SAMUEL

Letter: 12mo, 2 pp. Bifolium. Good, on aged paper, with small rust stain at head from paperclip. She is writing to Harmsworth ('President, Dr Johnson's House') to ask him to accept a copy of 'my Journal in which mention is made of my Portrait of Dr Samuel Johnson which hangs in the Garrett of Dr Samuel Johnson house this was presented by H. B. Wheatley whom I knew for many years.' On a visit to the curator of Johnson's house she was 'pleased to see the picture still hands in its original place'.

4to bifolium. The text, in small print, covers the final three pages. On aged and foxed paper. Inscribed, at the head of the title, 'from R. W. C.' The recipient was Cecil Harmsworth, who has written in pencil, beneath the inscription: 'C H | 26/ii/ 1927'. (Harmsworth was the proprietor of the Johnson house, which he had bought in 1911.) Scarce: no copy in the British Library, and the only copy on COPAC at Oxford.

12mo (leaf dimensions 18.5 x 11 cm): 1 p. On laid Whatman paper. Fair, on lightly-aged paper, with slight trace of glue from mount on reverse. Reads 'Your remarks are excellent - May I venture to tax your patience once more - but pray don't think of a frank - It was Sir Ronald, the General | Every yours | [signed] S. R'.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

4to: 1 p. Twenty-four lines of text. On a bifolium of laid paper, and docketed on the reverse of the second leaf. Good, in faded ink on lightly-aged paper. Begins 'La france republicainne [sic] me fait perdre des renttes [sic] viageres'. She complains of the attack on her 'legitimes droits a mes biens de Corses que le roy de france garrante par un Contract', and speaks of 'droits inalterables et inprescriptible'. She asks for a 'paquet' to be passed to 'Milord Hood'.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

12mo: [ii] + 14 pp. Unpaginated. Frontispiece of Blake's celebrated print. Internally tight on lightly-aged and grubby paper, and with the reverse of the frontispiece slightly discoloured. Staples a little rusty. In grubby white wraps. A signed presentation copy. Boldly written on the front wrap: 'Lawrence Binyon C.H. with the compliments of [signed] H. Edward Newton'. A characteristic production by the boisterous author of 'The Amenities of Book-Collecting'. At end: 'A. EDWARD NEWTON | "Oak Knoll" | Daylesford, Berwyn P.O., | Pennsylvania'.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

Letter: 12mo, 1 p. Grubby and stained. He 'did not mention the Planché-affair' in his letter of the day before. Asks for his name to be put down 'for a copy of the book' [French's edition of Planché's 'Extravaganzas']. The subscription form (12mo, 1 p), heavily worn and with loss to the extremities, is laid down on the reverse of the letter. On it Merivale gives his address as 'Barton Lodge, Kingston on Thames'.

12mo, 40 pp, paginated 37-76. Stitched and unbound, in original light-brown printed wraps (printed on both sides). Text clear and entire, but rather grubby and aged, and with a little light staining at head of first and last leaf. Wraps creased, particularly at rear. Includes an essay (37-49 pp.) on 'The Religious Education of Children' by Samuel Miller, 'Princeton, April, 1833.' and 'Synod of Ulster - Home Mission, to the Rev. George Bellis, Secretary to the Presbyterian Missionary Society for Ireland, Campsie Manse, 23 Oct. 1833' by Norman M'Leod, Minister of Campsie.

12mo, 168 pp. In original red printed wraps, yellow endpapers. Attractive bookseller's ticket of 'Hunt Books 1919 Southborough Kent England' on front pastedown. Internally sound, with a little light staining and some unobtrusive marking in margins. Wraps chipped and worn at corners and spine, with small ink stain on back. Front wrap headed 'RAILWAY READING.' Small neat ownership stamp of J. D. Bowen at head of title.

