ENGRAVER

[Nineteenth-century coach building.] Lithographed handbill advertisement for 'Wright's Patent Drag' (i.e. brake for a horse-drawn coach), with two illustrations by Baddeley, and four testimonials. With accompanying engraving.

Author: 
[Wright's Patent Drag (the Proprietor, No. 22 Church Street, Soho [subsequently 138 Holborn Bars]), London [Baddeley, engraver; nineteenth-century coach building; Victorian carriages; transport]
Publication details: 
'Royal Pier Hotel, Ryde, | July 25th, 1842.' ['Office of the Proprietor, No. 22 Church Street, Soho, London' , amended in manuscript to '138 Holborn Bars']
£180.00

Text: 2pp., foolscap 8vo (35 x 20.5cm.). Engraving: 12 x 16cm with corners clipped. Both items in fair condition, on aged paper. The text is cropped at the head, through a royal crest, and has rounded corners at the head and trimmed corners at the foot. The engraving has traces of grey paper mount on reverse. The text has lithograph illustrations of two side-views of four-wheel carriages with the drag applied, beneath the cropped crest and above the title 'WRIGHT'S PATENT DRAG.' Text consists of around 60 lines in copperplate.

Secretarial Letter Signed ('C Vaublanc') from the French Minister of the Interior the Comte de Vaublanc [to the English Member of Parliament John Blackburne], enclosing a facsimile of Queen Marie Antoinette's last letter by Pierre Picquet.

Author: 
Vincent-Marie Viénot, Comte de Vaublanc (1756-1845), French Minister of the Interior; Pierre Picquet, engraver; John Blackburne (1754-1833), MP for Lancashire, 1784-1830; Queen Marie Antoinette
Publication details: 
Vaublanc's letter from Paris, 13 April 1816. Picquet's engraving without date or place.
£950.00

The two items are in very good condition, on lightly aged paper. Item One: Secretarial Letter, in French, by 'C Vaublanc', Vincent-Marie Viénot, Count of Vaublanc (1756-1845), 'Le Ministre Secretaire d'Etat de L'Intérieur' [French Minister of the Interior]. Paris, 13 April 1816. He is sending the 'fac simile De la Lettre de notre Infortunée Reine', and in order to dispel any doubts as to authenticity has initialled the foot of the third page.

Signed engraving by John Cameron, depicting a humorous scene in front of a 'Junk Shop in Chelsea'.

Author: 
John Cameron, artist and engraver [Chelsea, London]
Publication details: 
Without place or date [1950s?].
£180.00

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Engraved portraits of the Flemish artists David Teniers the Elder (by Van Leysebetten from a painting by Van Mol) and his son David Teniers the Younger (by Meyssens from a self-portrait), both from Cornelis de Bie's 'Gulden Cabinet'

Author: 
[David Teniers the Elder (1582-1649); his son David Teniers the Younger (1610-1690), Flemish painters from Antwerp; Cornelis de Bie (1627-1715); Pieter van Mol (1559-1650); Jan Meyssens (1612-1670)]
Publication details: 
[Antwerp: Juliaen van Montfort, 1662]
£120.00

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

Autograph Letter Signed ('E Duncan') from the engraver and watercolour painter Edward Duncan, inviting John Paget to a meeting of the Chalcographic Society at his house.

Author: 
Edward Duncan (1803-1882), English engraver and watercolour painter [The Chalcographic Society; John Paget]
Publication details: 
110 Adelaide Road, Haverstock Hill. 17 August 1863.
£65.00

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

Autograph Letter in the third person to 'Miss Cole' [perhaps daughter of collector Robert Cole] declining to engrave her work, as he has 'found the copying miniatures so injurious to his eyes'.

Author: 
Richard James Lane [R. J. Lane] (1800-1872), engraver and sculptor, appointed Lithographer to Queen Victoria in 1837, and to the Prince Consort in 1840
Publication details: 
11 Chester Place, London. 29 January [no year].
£80.00

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

Autograph Letter Signed ('Thos. Lupton') from the English mezzotint engraver and artist Thomas Lupton [Thomas Goff Lupton] to 'Trench' [Richard Chenevix Trench?], regarding a collection of French autographs brought from Paris by 'Mr. Lucas'.

