DICKENS

2pp., 12mo. In good condition, on lightly-aged paper. Attached by one corner to a leaf from an autograph album. 23 lines of text in a difficult hand. He thanks him for his 'notice in L<?>, & for the long & valuable as well as kind & flattering notice of my Novels'. He considers that the review is 'written with great talent - & is altogether the best of the kind notices of these works which I can remember to have seen'. He invites him down to Knebworth and asks whether he has 'succeeded with Lord Malm[esbur]y'.

12pp., 4to. On the twelve leaves of a ruled notebook, stitched into buff wraps. Internally in good condition, in heavily-worn wraps, with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 (61 items); 'No Date' (36 items); 1826-1830 (23 items); 1831-1840 (51 items); 1841-1850 (45 items); 1851-1861 (33 items); 1862-[1867] (7 items); and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to [blank]', indicating that the catalogue was a work in progress, and the latest items are dated 1867.

On 7 January 1911 Beckles Willson, Honorary Secretary of the Charles Dickens Testimonial, explained the scheme to the readers of the Spectator. Three members of Dickens's family were, Willson explained, 'drawing a niggardly pension of £25 per annum from the British Government', and that 'no volume recently published of Dickens has returned any copyright fee, save those which bear the Dickens copyright stamp'. The stamp was 'on sale for one penny each-in sheets of twelve-at every bookseller's in the land, and at all Messrs. W. H. Smith's and Wyman's news-stalls.

Closely and neatly written on five bifoliums. Text totalling 14pp., 12mo. In fair condition, on aged and worn paper, with minor damage at head of third letter, and wear to extremities of the fourth. The first two letters (1856 and 1859) addressed formally, the third to 'Angela & Minnie', and the fourth and fifth to 'Angela'. She writes the first letter (1856) before her sister Clara's 'approaching visit to England', to thank Macirone for writing to express the pleasure she had received from Charles Cowden Clarke's sister's writing.

Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.

172pp., 16mo (10 x 6.5 cm.). In original green leather quarter-binding, with marbled endpapers and label on front cover: 'No 1 | DECEMBER | 1837 | 1838'. Aged and worn, with the contents of the volume detached from the binding, and the signatures loose through breaking of the stitching. In pencil beneath the binder's ticket on the front pastedown: 'Hogarth | 10 Powis Place', with this address continuing at the foot of the first page: 'Gt Ormond St'.

1p., 12mo. Bifolium. On aged and worn paper, diagonally folded with remains of red wax seal on reverse of second leaf, which is addressed to 'Richard Eales Esqre | &c &c &c | Exeter'. The letter begins: 'Sir Peter Laurie presents his compliments to Mr Eales & request his acceptance of the accompanying pamphlet'. He asks Eales 'to place (at his convenience) the other two copies in the hands of the Gentlemen to whom they are officially directed'.

24.5 x 22cm, hand-coloured, tipped onto larger sheet, two corners chipped, mainly good condition. Both men semi-literate at best. Exchange of words (beneath cartoon)as follows: "Hollo my Josey, ain't yer a goin to take a turn in the Kyradant [?]? No, cos I got to finish this here harticle for Bentley's! Oh, vot then, I s'pose Boz is ill?"

3pp., 12mo. Bifolium. In good condition, on aged paper. With envelope addressed by Woodin to 'W. C. M. Kent Esqr | Sun Office', on which is written 'Your Card of course will admit any Friends'. The letter begins: 'My very dear Sir, | I have taken the Salle Robin and called it The Myriographic Hall, now I intend inviting the gentlemen of the Press on Thursday Evening March 3rd.

Spencer was a sharp operator (see Mandelbrote ed., 'Out of Print and into Profit', pp.285-287) and the present items give an hint of his methods. (The two letters are addressed from the premises at which his staff were said to practice their 'sophistications'.) His two letters (both signed 'W. T. Spencer') are in good condition, on lightly-aged and worn paper, with the second dated by Bois to 1931. Bois's letter (signed 'Winifred Bois') is in fair condition, with a short closed tear along one edge. Letter One: Spencer to Bois, 23 February [1931].

