MUSICOLOGIST

See his obituary in The Times, 7 April 1933, and Hornung's entry in the Oxford DNB. 2pp, 12mo. With mourning border. In fair condition on discoloured paper. Folded for postage. Begins: ‘My dear Richards, / Greetings! / I should like very much to meet Hornung - practically any day would suit me. I admire his book immensely, not only for the excellence of its workmanship but the remarkable manner of the characterization. It struck me as being intensely sincere.’ He hopes that the Richards clan are well (‘all of you’): ‘We are molto moderato so to speak - My brother’s cruel death in S.

See his entry in the Oxford DNB. 3pp, landscape 12mo. On bifolium of grey paper. The letter is complete, on what appears to be the upper half of a 4to bifolium. In fair condition, lightly aged and worn, with stamp, postmark and remains of autograph address on reverse of second leaf, with traces of mount. Signed ‘J A Fuller Maitland’. Begins: ‘Dear Sir / Very many thanks for your book, the second copy of which has just come. I shall hope to be able to come & hear your lecture on a subject which is especially dear to me.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and creased. Folded for postage. Addressed to ‘Dear Hyman’ and signed ‘C. B. Oldman.’ He begins by thanking him for his ‘kind congratulations’ (on his promotion to at the British Museum, following the retirement of Sir Henry Thomas): ‘I have been laid up with a bad cold over Christmas otherwise I should have written before’. Hyman’s latest catalogue interested him very much, and he hopes that ‘the fact that I don’t buy much nowadays will not deter you from sending me future issues.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded three times for postage. The letter concerns the Hackney Choral Association. Begins: ‘My dear Sir, / I am much obliged by the kind note just received, though I am sorry we shall not have the pleasure of your company on Monday.

See the entries for Prout and Cummings in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The second leaf of a bifolum, the first presumably carrying the commencement of the letter. The present fragment, in a good firm hand, reads: 'in the way he desires but if you can do so, you will not only be assisting a most deserving young man, but I shall regard it as a personal kindness. / I am, my dear Cummings, / Yours very cordially, / Ebenezer Prout. / Dr. W. H. Cummings.'

See his entry in the Oxford DNB. 3pp, 12mo. Forty-nine lines. Bifolium. On aged and worn paper, with the reverse of the second leaf laid down on cut-down remains of leaf of autograph album, with a number of autographs on slips laid down on the reverse, including that of Charles Hallé, cut from a letter. Prout’s letter is signed ‘Ebenezer Prout’, but the recipient is not named.

See his entry in the Oxford DNB. The ALS, whose recipient is not identified, is appended on the last page of the printed notice, which is 4pp, foolscap 8vo, on a bifolium. In good condition, lightly aged. The notice is headed 'University of Oxford. / Directions for Candidates for Degrees in Music.' and signed in type at the end 'Frederick Arthur Gore Ouseley, / Professor of Music. / Oxford, / March, 1878.' Divided into sections concerning a bachelor's and doctor's degree. The ALS, on the last page, reads: 'Dear Sir / You will see by this paper that your Dublin B.A.

See his entry and hers in the Oxford DNB. The two items are in good condition, lightly aged, and each folded once for postage. Neatly and firmly written. Both addressed to ‘Dear Miss Scott’ and signed ‘Keith Falkner’. ONE: 2pp, 12mo. Eleven lines. He will be ‘pleased to sing in the “Peasant Cantata” at the Union “At Home” on June 28th’ and asks to know ‘which version you will be doing as soon as you decide?’ He ends with thanks for her ‘kind sympathy - I do appreciate it very much’. TWO: 2pp, 8vo. Twenty-three lines of text.

See his entry and hers in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed ‘Lionel Tetris.’ Begins ‘Dear Miss Scott / It was so kind of you to give us such a nice tea-party yesterday[.] We thoroughly enjoyed it and thank you very much indeed. / We hope you will come & see us soon[.] Won’t you come to Lunch one day?’

See her entry and the recipient's in the Oxford DNB. The two items are in fair condition, lightly aged and worn. The letter is lightly creased and the card has a central vertical fold. ONE: ALS. 1p, 12mp. Signed ‘Marjory Kennedy-Fraser’. Once the recipient has ‘got what you want out of the Vol III herewith’, she asks her to ‘kindly return it to Mrs. Matthay at 96, Wimpole St’. TWO: ACS.

See his entry, and that of his wife, in the Oxford DNB. Plain postcard addressed by Haweis to ‘John Bacon Esqr / 48 Griffin St / Wilton / Blackburn’. In fair condition, discoloured and worn. Reads: ‘Dear Sir. / My next work will be duly advertised. My photographs can be got from Fry & Co. 68 East St. Brighton (& my wife’s also). Thanks for all kind words. / H R Haweis. / Amber House July 11’.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

The six letters in good condition, lightly aged and worn. The first five on grey paper, the sixth on white paper with mourning border. The first letter (25 September 1913) reads: 'Your letter in yesterday's "Morning Post" reminded me of your fine book on Handel. I read it on its publication, and it is always close at hand as I write in my study. But, alas, I am in my 83rd year and my memory is not what it was. I ought to have looked at what you said before writing to the M. P. In any case, I thank you for taking part in the fray, which I think is not being quite fairly fought.

2pp., 4to. In fair condition, on lightly aged and worn paper. Collinson is named as Honorary Secretary of the Association on the letterhead. He begins by explaining that he has waited until after the previous day's meeting of the Association to write to her, so that he can convey 'the tributes to your late husband's memory which I felt sure would be shown at this gathering of his friends and colleagues'. 'Mr Frederick Austin as chairman referred to the great loss which we all felt in the passing of Herman Finck, and spoke of his great qualities both as a friend and as a musician.

Both items in good condition, with light signs of age. The card, with postmarks, is addressed to 'Austin Dobson Esq | 75 Eaton Rise | Ealing | W.' The letter is also to Dobson, but is only addressed 'Dear Sir'. In the card he reports that 'The old oak in the forest is now in ruins and quite dead. It has been surrounded with a railing and a young tree planted by its side.' He offers to send a photograph, and asks for 'anthing about my parish which you may publish'.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.