GEORGE

See image. It is hard to see how this collection could be bettered, the range of signatures from sanity to madness being of particular interest. All seven examples laid down on a folio leaf extracted from an album. The leaf is in poor condition, creased and with closed tears, but the parchment and paper bearing the signatures themselves in good condition, the six parchment items having the usual discoloration, but the example on paper in excellent condition.

See the two men’s entries in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Addressed to ‘Dear Mr Paxton’ and signed ‘Morpeth’. Much of the letter comprises a twenty-three line quotation from a letter Morpeth has received ‘from a great friend of mine in Dublin, Mr Hamilton’ (After the transcription of Hamilton’s letter Morpeth gives his name as ‘William Tighe Hamilton Esqre [1807-1886] / Donnybrook / Dublin’.

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

Hailing from Gateshead, County Durham, Elliot was a self-made man: he began life as a colliery labourer and ended it as one of the richest men in England, his wealth at death being given as £575,000. See his entry in the Oxford DNB. His residence in Whitby containing an Egyptian mummy was visited by Bram Stoker and appears to have inspired his 'Tale of the Seven Stars' (1903). 3pp, two of them 12mo and one 8vo. Bifolium, with one page of text written across the central opening at right angles. In good condition, lightly aged and worn, with a little glue from mount along outer gutter.

The daughter of the fifth Duke of Argyll, Lady Charlotte bore eleven children to her two husbands, and was forced to write novels by her first husband’s death and second husband’s profligacy. See her entry in the Oxford DNB. 4pp, 16mo. Bifolium. In good condition, lightly aged. Neatly attached by a paper hinge to part of a leaf from an album. Begins: ‘Lady Charlotte Bury presents her Compts to Sir William Hamilton, & takes the liberty of soliciting for the honor & favor of his name, as a subscriber to a work by Lady Charlotte of which the enclosed Prospectus gives every particular.

For information about Angela and her sister Jean, one must turn to Michael Williams, ‘The Three du Maurier Sisters’ (2012), as neither are even named in their father’s and sister’s entries in the Oxford DNB. The recipient Eileen Margaret Cond (1911-1984), was an enthusiastic autograph collector. The two items are in good condition, lightly aged and creased. On light-blue paper with the same design of letterhead. Both addressed to ‘Dear Miss Cond’ and both signed ‘Angela du Maurier’. ONE (5 March): 2pp, 4to.

See his entry, and that of Colburn, in the Oxford DNB. Campbell agreed to edit Colburn’s ‘New Monthly Magazine’ in 1820, his first number in the post being that of January 1821, and the letter was presumably written between this period and Mrs Campbell’s death in 1828. The reference to ‘Mr Ollier’ would close the dates even further: the Oxford DNB’s entry for Charles Ollier (1788-1859) stating that, after financial difficulties, ‘by the autumn of 1825 he returned to the publishing trade as the chief literary reader and adviser to Henry Colburn in New Burlington Street’. 1p, 12mo.

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

A nice piece of First World War ephemera, from the period of transition from volunteering to conscription. Newnes was a leading British publisher of the period, and the present item may have been inserted in one of its periodicals, which included ‘The Strand Magazine’, ‘Women’s Own’ and ‘John O’London’s Weekly’. It is printed on a leaf of good quality cream 4to wove paper, and was intended for completion. In fair condition, lightly aged, with light wear and creasing to extremities.

A nice piece of London ephemera, the subject being Rotten Row, which runs along the south side of Hyde Park. 2pp, 4to. On wove paper with watermark ‘J WILMOT / 1823’. Forty-one lines of text. Having been torn in two vertically (presumably by the irate recipient) the item has been repaired in an unusual way: with the two pieces sewn back together from top to bottom. Otherwise in fair condition, lightly aged and creased, with slight loss to one edge from breaking of seal or wafer. Folded for postage.

A. Typed account by Dawson of a 'Visit to Labour Camp in Emsland Westphalia'. [15 September 1936.] 8pp., fol. With a few manuscript emendations. The account shows Dawson and his colleague Thomas Jones completely hoodwinked as to the nature of what was a punishment camp for political prisoners. Dawson begins by describing Emsland as a 'large area, extending up to the Dutch frontier, consisting of a wide expanse of peat, rough grassland, parts of it under water, almost uninhabited'.

