BRITISH

[The Bristol Aeroplane Co., Ltd.] Printed illustrated brochure for 'The "Bristol" Titan Aircooled Aero Engine ['Series II']', accompanied by eleven black and white publicity photographs (four of the engine and seven of Bristol airplanes).

Author: 
The Bristol Aeroplane Co., Ltd., of Filton, Bristol [originally the British and Colonial Aeroplane Company] [aeronautics; aeronautical; aircraft]
Publication details: 
The Bristol Aeroplane Co., Ltd., Filton, Bristol. [Brochure printed by 'Edward Everard, Broad Street, Bristol.] [Circa 1928.]
£150.00

The Bristol Aeroplane Company was an early and important innovator in the field of aircraft design and development. Four variants of its Titan engine (I, IIF, II Special, and IV) were produced in 1928. The present brochure and photographs are contained in a large manila envelope, with 'The "Bristol" Aeroplanes' printed in green on front. The photographs are all in very good condition, and all measure around 18 x 23.5 cm. The brochure is 4pp., 4to, printed in brown on a bifolium of cream paper. It is in good condition, with a little wear and creasing.

[John Gere, Keeper of Prints and Drawings, British Museum.] Autograph transcriptions of 16 communications from E. H. W. Meyerstein, with unpublished poem by Gere on his death and other matter. With a copy of Watson's selection of Meyerstein's letters

Author: 
John Gere (1921-1995), Keeper, Department of Prints and Drawings, British Museum; E. H. W. Meyerstein [Edward Harry William Meyerstein] (1889-1952), scholar and poet; Rowland Watson
Publication details: 
Watson's book: London: Neville Spearman, 1959. The other material dating from the 1940s and 1950s.
£180.00

One: Holograph poem by Gere in red ink on slip of paper. Apparently unpublished, it reads: 'I.M. E.HWM | buried Hampstead 18. 9. '52 | Grave scholar of a Grays Inn cell, | Gay naturalist of Norfolk fen, | Divion [sic, corrected in pencil to 'Division'] now ordains farewell. | I shall not see your like again. | JG'. Items Two to Seventeen: Sixteen transcriptions of letters and notes from Meyerstein to John Gere (as 'J G'). Each on a separate piece or slip of paper, and all written out in red ink.

[Joseph William Allen, landscape painter.] Autograph Letter Signed ('J. W. Allen') to his pupil the artist Edward John Cobbett

Author: 
Joseph William Allen (1803-1852), landscape painter, President of Society of British Artists and drawing master of City of London School [his pupil Edward John Cobbett (1815-1899); Liscard Hall]
Publication details: 
'Liscard Hall. | near Egremont | Cheshire.' Undated.
£120.00

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

[Henry Lamb, artist] Three Christmas Cards to Robert Lynd, essayist, and Sylvia Lynd, poet

Author: 
Henry, Lamb, English artist of the Camden Town Group
Publication details: 
One dated 1948, another1950, one undated.
£180.00

Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page[3] "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.

[William Strang, Scottish painter and etcher.] Autograph Letter Signed ('Wm Strang') to 'Daffarn', regarding an engagement with him and his 'friend Watson'.

Author: 
William Strang (1859-1921), Scottish painter and etcher, President of the International Society of Sculptors, Painters, and Gravers
Publication details: 
On letterhead of 7 Hamilton Terrace, NW [London]. 2 April 1907.
£45.00

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

[Thomas Webster, RA.] Autograph Note in the third person to 'Mr. Gotta'.

Author: 
Thomas Webster (1800-1886), RA, English genre painter and etcher [Royal Academy of Arts, London]
Publication details: 
On letterhead of Cranbrook, Staplehurst. 10 May 1877.
£35.00

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Martin Hardie, art historian and curator.] Two Typed Letters Signed to the artist and critic Eric Hesketh Hubbard, discussing the loan and delivery of drawings.

Author: 
Martin Hardie (1875-1952), art historian and Victoria and curator at the Albert Museum [Eric Hesketh Hubbard (1892-1957), artist and critic]
Publication details: 
First letter: on letterhead of Rodbourne, Tonbridge, Kent. 3 October 1943. Second letter: from Rodbourne. 10 October 1943.
£70.00

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

[William Pengree Sherlock, watercolour artist.] Autograph Letter Signed ('W P Sherlock') to an unnamed recipient, sending his 'last little Effort' in engraving, as proof of his abilities.

Author: 
William Pengree Sherlock (b.1775), watercolour artist and engraver, son of the artist and engraver William Sherlock (1738-1806)
Publication details: 
Cumberland Place, Shepherd's Bush. 21 July 1817.
£120.00

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

[Sir Frank Brangwyn, artist.] Autograph Letter Signed ('Frank Brangwyn.') to an unnamed lady, regarding his efforts to get her 'a print of my etching "The Storm"'.

