PAINTER

[ Robin Wallace, English landscape painter. ] Drypoint etching titled 'The River'. Inscribed to 'Father Richard' and described as a 'working Proof'.

Author: 
Robin Wallace (1897-1952), English artist from Kendal, Westmoreland
Publication details: 
Signed by the artist and dated by him 'July 1927'.
£56.00

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

[ Thomas Faed, RA, Scottish artist. ] Autograph Signature and Christmas message.

Author: 
Thomas Faed (1826-1900), RA, Scottish artist
Publication details: 
No place. 25 December 1881.
£30.00

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

[ Thomas Faed, RA, Scottish artist. ] Printed handbill poem in Scottish dialect by 'Tom Faed', titled '"The Shadow"', and beginning 'Oh wae is me! - I sit alane'.

Author: 
Thomas Faed (1826-1900), RA, Scottish artist
Publication details: 
No place or date.
£120.00

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

[ William Black, Scottish novelist. ] Autograph Note Signed, asking Scottish painter Thomas Faed to second his application for membership of the Athenaeum.

Author: 
William Black (1841-1898), Scottish journalist and novelist [ Thomas Faed (1826-1900), RA, Scottish artist ]
Publication details: 
On letterhead of the Reform Club, Pall Mall, S.W. [ London ] 26 July [no year].
£35.00

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

[ Samuel Cousins, engraver. ] Autograph Note Signed ('Saml: Cousins') to the Scottish artist Thomas Faed

Author: 
Samuel Cousins (1801-1887), RA, English mezzotint engraver [ Thomas Faed (1826-1900), RA, Scottish artist ]
Publication details: 
On letterhead of 24 Camden Square, N.W. [London] 29 October 1877.
£30.00

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

[ John Faed, Scottish painter. ] Autograph Letter Signed to 'My dear Fanny', making a Christmas present of an engraving to 'fill a corner in your Boudoir'.

Author: 
John Faed (1819-1902), RSA, Scottish painter, brother of Thomas Faed (1826-1900), RA
Publication details: 
On letterhead of 38 St. John's Wood, Park, N.W. [ London ] 25 December 1865
£25.00

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

[ Frederick Tayler, watercolour artist. ] Original 'design' for a painting of 'a Girl carrying a Basket of Puppies', in an Autograph Letter Signed ('Fredk. Tayler') [to Scottish artist Thomas Faed], with request for a 'Cottage Door' to work from.

Author: 
Frederick Tayler [ John Frederick Tayler ], English watercolour artist, president of the Royal Watercolour Society [ Thomas Faed (1826-1900), Scottish artist ]
Publication details: 
On letterhead of 38 Avenue Road, Regents Park, NW [ London ]. 12 December [ year lacking ].
£120.00

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

[ Sir Henry Raeburn, Scottish portrait painter. ] Two Autograph Letters Signed and one Autograph Note Signed (all 'Henry Raeburn') to John Cockburn Ross, discussing terms for painting him, and a debt owed to him by Sir Alexander Don for a portrait.

Author: 
Sir Henry Raeburn (1756-1823), Scottish portrait painter [ John Cockburn Ross; Sir Alexander Don ]
Publication details: 
All from Edinburgh [ Scotland ]. 6 and 29 November 1797, and 7 June 1806.
£750.00

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.

[ Sir Francis Bernard Dicksee, Victorian artist. ] Autograph Letter Signed ('Frank Dicksee') to Shirley Slocombe, thanking him for his congratulations on his appointment as President of the Royal Academy.

Author: 
Sir Frank Dicksee [ Sir Francis Bernard Dicksee ] (1853-1928), Victorian painter and illustrator, President of the Royal Academy [ Charles Llewellyn Shirley Slocombe (1872-1935), portrait painter ]
Publication details: 
On letterhead of Greville House, 3 Greville Place, Maida Vale [London]. 3 January 1924.
£33.00

1p., 12mo. In good condition. In stamped envelope addressed by Dicksee to 'Shirley Slocombe Esq. | 27 Warwick Gardens | Kensington | W.14'. He apologises for his late reply to Slocombe's 'kind congratulations', explaining that he is 'faced by over 500 letters all needing answers'. Dicksee was knighted the following year.