LETTER: 3pp., 12mo. Bifolium. In good condition, on aged and worn paper. Kitton writes that he has received two copies of the Book Buyer for March, and is 'much interested' in it for two reasons: 'Mrs. Garlands flattering comments upon myself and my work', and 'a very generous notice of my latest Dickens production'. He finds illustrations 'excellently reproduced', and praises 'the careful attention that has obviously been bestowed upon the preparation of both blocks and letterpress'. Turning to another matter, he notes 'a query (no.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

2 vols: xix + [1] + 288; ix + 263. With frontispieces to both volumes (both with tissue guards) and the eleven other plates called for. First edition, first issue, with the plate facing p.238 of vol.2 in its first state (without the 'grotesque' border), and the 36-page undated publisher's catalogue bound-in at the end of vol.2. In primary binding of pink cloth with floral pattern, and the gilt titles on the spine held up by an image of a clown.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

3pp., 12mo. Bifolium. The letterhead has been cut away from the first leaf, taking with it the number of the month, but not affecting the text; otherwise fair, on lightly-aged paper. Marston invites Cole to 'a pleasant little meeting of some of our friends and contributors at the Office': 'We are altogether a Bachelor Party and as free from formality as a set of Australian Bush Men or Gold-diggers'. Saunders has also written 'begging the pleasure' of Cole's company. He ends by sending his regards to Cole's daughter, whom he hopes has 'recovered from her cough'.

Both items in good condition, on lightly-aged paper. Both of them bifoliums with mourning borders; and both in their original envelopes, addressed by Marston, with stamp and postmarks. ONE: 4pp., 12mo. He begins by stating that he is gratified to find that his poems please Baron. 'The only novel I wrote, (it is more than 20 years ago) has I believe been long out of print. A comparatively short tale entitled "Family Credit" together with other sketches and essays (chiefly contributed to "Household Worlds' [sic] was published many years gone by Messr. Ward and Lock as the 1st.

One page, 12mo, some marking but mainly good, clear and complete. "Dear Sir, | Please deliver to the bearer the design for The Merchant of Venice | Yours truly | George Bentley | George Cruikshank Esq,". There are pencilled notes and figures on the verso, probably in Cruikshank's hand (figures from 1-10 repeated, then 1-7, then notes including the words large and small and a name, the meaning of which escapes me.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

Two pages, 12mo, bifolium, good condition. He visited Redgarve's house but the latter was out. But he caught up with him later in the day when the family returned to town. [He] suggested that I should write a letter to him explaining the object desired; which he would forward to his Brother without a moments delay; So I want you to write out the particulars, something like the enclosed for me to copy in my letter.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

On one side of a piece of paper 27.5 x 11.5 cm. Text, in small type, clear and complete. Fair, on aged and lightly-creased paper.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

PRINTED HOUSE OF COMMONS SELECT COMMITTEE METROPOLIS POLICE OFFICES 1838 POLICING CRIME PUNISHMENT LONDON ENGLAND NINETEENTH CENTURY SIR PETER LAURIE CHARLES DICKENS

8vo, 16 pp Disbound. Text clear and complete. Fair, on aged paper, with the final page a little discoloured. Ownership inscriptions of 'Charles Hall Hemphill' and 'James | May 1837'. A significant work: a milestone in the history of copyright law. According to the eleventh edition of the Encyclopaedia Britannica, this speech introducing Talfourd's Copyright Bill 'was considered the most telling made in the House during that session'. No copy listed on COPAC, and WorldCat lists three copies (all foreign).

12mo, 3 pp. Thirty-three lines. Text clear and complete. Fair, on lightly-aged paper, with traces of mount on reverse of second leaf, which is docketed 'C. Fane to G. Joy | 19 Augt. 1844'. A significant and interesting letter, on a topic later tackled by Dickens in 'Bleak House', by a judge who was an active member of the Law Amendment Society, and whose decisions, according to his entry in the Oxford DNB, 'were frequently the subject of comment', although 'very few of his judgments were reversed on appeal'.

12mo, 1 p. The purple ink of the letter has bled, otherwise in good condition. He does not 'think it likely that we shall soon see this neighbourhood again'. They have had 'frequent bad weather, constant illness, & general discomfort'. The Yateses 'hope to meet you at Hamburg, where we expect to arrive on Wednesday 5th. August. So be it!' Mrs Perkins was the wife of the wealthy brewer Augustus Frederick Perkins.