Author: 
Sir Frank Brangwyn [Sir Frank William Brangwyn] (1867-1956), artist
Publication details: 
On letterhead of Temple Lodge, Queen Street, Hammersmith, W. [London] 21 February 1905.
£90.00

1p., 4to. On blue-grey paper. In good condition, lightly-aged. He has been trying to get her a acopy of the print, but will not be able to until the following Tuesday. He hopes that this is not too late, and it will give him 'much pleasure in sending it up'.

[Sir Charles Holroyd, English engraver, first Keeper of the Tate Gallery.] Autograph Letter Signed to 'Thomson'

Author: 
Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery
Publication details: 
On letterhead of the National Gallery, British Art, Millbank, London, S.W. 28 February 1906.
£120.00

1p., 12mo. In good condition, on lightly-aged paper. He writes to apologise that he 'cannot get away to see the Holbein' at the previously arranged time, because he has a meeting with 'my accounting officer'. He suggests an alternative time, and apologises 'heartily for my mistake'.

[George Marshall Ward, artist and engraver.] Autograph Letter Signed ('G R Ward') to H. Magford, offering to lend two works by his father James Ward to the Crystal Palace, and the exhibition of another one among Manchester 'merchant Princes'.

Author: 
George Marshall Ward (1798-1879), artist and engraver, son of the artist James Ward (1769-1859) [The Crystal Palace; Art Treasures Exhibition, Manchester, 1857]
Publication details: 
31 Fitzroy Square W. [London] 27 April 1857.
£65.00

2pp., 12mo. Bifolium. In very good condition, neatly placed by the second leaf in a windowpane mount. He has 'received an intimation' that his picture is in Bond Street ('from whence I must fetch it'), and is writing to say that he has 'two Pictures by my Father (one very small but a beautiful little bit) the other the Peak in Derbyshire; a Landscape by Smith of Chichester & a copy of mine after Liverseege all of which I would lend to the Crystal Palace if you would like to have them'. He can deliver these to Bond St on collecting the other.

[Edward Scriven, engraver.] Autograph Letter Signed ('Edwd Scriven') to the bookseller Joseph Harding regarding the retouching of his 'plate of Norfolk'.

Author: 
Edward Scriven (1775-1841), engraver [Joseph Harding, bookseller, chief assistant to James Lackington (1777-1844) of Finsbury Square]
Publication details: 
51 Clarendon Square, Somers Town [London]. 29 October 1819.
£65.00

2pp., 12mo. In good condition, on lightly-aged paper. Scriven begins: 'I am afraid you will have thought I had forgotten to send the plate of Norfolk: the truth is, I decided on doing a few touches to that hand noticed by you & Mr Lackington; and although it was but a very little, I did not like to trust its going without first seeing a proof, as we can never be quite sure, on at all touching the copper, how it may come afterwards.' He ends by sending his 'best respects to Mr Lackington and the rest of your Gentlemen'.

[Benjamin Phelps Gibbon, engraver.]

Author: 
Benjamin Phelps Gibbon (1802-1851), Wesh engraver
Publication details: 
89 Albany Street, Regents Park [London]. 17 November 1841.
Upon request

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

[Althea Willoughby, English artist.] Two Autograph Letters Signed and one Autograph Note Signed to the publishers Ingpen and Grant regarding her designs for woodcut engravings for Alexander Somerton's 'Glades of Glenbella'.

Author: 
Althea Willoughby (1904-1982), English artist, designer of posters for London Transport, 1933-1936 [Ingpen and Grant, London publishers]
Publication details: 
All three from 20A Alfred Place, SW7 [London]. 14 April, 10 July and 2 August [1929].
£120.00

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

[Abraham John Mason, wood engraver.] Autograph Letter Signed ('A. J. Mason') to 'J. Mayer Esqre', discussing a commission for an advertisement to be placed in the Art Union Monthly, mentioning individuals (Hall, Fairholt, Clements) and processes.

Author: 
Abraham John Mason, wood engraver [Samuel Carter Hall, editor of the Art Union Monthly]
Publication details: 
28 Liverpool Street, King's Cross. 27 January [no year].
Upon request

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

[Two printed works bound together.] Hamilton's 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere' and 'Mr. J. Payne Collier's reply to Mr. N. E. S. Hamilton's "Inquiry"'.

