Literature

Not paginated but twelve pages (Months!), 4to, with detached original front wrap, chipped and marked, missing back wrap, contents good, in unrelated folder. INSCRIBED top right of front wrap by Beatrice Crane, Walter's wife, and collaborator on this work (the verse): "Marguerite Marigold / from / Beatrice Crane/". Not listed in Masse.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

Total thirteen pages, mainly 8vo, fair to good condition, texts clear and complete. Jocular, often obscurely, and in a difficult hand, subjects include: an invitation to ride; Furniss missing the Cardinal; trip to Calais; Paris trip for "Mr Punch"; "night gatherings of clubs"; Lord Rosebery; another ride, giving directions, suggesting meeting at Tenniel's place, and concluding with cartoon of a mill on top of a hill (obvious destination); reference to the Punch table and something confidential happening involving the proprietors.

One page, 8vo, grubby but text clear and complete. He introduces a colleague from his Green Room, Frederick Mervin, whom he describes as a good fellow as well as an actor and singer of ability. He hopes his correspondent will make Mervin's "trip to the Colonies pleasant to him (presumably Australia) . "I hear all the news about you from your brother Alfie when I meet him. I trust this new venture will be hugely successful." Note: Lyster opened in Melbourne with a new company but died in Nov. 1880, presumably shortly after receiving this letter.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

Piece of paper, c.17.5 x 11cm, fold mark down middle, good condition. The initialled poem, four lines, is headed "Love" ("Poor is the man who in self-hardened shell . . . . And grows to great estate by loving great and small." The next heading is "Life" folowed by the line "Why stay us on the earth, unless to grow. | Browning", followed by the heading "Evil", with the line, "I gulp down the devil, without looking at him. | Goethe's Werther".

On a piece of wove paper, roughly 5 x 14.5 cm. Rough lower edge. Good, on lightly aged paper. 0.5 cm closed tear at left (not affecting signature). Paper folded once vertically. Good clear signature.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

Printed Card, c.4 x 2.5", with manuscript additions in Mrs Craik's hand. She gives the day and month, and time, then adds details about trains and Cabs.

12mo, 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper [...] with the greatest of pleasure', although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him.

One page, 4to, slightly chipped and with folds at corners, good condition, text clear and complete. " . . . I am not a brilliant orator, nor even an orator; but neither am I the sort of person to refuse your request to orate, & therefore I will speak for the guests. I wish you would let me know whom the chief invited stars are, so that I can say for them what I think they ought to say. . . . "

Special Number. In French. cr.8vo, original printed wraps, partly unopened spine partly frayed and damaged, pages yellowing (cheap paper used), including "Textes Inedits de Thomas Hardy", a letter from James Joyce," etcBiographie - Bibliographie."

Three pages, 8vo, fold marks, chipped, pinholes and spikehole in centre, but mainly good with text clear and complete. He apologises for not writing sooner and discusses a book he has sent, firstly the binding, then the content in which the lives and deaths of the debauched Callistus and the virtuous Sophronius are contrasted, illustrated with a quotation from Young's "Night Thoughts".[viz. the scarce [Mulso, Thomas]. "Callistus: or, the man of fashion. And Sophronius: or, the country gentleman". In three dialogues.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

Octavo, 2 pp. 23 lines of text. Lightly discoloured and slightly creased. The letterhead gives the names of seven of the Anthology's staff, and features an illustration of a raven. Regarding a line missed (beginning 'O fool') in the printing of a poem of Zeman's, he is pleased that Zeman has been able to 'see the matter from my side', and doesn't think 'an explanatory note in our next issue would be adequate'. Zeman's poem is 'beautiful' and 'well worth reprinting'. 'As to the Soiree, in your honor, think no more about it.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.

8vo: 11 pp (on 6 leaves) paginated 127-137. Plate carrying portrait of Randolph facing p.132. Stitched and unbound. Heavily foxed, and with a central vertical fold. PRESENTATION COPY, with the words 'With the writer's Compliments.' at head of p.127. The source of the article is deduced from the information contained on the verso of final leaf, which is headed '56th Annual Report, 1932.' No copy of this offprint listed on COPAC.

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

8vo: xii + 64 pp. In original green wraps, printed in red with illustration on front, with printed signature of 'Inti Tupac', and large distinctive publisher's device on back. Good, on yellowed high-acidity paper, in faded wraps, with Yapp edges a little chipped. Inscribed on fly-leaf 'Para el gran rotativo The Times. Inti Illapa. | Direccion: Inti Illapa | Santiago de Chuco | Dep. La Libertad | Peru.' No copy in the British Library. COPAC only lists one copy, at Cambridge, whose catalogue entry does not explain that 'Inti Illapa' is a pseudonymn.

On one side of a piece of paper roughly 24 x 14.5 cm. With card backing. Good, though lightly aged. Headed by the Royal warrant, the top-half of the handbill features, in a variety of types and point sizes, the announcement of Tuck and Sons' intention to award 'Upwards of 4,000 prizes, of the value of 3,000 guineas, and a number of judges' diplomas', with Besant and Stone as judges. The lower part has two columns featuring fifteen testimonials, by newspapers ranging from 'Windsor and Eton Gazette' to the 'Sheffield Telegraph'.

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

All three letters 12mo, and closely written. All three with rusted pinholes at head. A valuable correspondence, in which one of Victorian England's leading critics describes his response to the work of one of the age's foremost historians. LETTER ONE (1 page, 26 lines, good): He thanks Kinglake for sending his 'new volume' [of 'The Invasion of the Crimea']. 'I am reading it with great delight. The work to me is unique both in military & literary history.