THE

Thomas was for upwards of twenty-five years the theatrical critic of the London papers Daily News and the Graphic. See his entry in the Oxford DNB. 1p, 12mo. On first leaf of bifolium. In fair condition, lightly aged and worn, with evidence of mount adhering to the blank second leaf. Folded for postage. Addressed to ?Will Williams Esq? and signed ?Moy Thomas?. He would have answered Williams?s note sooner, but he has been ?on the Continent for a few days?.

See his entry, with those of his brother Lionel and Lacy, in the Oxford DNB. 1p, landscape 8vo. On grey paper. Neatly placed in a trimmed windowpane mount, with a triangle of paper lost on opening the seal skilfully replaced with paper. In fair condition, folded for postage. On the reverse is a penny red stamp, a black wax seal, and two postmarks, with the address by Brough: ?T. H. Lacy Esqr. / 17 Wellington Street / Strand / London?, and Brough?s initials ?R. B. B.? at bottom left.

See his entry, and Sharpey?s, in the Oxford DNB. 2pp, 12mo. Bifolium with mourning border. In good condition, lightly aged, with thin strip of tape from mount adhering to blank second leaf. Folded for postage. Addressed to ?Dr. Sharpey Secy F S.? and signed ?Fred Pollock?. Begins: ?My dear Dr. Sharpey / I have nearly completed the abstract - I intend to dine at the Club & be present at the meeting to day & I shall ask you when you require the abstract?? He explains that he is ?presiding in the nisi prius C[our]t.?, and that he would like to have ?the leisure of a Sunday to finish it?.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded for postage. Docketted in pencil in a contemporary hand: ?1853 [sic] / Duke of Wellingtons funeral? (on 18 November 1852). Signed ?W: Bovill?. Begins with reference to the family business (corn factors) in Milford Lane, City of London: ?My dearest Wife. / I have just seen George & find that there is the large bed room at the top of the house in Milford Lane unoccupied & we can have it - they can arrange something for the two boys & I dare say Mr.

See his entry, and Manby?s, in the Oxford DNB. 1p, 12mo. In good condition, on first leaf of bifolium, with the blank second leaf carrying traces of tape from the mount. Neatly folded for postage. Addressed to ?My dear Manby? and signed ?Jno. B Buckstone?. In addition to his work as an engineer Manby was for many years involved in the management of the Adelphi and Haymarket theatres.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 1p, 12mo. In fair condition, lightly aged, in trimmed windowpane mount, with traces of grey paper adhering to the blank reverse. Folded for postage. Addressed to ?Dear Broadley?, and signed ?John Hollingshead?. He begins by thanking him for ?the very valuable notice in the World?.

The recipient is not named, but the item is from Manby's papers. See his entry, and Hudson's, in the Oxford DNB. 1p, 12mo. On bifolium. In good condition, lightly aged, with slightly-discoloured indentation of the royal crest, and thin strip of tape from mount adhering to the blank reverse of the second leaf. The recto of that leaf is docketted 'July 26 1846 / Geo Hudson Esq / York'. Folded for postage. Reads: 'Sir / being unable to give my attention to the Society of which you solicite [sic] my name I beg to [?] becoming a Provisional Director / I am / Your obt. St. / Geo Hudson'.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Thin strip of mount adhering to blank reverse of second leaf. Folded for postage. Begins: ?Dear Edmonston - / Will you kindly get me Dr. Sydie? book of ballads with music. It is I think published in Edinburgh.? He asks for the book to be sent to him at the Gaiety Theatre and he will pay the cost. Ends: ?I hope you are jolly & well / Kind regards to yourself & all friends in Auld Reekie?. Signed ?J. W. Toole?. Postscript: ?Did you read the ?World? this week? There is something about me in it.?

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890. Broadley was a prominent figure in freemasonry, and the present item appears to link two individuals who were members of Oxford?s Apollo University Lodge: Oscar Wilde (whose proclivities Broadley shared) and Randolph Stewart (later Earl of Galloway). 1p, 16mo. On first leaf of bifolium, with second leaf tipped-in onto a page from one of Broadley?s albums.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See his entry, and those of his brother and Kenney, in the Oxford DNB. 2pp, 12mo. Bifolium. Twenty-two lines of text, addressed to ?C. L. Kenney Esq? and signed ?Aug: Mayhew?. In good condition, lightly aged, with thin strip of glue from mount adhering to blank reverse of second leaf. Begins: ?Dear Charlie/ Of course, we have to act under legal guidance.

See his entry, with those of his brother and of Manby, in the Oxford DNB. 2pp, 16mo. On the first leaf of a bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Good signature with attractive flourish: ?Chas Landseer?. Begins: ?My dear Manby / I don?t know what Knight means by saying C. L is rich, but I do know that if I had a ticket for the private view left, I would have given it to Mrs. Manby with the greatest pleasure.? He is sure there is ?something wrong in the political economy of the R.

See his entry in the Oxford DNB. In addition to being the de facto editor of Edmund Yates?s ?World?, the recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure. Scott?s handwriting is not entirely legible. ONE: ?Wednesday?, dated by Broadly ?March 1887.? 1p, 12mo. In good condition, with glue from mount adhering to the blank reverse. Folded once. Signed ?Clement Scott?. On the question of ?the letter from the impertinent idiot Mr James Runciman? he comments: ?He thinks that calling a man ?Tommy Rot? is a complaint! I conclude that he must be a madman?.