Author: 
N. E. S. A. Hamilton [Nicholas Esterhazy Stephen Armytage Hamilton (d.1915)] of the Manuscript Department of the British Museum; John Payne Collier (1789-1883), Shakespearian critic and forger
Publication details: 
Hamilton: London: Richard Bentley, New Burlington Street, Publisher in Ordinary to Her Majesty. 1860. Payne Collier: London: Bell and Daldy, 186 Fleet Street. 1860.
£200.00

Both works first editions, and both in good condition, on aged paper. Bound together in late nineteenth-century red cloth half-binding, with marbled boards. Title on spine: 'COLLIER CONTROVERSY | H.R.H. | 1919'. Hamilton title in full: 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere, Folio, 1632; and of certain Shaksperian Documents likewise published by Mr. Collier'. [4] + 155pp., 4to. With frontispiece and two plates, one of them double-page. Collier title in full: 'Mr. J. Payne Collier's reply to Mr. N. E. S.

[William Strang, Scottish painter and etcher.] Autograph Letter Signed ('Wm Strang') to 'Daffarn', regarding an engagement with him and his 'friend Watson'.

Author: 
William Strang (1859-1921), Scottish painter and etcher, President of the International Society of Sculptors, Painters, and Gravers
Publication details: 
On letterhead of 7 Hamilton Terrace, NW [London]. 2 April 1907.
£45.00

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

[Thomas Webster, RA.] Autograph Note in the third person to 'Mr. Gotta'.

Author: 
Thomas Webster (1800-1886), RA, English genre painter and etcher [Royal Academy of Arts, London]
Publication details: 
On letterhead of Cranbrook, Staplehurst. 10 May 1877.
£35.00

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

[Peltro William Tomkins, drawing master to the royal family.] Autograph Letter Signed ('P W Tomkins') to 'Gentlemen' [booksellers] regarding 'Dr Clarkes Plates' and the desire of the bearer of the letter to be employed as an engraver.d

Author: 
Peltro William Tomkins (1759-1840), engraver and draughtsman, drawing master to the family of King George III
Publication details: 
53 New Bond Street [London]. 14 March 1809.
£60.00

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

[Martin Hardie, art historian and curator.] Two Typed Letters Signed to the artist and critic Eric Hesketh Hubbard, discussing the loan and delivery of drawings.

Author: 
Martin Hardie (1875-1952), art historian and Victoria and curator at the Albert Museum [Eric Hesketh Hubbard (1892-1957), artist and critic]
Publication details: 
First letter: on letterhead of Rodbourne, Tonbridge, Kent. 3 October 1943. Second letter: from Rodbourne. 10 October 1943.
£70.00

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

[Lieutenant General Archibald Robertson of Lawers.] Manuscript 'Extract from Decree Arbitral by Adam Rolland Esq | In the Submission between Mrs. Catherine Austen or Robertson and The Trustee of Lieut General Archd. Robertson of Lawer'.

Author: 
Lieutenant-General Archibald Robertson (1745-1813) of Lawers, Perthshire [Adam Rolland]
Publication details: 
[Scotland.] Made 19 December 1814; recorded 1833.
£35.00

2pp., foolscap 8vo. Bifolium. In good condition, on lightly-aged paper. Docketted on reverse of second leaf, including the information that this is the second recording (the first being made at the time of the document in 1814). The extract ('Sexto') concerns the payment of an 'Annuity of Eleven hundred pounds Sterling bequeathed to he said Mrs. Catherine Robertson by the said Lieut. General Archibald Robertson'. Robertson is the subject of a portrait by George Romney, now in the Museum of Fine Art, St Petersburg, Florida.

[George J. Stodart, engraver.] Signed engraving, from a photograph, of Dr Evan Buchanan Baxter, Professor of Materia Medica at King's College, London.

Author: 
George J. Stodard, British engraver [Dr Evan Buchanan Baxter (1844-1885), Dr. Evan Buchanan Baxter, Professor of Materia Medica at King's College, London]
Publication details: 
Without place or date. [1880s.]
£50.00

On piece of 21 x 13 cm India paper, laid down on a piece of thick paper, 33 x 24cm. The engraving is small in comparison, measuring around 8 x 6 cm, and showing a formally dressed and bearded Baxter's head and shoulders, facing to his right. Aged and dusty, with crease line to the mount at the foot. Stodart has signed in pencil in the bottom right-hand corner of the engraving paper, and the crease line bissects the signature and its underlining. At bottom right of mount, in pencil: 'Dr Baxter | Kings College'.

[Valentine Green, Engraver.] Autograph Letter Signed ('V. Green') to an unnamed male recipient, regarding the removal of two paintings, including one by William Daniell.

Author: 
Valentine Green (1739-1813), English engraver and print publisher, Keeper of the British Institution, 1805-1813 [William Daniell (1769-1837), landscape and marine painter]
Publication details: 
British Gallery, Pall Mall [London]. 20 July 1807.
£120.00

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

[Sir George Hayter, artist.] Autograph Receipt Signed ('George Hayter'), to Messrs Crace, for the loan 'of two spear axe pikes, and a body & helmet suit of armour'.