[ Sir Oswald Walters Brierly, English marine artist. ] Autograph Letter Signed ('O S Brierly') to Walter J. Fawcett

Author: 
Oswald Brierly [ Sir Oswald Walters Brierly ] (1817-1894), English marine artist [ Prince Victor of Hohenlohe-Langenburg (1833-1891), Admiral in the Royal Navy, and sculptor ]
Publication details: 
38 Ampthill Square, NW [London]. 10 February 1873.
£40.00

1p., 12mo. In good condition, on lightly-aged paper. He acknowledges receipt of a cheque for 35 guineas, for 'the small drawing of Constantinople', adding that 'Prince Hohenlohe called and saw it here today, and liked it very much'. He ends with the news that he has engaged 'Heffer to call here for it, & pack & send it to its destination'.

[ Lady Eastnor. ] Autograph Letter in the third person to her drawing master Edmund Thomas Parris, with reference to two of his other clients.

Author: 
Caroline Harriet Somers-Cocks (1794-1873), Lady Eastnor [born Caroline Harriet Yorke], later Countess Somers [ Edmund Thomas Parris (1793-1873), architect and artist ]
Publication details: 
15 Berkeley Square [ London ]. 'Saturday' [no date, but on 1835 Whatman paper.]
£56.00

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

[ William Leighton Leitch, Scottish artist. ] Four Autograph Letters Signed (all 'W L Leitch'), two to 'Miss Macerone' and two to 'Miss Emily', in two of which he despairs of his continuing ill health and its effects on his work.

Author: 
William Leighton Leitch (1804-1883), Scottish painter and illustrator, drawing master to Queen Victoria, and Vice President of the Royal Institute of Painters in Watercolours [Miss Macerone, pianist ]
Publication details: 
The two letters to 'Miss Macerone' from Sidney House, Boundary Rd, St John's Wood [London]; 15 March 1866 and 'Friday' [no date]. The two letters to 'Miss Emily': from 124 Alexandra Rd, St John's Wood. 28 February and 11 March 1878.
£90.00

The first item with discoloration to the first leaf; the rest in good condition, lightly aged. ONE: To Miss Macerone. 15 March 1866. 3pp., 12mo. Bifolium. He is sorry he missed her earlier, it being 'such a rare thing for me to be out at that time of the afternoon'. He has been 'nearly wild with rheumatism lately', and is 'taking some hot air baths'. He is 'obliged to be at 40 Gt. Marlborough St. at 5 O'Clock' and trusts that 'another bath or two will make me fit to work for I am most shockingly behind hand for the Gallery'.

[ Edward William Cooke, artist and geologist. ] Autograph Letter in the third person to 'Miss Macirone' [for 'Macerone'], accepting an invitation to one of her concerts.

Author: 
Edward William Cooke (1811-1880), artist and geologist, member of the Royal Academy and fellow of the Royal Society [ Miss Macerone, pianist and composer ]
Publication details: 
On letterhead of the Athenaeum, London. 29 April 1862.
£25.00

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

[ John Seymour Lucas, RA. ] Four Autograph Letters Signed (all 'Seymour Lucas') to 'Mr Slocombe' [ the artist Shirley Slocombe ], written in a light-heared and affectionate tone.

Author: 
John Seymour Lucas (1849-1923), English artist and Royal Academician [ Shirley Slocombe (c.1873-1906) ]
Publication details: 
All on letterhead of New Place, Woodchurch Road, West Hampstead. 1902 (2), 1904 and 1908.
£120.00

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

[ Alfred D'Orsay, Count D'Orsay, French dandy. ] Autograph Letter Signed ('A. d'Orsay') to his attorney 'Du Pasquier' [J. M. Du Pasquier], touching on his financial embarrassment and his bust of the Duke of Wellington.

Author: 
Count D'Orsay [ Alfred, Comte d'Orsay (1801-1852), French dandy and artist, notorious for his liaison with the Countess of Blessington ] [ John McMahon Du Pasquier (d.1873), London attorney ]
Publication details: 
Place not stated. 23 October 1851.
£250.00

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.

Autograph Note Signed 'Will. H. Lizars' on receipt of payment for work on Walter Scott novels.

Author: 
[ William Home Lizars ] William H. Lizars (1788–1859), Scottish painter and engraver.
Publication details: 
Edinburgh, 8 June 1827.
£180.00

One page, 21 x 8cm, one dge frayed and sunned, text clear and complete. Lizars acknowledges paymentof £49.14 from "John Gibson Junr, Esqre for the Trustees of Sir Walter Scott, Bart [...] payment of [annexed?] account [not present] for Titles to Tales & Romances."

[Blanche Gottschalk, British miniaturist.] Photograph captioned '(The late) Miss Blanche Gottschalk in her Studio 1923', showing the artist before her easel, with several works of art around her.