Author: 
Thomas Lupton [Thomas Goff Lupton] (1791-1873), English mezzotint engraver and artist [Richard Chenevix Trench (1807-1886), poet and divine]
Publication details: 
4 Keppel Street, London. 15 July 1842.
£56.00

3pp., 12mo. Good, on lightly-aged paper. A friend of Lupton's 'has just arrived from Paris with a few choice matters, among others is as I understand an extraordinary Collection of Autographs'. Lupton told his friend that Trench was 'no buyer, but from your knowledge of such matters you could advise him'. The autographs 'consist of official documents connected with the Custom House & Police from the time of the first revolution (1790) to the present date, and about a hundred letters'.

Autograph Letter Signed from the poet and engraver Charles Swain to a lady (name obliterated), complaining of the problems that prevent him from paying a visit, and referring to William Jerdan.

Author: 
Charles Swain (1801-1874), poet and engraver [William Jerdan (1782-1869), editor of the Literary Gazette]
Publication details: 
Prestwich Park, Prestwich, near Manchester; [c.1853].
£80.00

4pp., 12mo. Fair, on lightly-aged paper. Addressed to 'My dear friend', and with the name of the recipient obliterated from the valediction: 'Will you give my sincere and grateful remembrances to your noble hearted husband? and believe me | dear <...> | Every affectionately, | [signed] Charles Swain'. He can put off 'the evil day' no longer, and must now 'give in to circumstances' and reluctantly inform her that he cannot come and visit.

Original engraving, from 1793, by Cook for J. Wheble of London, showing the 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20 & following day between the Earl's of Winchelsea & Darnley for 1000 Guineas.'

Author: 
Cook, engraver [J. Wheble, printseller, Warwick Square, London; Lord's Cricket Ground, Marylebone, 1793; Hambledon Cricket Club]
Grand Cricket Match
Publication details: 
'Published July 1st. 1793, by I. Wheble, Warwick Square, London'. [From the 'Sporting Magazine'.]
£165.00
Grand Cricket Match

On watermarked paper roughly 13 x 20.5 cm. Dimensions of image 9 x 13 cm. With plate mark. Fair, on lightly-aged paper. Loosely attached to brown mount. Rare eighteenth-century cricket print from the June 1793 issue of the 'Sporting Magazine'. Cardus & Arlott state, in their 'Noblest Game' (1969), that 'This print, once barely considered, has lately become rare'.

Proof engraving on India paper of ruined abbey, with signed inscription by Fisher to 'L Stocks'.

Author: 
Samuel Fisher (c.1802-1855), British engraver
Samuel Fisher (c.1802-1855), British engraver
Publication details: 
London. Undated (c. 1837?).
£56.00
Samuel Fisher (c.1802-1855), British engraver

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

Proof engraving on India paper of 'Bantry Bay Cork' (from a drawing by Thomas Creswick), with signed inscription by Fisher to 'L Stocks'.

Author: 
Samuel Fisher (c.1802-1855), British engraver [Thomas Creswick]
Samuel Fisher (c.1802-1855), British engraver
Publication details: 
London. Undated (c. 1837).
£56.00
Samuel Fisher (c.1802-1855), British engraver

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

Printed certificate ('Diploma'), completed in manuscript and signed by the Secretary James Tod, admitting William Murray of Henderland as a Member of the Society of Arts for Scotland.

Author: 
[James Tod, Secretary, Society of Arts for Scotland; William Murray of Henderland; W. H. Lizars, engraver]
Publication details: 
Edinburgh; 22 January 1834.
£100.00

Printed on the recto of the first leaf of a bifolium. Leaf dimensions 29 x 23.5 cm. Clear and complete. Grubby, and with closed tears to folds and slight damp staining. An attractive production. Ornate heading, with engraved portrait of Minerva in circular medallion (5.5 cm diameter) surrounded by laurel leaves, 'Drawn & Engd. by W. H. Lizars'. Text engraved in copperplate. Reads (with manuscript part in square brackets): 'Edinburgh [23d. January] 18[34,] | At a meeting of the Society held here on the [22d.

Baxter Colour Prints Pictorially Presented.

Author: 
H. G. Clarke [George Baxter (1804-1867), Victorian engraver; Baxter prints; Maggs Brothers, booksellers, Conduit Street and Berkeley Square]
Publication details: 
London: Maggs Bros., 34 & 35 Conduit Street, W. 1920-1. [Printed by Courier Press, Leamington Spa. 1921.]
£220.00

4to. [iv] + 142 pp. Frontispiece and 136 plates, one in colour and the rest in black and white, with a further six illustrations at end in section entitled 'Tit-Bits of George Baxter'. A tight copy, in original worn quarter-binding, with black calf spine (with 6 cm split at head of rear hinge) and grey cloth bevelled-edged covers. Marbled endpapers split at hinges. The first and last few leaves have slight damp staining to the extremities. Text and plates printed on the same art paper, and consequently a heavy volume.