See his entry in the Oxford DNB. 1p, 12mo. Signed ‘W Dilke’. Embossed armorial letterhead of a falcon. The recipient is not named. In good condition, lightly aged, neatly inserted in trimmed windowpane mount. Twice folded for postage. Thirteen lines of text in his distinctive close backwards-leaning hand. The hand is not entirely straightforward, and what follows is a tentative reading.

See his entry and that of the Duke of Sussex in the Oxford DNB. 1p, 12mo, on first leaf of bifolium. In fair condition, lightly aged and worn, with strip of tape from mount adhering to blank second leaf. With two folds. The recipient is not named; signed ‘Thomas Coutts’. Twenth-two lines of text, neatly written and sloping upwards. Begins: ‘My Dear Sir / I send for your personal attn from The Duke of Sussex by which you will see he has promised to attend The Subscription Dinner for the benefit of decayd artists & cannot dine with me but says he will call before a day with Mrs Coutts’.

According to Russell’s entry in the Oxford DNB, while reporting on the Civil War, he was described by one American newspaper as ‘the most famous newspaper correspondent the world has ever seen'. The inscription on his memorial in St Paul’s Cathedral calls him ‘'the first and greatest of War Correspondents'. He coined the phrase ‘thin red line’, was instrumental in the sending of Florence Nightingale to the Crimea, and is said to have written the report that inspired Tennyson to write ‘The Charge of the Light Brigade’.

2pp, 12mo. The five signatures in pencil on a single Festival letterhead. In good condition, slightly discoloured, with two unobtrusive dabs of glue from mount at head of reverse. The three signatures on the recto are headed by Noni’s large bold one: ‘Alda Noni / Edinburgh 1953’. Beneath this is that of ‘[Raul Herrman?] / (beardless) / Aug. 28, ’53’. At the foot is an indecipherable Easter European signature, with small pencil illustration: ‘[Woftniltuntz?]’. On the reverse: ‘Malcolm Sargent’ above ‘Michael Hordern’. Image on request.

See the entries on Tierney (Physician-in-Ordinary to George IV and William IV) and Freeling (also a noted bibliophile) in the Oxford DNB. The letter is 3pp, 12mo, with underlinings in red pencil (probably by Freeling), and the reverse of the second leaf carrying the address and annotations by Freeling and Critchett. In good condition, lightly aged and worn, with folds for postage and strip of tape from mount adhering to reverse of second leaf, which also has a strip of paper with an ANS by Critchett laid down lengthwise along the outer edge.

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), who does not have the entry he deserves in the same work, had been involved in homosexual scandals in India, in 1872, and in England (‘The Cleveland Street Affair’), in 1889. LETTER: 3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of tape from mount adhering to the blank reverse of the second leaf. Folded once. Addressed to ‘A. M.

See her entry, and that of her husband, in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, in trimmed windowpane mount. Although a short letter, her expansive and elegant hand fills the whole page. Reads: ‘Dear sir / With great pleasure I comply with your request and send a Specimen of my caligraphy [sic] / Yours very truly / Mary Anne Keeley / I was born Novr 22 1805’.

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), at the time de facto editor of Edmund Yates’s magazine ‘The World’, was a scandalous figure, who richly deserves his own entry in the same work. 2pp, 16mo. Bifolium. Text on the outer pages, the inner pages carrying the remains of newspaper cuttings which were previously laid down on them. Otherwise in fair condition, lightly aged, with thin strip of tape from mount adhering to the last page, which also has a newspaper cutting laid down at its foot, regarding the death of A. Sutherland Sutton. Folded once.

'There are three rules for writing plays', Oscar Wilde is said to have declared. ‘The first rule is not to write like Henry Arthur Jones; the second and third rules are the same.’ See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly trimmed at the edges, and in a windowpane mount. With two folds for postage. Addressed to ‘J E Woodrow Esqre / London Library’, and signed ‘Henry A Jones’.

2pp, 12mo. On first leaf of grey-paper bifolium, the blank second leaf carrying a thin strip of tape from the mount. In good condition, folded once. Signed ‘John W. Calcraft’. The recipient is not named. Thirty-four lines of text, in a somewhat difficult hand. After a reference to ‘Mrs. Cook’s letter’ he gives the details of a forthcoming production, including the dates, ending with the benefit. ‘Terms as understood 10£ per night & [?] halfbenefit. I do not usually play on the Friday Night at this time of the year as they are uniformly bad nights’.

1p, 12mo. On thin paper. In good condition, lightly aged, in trimmed and spotted windowpane mount. Good bold signature ‘Fanny Brough.’ Addressed to ‘Revd. J. C. [Westly?]’. She has ‘much pleasure’ in sending him ‘the autograph’, and will do her best to get him ‘a few others which may be interesting to send out to you’.

See her entry in the Oxford DNB. The Swanboroughs were a significant Victorian theatrical dynasty, and the absence of any member of the family from the same work is puzzling. 3pp, 12mo. Bifolium. In fair condition, on aged and lightly worn paper, with traces of glue and strip of tape from mount adhering to blank reverse of second leaf. Folded twice. Addressed to ‘Mr. Swanborough’ and signed ‘Fanny Stirling’.

See his entry and Blewitt’s in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, on lightly aged laid paper, with thin strip of tape from mount on reverse of second leaf. Thirty-seven lines of text. Addressed to ‘Octavian Blewitt Esq.’ and signed ‘G. L. M. Strauss’. He begins by describing his situation: ‘I venture to solicit your kind friendly advice.

2pp, 4to. In good condition, lightly aged. Folded twice. Thirty-nine lines, closely written. Signed ‘Gilbert Thomas’. He begins by thanking him ‘most warmly for your letter and the most kind and generous review to hand this morning.

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.