Author: 
Blanche Gottschalk (b. circa 1864), RMS (Royal Miniature Society), British miniature painter
Publication details: 
Without date or place. (London, 1923?)
£150.00

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

[G. B. O'Neill, Irish painter.] Autograph Letter Signed ('G. Bernard O'Neill'), inviting G. W. Cooke to join in a 'friendly cup' with him and 'Mr. Callcott' [William Hutchins Callcott?], who is bringing sketches for him to inspect.

Author: 
G. B. O'Neill [George Bernard O'Neill] (1828-1917), Irish painter [G. W. Cooke [George Wingrove Cooke] (1814-1865), lawyer and historian; Sir Augustus Wall Callcott (1779-1844)]
Publication details: 
'The Mall | Kensington. | Monday'. No date.
£75.00

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

[Walter William Ouless, portrait painter.] Autograph Letter Signed ('W. W. Ouless') to 'Mr. White' [John Forbes White?], regarding the contribution of paintings to an exhibition in Aberdeen.

Author: 
Walter William Ouless (1848-1933), RA, British portrait painter from Jersey [John Forbes White of Aberdeen?; Herbert Stacy Marks (1829-1898); Sir Alexander Matheson (1805-1886)]
Publication details: 
On letterhead of 12 Bryanston Square. 27 October 1887.
£65.00

3pp., 12mo. Bifolium. In good condition, on lightly aged paper. Ouless regrets that he has 'nothing available' for 'the Aberdeen Exhibition this year', 'unless it be Marks' portrait [Henry Stacy Marks, artist] which is my property & now at Manchester, but as it was painted 12 years ago I do not think you will consider it suitable'. He suggest asking the Highland Railway Company whether they might lend the 'half length by me of Sir A. Matheson'. The letter ends: 'I wish I had something more recent which I could propose. I hope another year you will ask me again.'

[Printed exhibition catalogue.] Christopher Wood. The First Retrospective Exhibition since 1938.

Author: 
[Christopher Wood (1901-1930), English painter; The Redfern Gallery, London]
Publication details: 
The Redfern Gallery, London. 1959. [Fisher, Knight & Co. Ltd., St Albans, Hertfordshire]
£56.00

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.

[Samuel Prout, watercolour artist.] Fragment of Autograph Letter, with references to 'Dr. Tournay' and 'my friend 'Dr Burney', and to the house of the recipient being 'the rendezvous of all the learned & the rich in Oxford'.

Author: 
Samuel Prout (1783-1852), English artist noted for his architectural watercolours [William Tournay (1762-1833), Warden of Wadham College, Oxford; Charles Parr Burney (1785-1864)]
Publication details: 
4 Brixton Place, Brixton, Surrey. 12 January 1833.
£65.00

On both sides of a rectangular (5.5 x 16.5 cm) strip cut from letter. In fair condition, with light signs of age and wear. Recto: '4 Brixton place | Brixton Surry [sic] | Janry: 12th. 1833 | Sir | M Mackenzie has conveyed to me y polite offier of allowing a few prospectus of my [...]'. Verso: 'to Dr. Tournay by my friend Dr Burney, but as your house is the rendezvous of all the learned & the rich in Oxford, perhaps it is unnecessary for me to solicit the onor of Dr Tournay's influence. | I remain, | [...]'.

[Sir William Beechey, English portrait painter.] Autograph Note Signed ('Mr. Beechey'), in French.

Author: 
Sir William Beechey (1753-1839), English portrait painter
Publication details: 
'16th. May [no year]'.
£32.00

On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.

[James Archer, Scottish artist.] Autograph Letter Signed to the Editor of 'Men & Women of the Time' [Victor Gustave Plarr], regarding the revision of his entry therein.

Author: 
James Archer (1822-1904), Scottish artist [Victor Gustave Plarr]
Publication details: 
Haslemere, Surrey. 10 April 1898.
£45.00

1p., 12mo. In good condition, on lightly-aged paper. The letter reads: 'I beg to re-enclose for the excerpt from your publication "Men & Women of the Time," of my biography which I have revised, making a very few alterations, & adding a few lines which I write on the other sheet of this note: [not present] my permanent address now is the above'. The note relates to the fifteenth edition of the work, published by G. Routledge & Sons in 1899.

[Henry Courtney Selous, nineteenth-century historical artist.] Autograph Signature ('H. C. Selous') on part of letter addressed to J. Watkins of Liverpool.

Author: 
Henry Courtney Selous [formerly Slous] (1803-1890), historical artist, illustrator and lithographer
Publication details: 
Without place or date.
£23.00

On 7 x 10.5 rectangle cut from the conclusion of a letter. In good condition, lightly aged, with traces of mount adhering to reverse at corners. Reads: '<...> appear amongst your <...> valuable collection. | I remain Dr Sir | Yours most truly | H. C. Selous | J. Watkins Esqre | Liverpool.'