See his entry in the Oxford DNB. 1p, 4to. Signed (‘With reiterated thanks’) ‘Gerald du Maurier’, with ‘President’ typed beneath. The letterhead is printed in black and green, with details of officers and committee members. On aged and creased paper, with closed tears and nicks to edges. Folded three times for postage. He asks him to accept his ‘most grateful thanks for your splendid efforts at the Garden Party’. He understands the ‘new show’ which Arlton ‘put in this year’ has proved ‘very popular’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

See Image. Signature and date ('Beryl' Formby | 1941) on piece of paper, 6 x 4, rounded corners, good condition, laid down on larger piece of paper, 12 x 6.5cm. On reverse the signature of Leslie Henson, actor etc. Note: She was positive in his career in some aspects but was obviously difficult. After her death, Formby publicly said that 'My life with Beryl was hell'.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). Merriman was accorded the honour of an episode of the BBC’s Desert Island Discs in 1964. 2pp, 12mo. Signed ‘Percy’ and addressed to ‘Dear Popie’. In good condition, lightly aged, with one dog-eared corner and folded twice for postage. Begins: ‘Am not of course seeking any publicity over your book on St. James Theatre [published in 1958] only wish I could help more. / You know of course Allan Ainsworth [sic, for ‘Aynesworth’] is alive the doyen of the Garrick Club! He played often with G[eorge]. A[lexander]. - in Pinero & Wilde.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Air Mail letter, 2pp, 4to, written within a few months of his death. With large signature ‘Matheson Lang’, and addressed to ‘My dear Pope’. Lightly-aged and worn, with slight damage from removal of postage stamp. Thirty-three lines of text, neatly-written and complete.

See the two men’s entries in the Oxford DNB. 4pp, 4to. Bifolium. In good condition, lightly aged, with negligible remains of windowpane mount adhering at edges of reverse of second leaf. Folded for postage. The item - an immediate artifact with the feel of history in the making - is unsigned and headed ‘Confidential’.

See both men's entries in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice for postage, and with negligible remnants of windowpane mount adhering at edges of blank reverse of second leaf. A pleasant specimen of ‘Vers de société’ (The recipient's entry in the Oxford DNB states that 'In the social circles which Delane frequented [...] he was welcomed as a delightful companion').The poem consists of twenty-two lines in heroic couplets, unsigned and without any other text. The poem reads as follows: ‘Oh! Mr. Delane, Oh! Mr.

1p, 12mo. In good condition, lightly aged. Folded twice. Addressed to ‘J. Jordan Esq’ and signed ‘Henry Wright’. The Duke hosted Garibaldi’s 1864 visit to Britain, which caused quite a stir. The present item is an object-lesson in the wording of a tactful refusal: ‘Sir. / The Duke of Sutherland desires me to say that there are so many applicants to General Garibaldi for his Autograph that he (The Duke) himself who has many personal friends who also wish for it, has not ventured to trouble the General - He therefore must, but with reluctance, refuse your request.

See his entry in the Oxford DNB. 1p, 12mo. In very good condition. Folded twice. Clear and neat signature beneath slightly-smudged text. Written on the verge of his removal from the House of Commons to the House of Lords. Reads ‘[Admiral Buser?] to Gallery of H of C / Tuesday May 8th. 1866 / E B Lytton’. See image.

Lewis’s entry in the Oxford DNB describes how, as Minister of War in 1861, successfully led the British cabinet to reject Lord John Russell and Gladstone’s calls for Britain to intervene on behalf of the Confederacy in the American Civil War. 1p, foolscap 8vo. Folded twice. In fair condition, on lightly aged laid paper, with slight chipping at the head. With J. Green & Son 1848 Britannica watermark. Signed ‘G. Cornewall Lewis’, and addressed to ‘Mr. Peter Jackson / The Caxton Press / Angel Street / St. Martin’s-le-Grand’.