Author: 
Sir George Hayter (1792-1871), painter and engraver [Messrs Crace & Son, 14 Wigmore Street, London, interior designers]
Publication details: 
'33 Gloucester Place in the new Road [London]'. 25 April 1855.
£130.00

On one side of a piece of cm blue paper. Reads: 'April 25, 1855. | 33 Gloucester Place in the new Road | Received of Messrs Crace | The favour of loan of two spear axe pikes, and a body & helmet suit of armour, to be returned. | George Hayter | with Thanks & Compliments.'

[Shelagh Maitland, artist's model.] Autograph Letter Signed, offering her services to the Duchess of Kent, stating she has worked for Lord Plunkett, Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger. With risqué autograph poem.

Author: 
Shelagh Maitland, artist's model [Princess Marina, Duchess of Kent [Princess Marina of Greece and Denmark] (1906-1968); Cathleen Mann; Simon Elwes; Sir John Lavery; T. C. Dugdale; David Jagger]
Publication details: 
40 Queensborough Terrace, W8 [London]. 19 July 1938.
£80.00

Both items are in an envelope addressed to the Duchess at 3 Belgrave Square. The envelope and its contents are on aged and creased paper. LETTER: 2pp., 12mo. Bifolium. Knowing that the Duchess is 'a well-known artist', she is offering her 'services as a model'. 'I was permanent model to the late Lord Plunket [sic] and have been painted by Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger and several other well-known painters.' She describes her appearance and asks to be granted an interview. POEM: 2pp., 12mo. In pencil. Unsigned, but clearly by Maitland.

[Rev. Frederic Smith, Registrar, East India College.] Printed form, filled in and signed by him, giving 'Mr. Balfour's Account' with the College.

Author: 
Rev. Frederic Smith, Registrar, East India College [now Haileybury College, Hertford Heath, Hertfordshire]
Publication details: 
East India College [Hertford Heath, Hertfordshire]. 17 December 1840.
£60.00

1p., 8vo. In good condition, on lightly-aged paper, but with damage to one margin (not affecting text) caused by the tearing of the item out of a book. The account is itemised into: Apothecary; Bookseller and Stationer; Hair Cutter; Porter, for Letters, &c; Purveyor; Shoemaker; Tailor, with four categories added in Smith's hand: Fencing; Wine; Advances; Jackson (Packing Cases). Balfour's account comes to £60 19s 1d. Beneath the account are fourteen lines of printed notifications, concluding: 'N.B. The Registrar's Address, during the ensuing College Vacation, may be had of Mr.

[Prince Christian of Schleswig Holstein.] Autograph Lettter Signed to 'Mr Garth', with covering note to 'Teddy' from J. S. Talbot.

Author: 
Prince Christian of Schleswig Holstein (1831-1917), member of British royal family through his marriage to Queen Victoria's fifth child Princess Helena
Publication details: 
Cumberland Gate [London]. 9 May 1900. On garter letterhead.
£56.00

2pp., 12mo. Bifolium with mourning border. In fair condition, on aged and lightly-creased paper. The Prince's handwriting is none of the best, and even his signature is illegible. The letter reads: 'Dear Mr Garth | I am very sorry to hear of the

[Malcolm Osborne, painter.] Two Autograph Letters Signed to Westley Manning, in the first describing his wartime enlistment in the Artists Rifles, and training under the artist William Lee-Hankey.

Author: 
Malcolm Osborne (1880-1963), English landscape painter [William Westley Manning (1868-1954), artist; The Artists Rifles, British Territorial Army; William Lee-Hankey (1869-1952), artist]
Publication details: 
The first from 11 Edith Grove, Chelsea. 24 July 1915. The second from 15 Redcliffe Square, South Kensington. 25 July 1921.
£80.00

Both letters in very good condition, neatly written out on lightly-aged paper. ONE: 2pp., 4to.

[George Wyndham, as Under-Secretary of State for War.] Autograph Letter Signed to Sir Redvers Buller

Author: 
George Wyndham (1863-1913), Conservative politician and author, one of 'The Souls' [General Sir Redvers Buller (1839-1908); George Peel]
Publication details: 
On government letterhead. 25 October 1899.
£100.00

2pp., 12mo. 25 lines of text. On aged and worn paper with slight loss at head (not affecting text). The letter begins: 'My dear Sir Redvers | I am ashamed to write to you about a personal matter at such a time, but this is, I think, a very strong claim. | George Peel, son of Lord Peel, in the Oxfordshire Yeomanry, has gone out to South Africa at his own expense, & wishes to be attached to any expedition which is sent to relieve Kimberley, because his sister is there.

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