[Sir Edwin Landseer, PRA.] Autograph Signature, made at the request of J. H. Whitaker of Manchester.

Author: 
Sir Edwin Landseer (1802-1873), RA, English artist
Publication details: 
London. 11 November 1860.
£25.00

On 12 x 11 cm piece of watermarked laid paper. Lightly aged, with slight evidence of previous mount at head (not affecting text). Sent in response to a request for an autograph. Reads: 'London. Nov 11th. 60 | Obediently Yours | E Landseer. | (To J. H. Whitaker. | Manchester)'.

[William George Shrubsole, Victorian artist.] Autograph Manuscript of lecture titled 'The Ideal in Art', 'delivered at Bangor, N. Wales in Dec. 1886, in connection with the Menai Society of Science and Literature'. With signed drawing of W. E. Bacon.

Author: 
William George Shrubsole [W. G. Shrubsole] (1856-1889), British artist [The Menai Society of Science and Literature, Wales]
Publication details: 
'Bangor [Wales] Decr. 1886.'
£450.00

The lecture, which is unpublished, is an interesting personal statement by a neglected Victorian painter who died tragically young. (A rather impressive example of his work, in Turneresque style, titled 'The Heart of the Hills', is in the Maidstone Museum.) The lecture is 30pp., 8vo, in a ruled notebook with embossed black wraps. In good condition, on aged paper with some wear and discoloration. Ownership inscription of 'W. G. Shrubsole | Bangor Decr. 1886' inside the front wrap. The first page is headed 'The Ideal in Art. | by W. G. Shrubsole Dec.

[Sir George Hayter, artist.] Autograph Note Signed ('George Hayter') to an unnamed recipient, inviting him to see William Salter's painting 'The Waterloo Banquet'.

Author: 
Sir George Hayter (1792-1871), painter and engraver [William Salter (1804-1875), artist]
Publication details: 
'10 1/2 [i.e. half past ten o'clock]'. Without place or date [1841].
£45.00

1p., 12mo. In fair condition, on aged paper, with tape repairs to reverse causing staining along fold line. The note reads: 'Dear Sir | If you will come to The Star at a quarter before nine o'C., we are to be shown the picture of the Waterloo Banquet at that time at my particular request'. Salter's painting was exhibited to the public in 1841. It is now in Apsley House. As another artist of large-scale historical works Hayter would have taken a particular interest in it.

[Lawrence Dundas, 1st Marquess of Zetland.] Thirty-three Autograph Letters Signed (all 'Zetland') to the portrait painter Shirley Slocombe. With eight letters from Lady Zetland, and drafts of two of Slocombe's letters and two accounts by him.

Author: 
Lawrence Dundas (1844-1929), 1st Marquess of Zetland, of Aske Hall, Richmond, Yorkshire, British Conservative politician [Charles Llewellyn Shirley Slocombe (1872-1935), portrait painter]
Publication details: 
Twenty-two on letterhead of Aske, Richmond, Yorkshire; eight on letterhead of 10 Arlington St, London SW. The other eleven from various addresses. Between 1897 and 1911.
£450.00

The collection is in good condition, on lightly-aged paper. Zetland's letters total 26pp., 8vo; 19pp., 12mo; 1p., 16mo. The theme is the painting and engraving of a portrait of Zetland by Slocombe, and the correspondence casts an interesting light on the relations between patron and artist in late nineteenth-century England, with the drafts of Slocombe's two letters, and his accounts for painting and engraving, adding to its value.

[Henry Herbert La Thangue, English painter.] Autograph Note Signed ('H H La Thangue') to the editor of the St James Budget

Author: 
Henry Herbert La Thangue (1859-1929), English painter, one of the founders of the New English Arts Club, associated with the Newlyn School
Publication details: 
Graffham, Petworth. 23 January 1898.
£40.00

1p., 4to. In fair condition, on aged and folded paper. The reverse of the document is docketted, with the stamp of the St James's Budget. He writes that he is enclosing a photograph, which he asks to be returned to him 'after it has served its purpose'.

[Joseph William Allen, landscape painter.] Autograph Letter Signed ('J. W. Allen') to his pupil the artist Edward John Cobbett

Author: 
Joseph William Allen (1803-1852), landscape painter, President of Society of British Artists and drawing master of City of London School [his pupil Edward John Cobbett (1815-1899); Liscard Hall]
Publication details: 
'Liscard Hall. | near Egremont | Cheshire.' Undated.
£120.00

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

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