See his entry in the Oxford DNB. The first letter 2pp, 12mo; the other three 1p, 12mo. All four items in good condition, lightly aged; and all four folded once. Each with the stylized signature ‘Trenchard Cox’. None of the four gives the year, but the first is noted in pencil as being replied to on 14 January 1971, and the last is accompanied by its envelope, with 1972 postmark, addressed by Cox to ‘Peter Wiener Esqr / 2 Napoleon Road / RAMSGATE’. The middle two are from the same period as the fourth.

See his entry in the Oxford DNB. 11pp, 12mo, with three of the pages written lengthwise. On three bifoliums. In good condition, folded once. The hurried loose handwriting of this long letter presents a considerable challenge: even the signature (‘Geo Birdwood.’? ‘Gen Birdwood.’?) and the name of the recipient (‘Fagan’?) are doubtful. The letter begins with a reference to the ‘extract from Lady Dorothy Nevills - Reminiscences - given in the cutting from the Globe of yesterday enclosed in your kind note of today’.

2pp, 12mo. Seventeen lines of text, with a few lines and the signature written lengthwise on the second page. On bifolium. Accompanied by the letter’s stamped and postmarked envelope, addressed by Power to ‘Mrs Lane / 67 Addison Road / W14’. (Note that she lives in the same street.) Both letter and envelope in good condition, lightly aged. Letter folded once. Signed ‘Geo. Power’. He explains that a friend of his, Rev. Eric O. Norman’, ‘who is a fine musician & pianist is trying to get together a small orchestra for a concert on the 24th. May’ and he wonders whether she would ‘care to join’.

See his entry in the Oxford DNB. On one side of 19 x 5.5 cm piece of laid paper. In good condition, lightly ruckled and with traces of mount on reverse. Clearly cut from a letter for an autograph hunter. Reads: ‘Captain Wynguard who has [...] is fit to succeed to that situation. / I am, Dear Mr Harrison, / Yours most sincerely / Frederick / Colonel 2d. L. Gds.’ The ‘2’ of ‘2d.’ looks like a ‘1’, but the signature is certainly his.

Both items scarce: no other copies traced. In good condition, lightly aged. Disbound from a volume and paginated in manuscript. ONE: Copy of letter from W. L. Maberly to ‘H. Merivale, Esq., / &c. &c. &c. / Colonial Office’, dated from General Post Office, 14 December 1850. 2pp, 8vo. Paginated in manuscript 257-258.

All three items are scarce, with no copies on OCLC WorldCat or COPAC. Both in good condition, lightly aged. Disbound from a volume and paginated in manuscript. ONE: Printed ‘Circular’, headed in manuscript ‘Immiration / W. Indies & Mauritius’, and dated from Downing Street, 23 October 1846. Paginated in manuscript 93. At foot of page (not in Grey’s hand): ‘/sd/ Grey’.

An interesting indication of the Victorian approach to transparency in government. A scarce item: no other copy traced. Dispatch with ‘Circular. / Private.’ in the margin. Headed in manuscript ‘Publication of Colonial Papers. / (Parliamentary Papers)’. At end in manuscript (not Grey’s handwriting): ‘/sd/ Gray’. In good condition, lightly aged. 4pp, 8vo. Disbound from volume, and paginated in manuscript 175-178. Printed in copperplate font.

Two interesting items from the period leading up to the American Civil War. Both items are scarce: no other copy of either traced. In good condition, lightly aged. Disbound from a volume and paginated in manuscript.Both printed in copperplate font. ONE: Printed ‘Circular’ dated from Downing Street, 16 October 1850. Headed in manuscript ‘Colonial Emigrants from United States’. In manuscript at end (not in Grey’s hand) ‘/sd/ Grey’. 2pp, 8vo. Paginated in manuscript 239-240.

See his entry in the Oxford DNB. 1p, 12mo. Sixteen lines of text. In fair condition, lightly aged. Folded once. Stylized signature: ‘L A G Strong.’ He replies to her letter by saying that he is ‘delighted’ that she enjoys reading his books, ‘and I very much appreciate your kindness in taking the trouble to write and tell me so’. He hopes that she will continue to read his work, and that it will ‘never disappoint’ her. ‘Nothing is more encouraging to a writer than to know that he has numbers of friends, whom he has never seen, but who are following what he does with interest and pleasure.’