PATRON

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Sigismund Goetze, English artist.] Autograph Letter Signed to 'Mrs. Poole', regarding a portrait of King Charles II, as prince and in Oxford robes, in his Grove House collection.

Author: 
Sigismund Goetze [Sigismund Christian Hubert Goetze] (1866-1939), English artist and art patron at Grove House, who painted the Foreign Office 'Empire Murals'
Publication details: 
20 October 1932; on letterhead of Grove House, Park Road, Regent's Park, N.W.8 [London].
£80.00

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

[John Sell Cotman, artist.] Autograph Letter Signed ('Jno: Bridgman') [to Cotman] from John Bridgman, describing his reaction to an oil painting commissioned by him, and discussing Cotman's mood and prospects. [With note by James Reeve.]

Author: 
John Bridgman of Wigmore Street, London, patron of John Sell Cotman (1782-1842) [James Reeve (1833-1920), painter]
Publication details: 
'July 1825. | 10. Wigmore St. [London]'.
£350.00

A highly interesting letter, indicative of the relationship between artist and patron in late Georgian England, and revealing of Cotman's mental state at a time during which, as the Oxford DNB notes, he 'suffered from depressive illness'. 4pp., 4to. Bifolium with 53 lines of text. In fair condition, on aged and lightly-worn paper, with a few short closed tears at ends of crease lines. The letter concerns the painting 'View from Yarmouth Bridge, looking towards Breydon, just after sun-set' (now in the Norwich Castle Museum and Art Gallery).

Corrected Autograph Manuscript of part of the poem 'A Day at Tivoli', by the Victorian writer John Kenyon.

Author: 
John Kenyon (1784-1856), poet and patron, who encouraged his cousin Elizabeth Barrett's marriage to Robert Browning
Publication details: 
Without date or place [the poem published in 1849].
£450.00

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

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