Mezzotint engraving [of Orde-Powlett], 'Painted by G. Romney' and 'Engraved by In Jones'.

Author: 
Thomas Orde-Powlett, 1st Baron Bolton (1746-1807), British politician; George Romney (1734-1802), artist; John Jones (1745?-97), engraver
Publication details: 
[London; 'Pubd as the Act directs July 6 1786'.]
£200.00

National Portrait Gallery no: NPG D913 (only acquired in 1966). Dimensions of paper roughly nineteen and a half inches by fourteen wide. Dimensions of print roughly seventeen and a half inches by thirteen and three-quarters wide. Backed by a piece of cream card. Heavily aged and spotted, and with one small worm hole. Slight loss to lower right-hand corner, not affecting print. Closed tears to mount. Apparently printed before the name, and very likely a proof.

The Description and Explanation of a "Universal Character;" or, Manner of Writing, that may be intelligible to the Inhabitants of every Country, although ignorant of each others Language; and which is to be learnt with facility, [...].

Author: 
[anon.] [Bath, Somerset; provincial printing; pasigraphy; linguistics; universal language]
Publication details: 
Bath: Printed by J. Hollway, Engraver and Copper-Plate Printer, Union Street.' [1830? 1833? 1835?]
£450.00

4to: 48 + [3] pp of letterpress, with additional leaf after title of 'Errata of Letter Press' and 'Errata in Plates'. Twenty numbered plates (the first two transposed), including one fold-out, and a final seventeen full-page unnumbered plates ('Examples'). Apparently complete. In original brown quarter binding, with cloth spine and paper boards. Ownership inscription of 'Lady Rolle' (1796-1885, born Louisa Barbara Trefusis) on front board. Text clear and complete. On aged and lightly-spotted paper, with wear to extremities and wraps, and cloth spine torn and worn.

Etching of the church of St Mary-le-Strand, London, and surrounding streets. Signed in pencil 'Hanslip Fletcher.'

Author: 
Hanslip Fletcher (1874-1955), English engraver [Emery Walker]
Publication details: 
Dated 1912. 'Copyright A. D. Power. Emery Walker Ph.sc.'
£56.00

Printed in brown on a piece of watermarked laid paper, 29 x 36 cm. Dimensions of image 18 x 22 cm. On lightly-creased paper, with a few short closed tears to margins at extremities. A bustling scene, from the top storey of a building, showing the traffic of coaches, carriages and carts around the church, which is seen from the front with St Paul's Cathedral in the background. In addition to the pencil signature, the print has the dated facsimile signature 'Hanslip Fletcher 1912'.

Autograph Letter Signed to 'Mr Disspain'.

Author: 
Joan Hassall (1906-1988), English wood-engraver
Publication details: 
Undated. On letterhead of 88 Kensington Park Road, London W.11.
£56.00

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Steel engraving captioned 'Birds Eye View of the City and County of New-York with Environs.'

Author: 
Charles Magnus (1826-1900), German-born American engraver and printseller [New York; steel engraving; maps; travel; topography]
Publication details: 
[circa 1855] 'Sold by Charles Magnus, 12 Frankfort Street, New York.'
£80.00

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

Kisses, being an English translation in Verse of the Basia of Joannes Secundus Nicolaïus of the Hague, Accompanied with the original Latin Text; to which is added An Essay on the Life and Writings of Secundus.

Author: 
Joannes Secundus Nicolaius [John Lodge, engraver; Thomas Davies, Bookseller to the Royal Academy, Russell Street, Covent Garden]
Publication details: 
London: Printed for T. Davies, in Russel-Street, Covent-Garden, Bookseller to the Royal Academy; and sold by J. Bew, in Paternoster-Row. 1775.
£56.00

8vo: 224 pp. Errata on last page. Frontispiece and portrait of the author on p.65 by Lodge. In original brown calf binding, with red label with 'Kisses of Secundus' in gilt, on spine. A tight copy, with the flyleaves becoming detached, the frontispiece foxed and with a closed tear at the head of the hinge, and a 4mm ink stain spreading upwards along the leaves along the bottom edge. Elegantly printed, with a four-page preface by the unnamed translator, followed by a 32-page 'Essay on the Life and Writings of Secundus'.The poems are on the versos, with the translations on the facing rectos.

