell'. On letterhead of Renishaw Hall, Renishaw, nr. Sheffield. 18 August 1959. 3pp., 12mo. In envelope with Italian stamp and postmark, addressed by Sitwell to 'Hugh Burnett, Esqre. | Television Studio | Lime Grove | London. W.12'.

2pp., 12mo. Bifolium. In fair condition, lightly aged, with traces of mount adhering to blank reverse of second leaf. Addressed to 'Dear Dr.' and written in a neat and close hand. He gives a 22-line transcription of 'the extract [] from my vol[um]e. on Lead, p.177, published in 1870', headed 'Refining or Cupellation'.

In 1899 Mrs Mills published a biography of her husband, titled 'From Tinder Box to Larger Light'. See the references to her in Crawford, 'Women's Suffrage Movement' (2003), and Daley and Nolan, 'Suffrage and Beyond' (1994), the latter work containing a reference to a meeting with Frederick Douglass. Her father, as she states in this letter, was 'John Petrie of South St Rochdale' (Petrie (1792-1883) was a Belfast-born engineer). 4pp., 12mo. Bifolium. In fair condition, lightly aged.

1p., 12mo. In good condition, lightly aged. He cannot accept her dinner invitation as he has 'promised to go to the Red Lion dinner & as the friend who got me the invitation there had I fear some trouble to do so, I do not like to withdraw'.

2pp., 12mo. In good condition, lightly aged. Brooks may make whatever use he wishes of Templewood's speech. He agrees generally with 'Selby as to F[oreign]. O[ffice]. reorganisation', but is at present 'conentrating my attention to the points I raised in my speech. Whether we like it or not, we must now assume that public opinion will control our foreign policy. This being so, public opinion must be better instructed than it is at present.'

In addition to his achievements, Young is remembered for holding a dinner party in 1877, at which the Prince of Wales arranged to sit next to Lillie Langtry while her husband was discreetly seated elsewhere, thus beginning their affair. 2pp., 12mo. Bifolium. In fair condition, lightly aged and ruckled, with two small pinholes at head of first leaf, and traced of mount on blank reverse of second leaf. The letter begins: 'I have just got note from Mrs Langtry saying that she will have to go out of Town tomorrow morning and asking me to write to you to tell you'.

1p., 12mo. In envelope addressed to Giles at Moulsecoombe, Brighton. In good condition, lightly aged. He has looked for Giles's letter 'but cannot – yet – find it. Sorry. I vaguely remember it.' He will find Giles '2 tickets for a Dress Rehearsal if you will let me know which one.' Options of six operas, on six different days are listed, including Figaro and Giovanni.

One page, 4to, black-bordered, one corner chipped, minor marking, text clear and complete. "Thank you very much for your delightful little letter. My husband always so love your writing, and always quoted and enjoyed your parodies. He was a very careful reader of 'Punch', and had, in his time, contributed some things to it." She hopes he will visit her in Oxfordshire.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

Four good letters, in which the author's love for his wife and grief at her death are apparent. Littleton Powys was the second-eldest of eleven, his siblings including writers John Cowper Powys, T. F. Powys and Llewelyn Powys, architect A. R. Powys, artist Gertrude Powys, lacemaker Marian Powys, and poet and novelist Philippa Powys. His autobiography 'The Joy of it' was published in 1937, with the sequel 'Still the Joy of it' appearing in 1956. The four letters are in good condition, lightly aged. They total 12pp., 12mo.