Quarto: 50 + [2] pp. Fold-out frontispiece giving eighteen examples of handwriting from items in the catalogue. In original orange printed wraps. Good, though a tad dusty, and in worn and faded wraps with some glue staining to back and wear to spine. Well printed, with lengthy extracts from most items. A scrap of paper which acts as a bookmark has the words "Listed Walpole entries to W.S. Lewis || Nov 1953" in Winifeed Myers [?] hand (from her reference library). The first item is 'A Series of Pencil Sketches by George Cattermole, illustrating Dickens' Works' (£60).

Octavo: 52 pp. Stitched and unbound. Good, if a tad grubby. In alphabetical order from Queen Adelaide to the Duchess of York, but lotted 236 to 553. Tastefully printed, and including letters of Charles I, Coleridge, Dr Johnson, Samuel Richardson, Rossini, Sir Walter Scott, Laurence Sterne and Horace Walpole.

Octavo: 53 pp. Stitched and unbound. Complete in itself, in alphabetical order, but lotted 554 to 846. Good, though grubby, and with the outer leaves somewhat creased. Includes letters and documents by Burns, Charles I and II, Maria Edgeworth, Frederick the Great, Garrick, Lady Hamilton, Handel, Dr Johnson, Southey, Wordsworth. The high spot is a letter from Thomas Jefferson to the Earl of Buchan, described over one page.

One page, 12mo. Very good. 'Although I am surprised at your wishing to include mine in your collection of autographs, here it is. | I agree with Sir Alfred Milner that Work, Brains & Opportunity are necessary to success; and that the last is most necessary. But I think that Self-control should be added to His Excellency's list.' A printed biographical cutting is appended.

On one side of a piece of laid paper, dimensions 11.5 x 17.5 cm. Good, lightly creased with one small spot at head and a light thumbprint (Warren's?) in top right-hand corner. Clearly responding to a request for an autograph. Reads 'The Heavens declare the glory of God, and the Firmament sheweth His handy work. Ps. XX, I. | [signed] Samuel Warren | 16 Manchester Square | W. | 23d January 1866.'

8vo: 1 p. Very good. He has 'pleasure in complying' with his correspondent's request. 'You may have seen a book I have recently published - "Retrospect of a Long Life" - and have learned that I am in the 84th year of my age - born on the 9th May 1800. | I am thankful to God for good health and for many other blessings.'

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

Printed on one side of a piece of paper 43 x 33 cms. Good, on lightly creased and spotted aged paper. A printed plan, with two diagrams, designed to show the members of the various livery companies where to sit at the banquet for Samuel Wilson, Lord Mayor of London. The name 'R. Taylor' (of the Ward of Farringdon Without) is filled in in manuscript: 'The Situation for Mr. [R. Taylor] is marked in Red; And for his Lady ........Blue.'

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

Two pages, 12mo. On aged and somewhat grubby paper, with a few closed tears to extremities. Text clear and entire. The recipients 'account for clubs' supplied to Samuel in June 1896 'has not been presented between that date and now'. Samuel thinks he paid the amount at the time'. '[O]n my return to town I will look through my receipts and communicate with you further.'

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

Dimensions roughly one and a half inches by two inches. One page, blank verso. Tipped in on piece of yellow paper. Within ruled border. An attractive item, with an illustration of key at head. Beneath this, in copperplate, 'Bought of I: Crokatt | at the Golden Key near | ye. Inner-Temple-Gate | Fleet-Street.' Crokatt, an associate of Dodsley, with whom Samuel Johnson worked, traded from the 1720s to the 1750s.

Three pages, 12mo. On aged paper, with a few closed tears and rust marking to blank verso of second leaf of bifolium. He thanks him for sending the books for examination. 'Mrs. Sotheby will take a photograph of the phiz of Peter Schoeffer, But as to the woodcut being of that I do not at present believe it - | The letters & papers are not of the time.' He asks him to translate a passage, comments further on Schoeffer, and asks if his correspondent has 'any new of Paper Factory for me.' Concludes 'Write me the full particulars of what Dutch Collection in the library of Sir Ths.

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.