Poem ('Composed & Written by Butterworth & Son') entitled 'To the Memory of the Gallant Sir John Moore, Who fell at the battle of Corunna, 16th. January 1809.', with portrait, 'Engraved by J. Menzies, Edinburgh.'

Author: 
Butterworth & Son, Edinburgh; John Menzies, engraver [Sir John Moore; the Battle of Corunna, 1809]
Publication details: 
[circa 1809?] Edinburgh, 'Published as the Act directs.', 'for Butterworth & Son'.
£200.00

Landscape. On one side of a piece of paper roughly 25 x 41 cm. In poor condition: aged and damp stained, with loss to top-right and bottom-right hand corners (in neither case affecting text or design). Laid down on a piece of white paper. Title and small portrait head of Moore surrounded by an ornate calligraphic embellishment. The poem, of nine heroic couplets arranged in two columns, is engraved in copperplate, and begins 'Lamented Moore!

Engraved trade card with illustration.

Author: 
[PRINTING] Henry Sandon, Victorian engraver
Publication details: 
Without date [circa 1850?]; 60, Wellington Street, Goswell Street, London.
£65.00

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Steel engraving by de Mare, after drawing by Rochussen, printed by Brugman, of 'Eene Dames Kunstbeschouwing in de Kunstzaal der Maatschappij: "Arti et Amicitiae."

Author: 
Charles Rochussen (1814-94), Dutch painter; Johannes de Mare, Dutch engraver; J. F. Brugman, Dutch printer
Publication details: 
[Amsterdam: circa 1880?]
£75.00

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Proof engraving, by T. Blood, from painting by Samuel Drummond, A.R.A., of Asperne as Freemason.

Author: 
James Asperne (1757-1820), bookseller of Cornhill, London, and proprietor of the 'European Magazine' [Freemasonry; Masonic]
Publication details: 
[London; 1814].
£125.00

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

Engraving of bearded man walking while reading a book.

Author: 
John Thomas Smith (1766-1833), artist and antiquary
Publication details: 
London Published as the Act directs December 31st 1815 by John Thomas Smith No 4 Chandos Street Covent Garden.'
£80.00

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

The Eric Gill Workshops.

Author: 
Denis Tegetmeier; Laurence Cribb [Eric Gill]
Publication details: 
Pigotts, North Dean, High Wycombe'; 'December 5 | 1940'.
£125.00

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Print headed 'Termina diocletians', showing ruined Roman arches with figures in the foreground.

Author: 
Hieronymous Cock (c.1510-1570), Flemish northern renaissance engraver
Publication details: 
No date; place not stated. 'H. Cock excudebat' in top right-hand corner.
£120.00

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Autograph Letter Signed ('Mark Batten') to J. Samson, Registrar, Royal Society of Arts.

Author: 
Mark Wilfrid Batten (1905-1993), English sculptor and stone carver
Publication details: 
6 May 1960; on letterhead 'CHRISTIAN'S RIVER DALLINGTON HEATHFIELD SUSSEX'.
£28.00

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Autograph Note Signed to (J. Saddler)

Author: 
George Dalziel
Publication details: 
No date.
£50.00

Wood engraver2pp., 8vo. Staining not obscuring the text. He promises to go to his house to "sign the Return you speak of" and announces a recent change of address.

Autograph Letter Signed to J[oseph] Swain.

Author: 
Thomas Robert Macquoid
Publication details: 
25 July 1873; Stanley Place, Chelsea.
£95.00

English artist and illustrator (1820-1912). Swain (1820-1909) was a noted wood-engraver, and the letter concerns his possible employment by Macquoid. Two pages, 12mo. Good, but on discoloured paper, heavily sunned along one edge and browning in one corner, with small closed tear at top of fold. Swain's price 'for Blocks will do - £8. 8. 0 for full page & £6. 6. 0 for front page -'. He has seen Williams 'who was very polite & promised me some work'. Williams is 'going to be married soon - wh: he said wd. "come in the way" of drawings at present'. Signed Thos. R. Macquoid'.

Autograph Signatures on fragment of document.

Author: 
Paul Dominic Colnaghi, Samuel Carter Hall
Publication details: 
Without date or place.
£15.00

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.

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