AUTOGRAPH

1p., 4to. 30 typed lines, with the last two lines in autograph. In good condition, on lightly-aged and creased paper. Brett-James is addressed as 'Head of Department, War Studies & International Affairs, Royal Military Academy, Sandhurst'.

2pp., 12mo. On bifolium with mourning border. Very good, on lightly-aged paper. He will be 'very happy, if it suits the Committee, to present a Cup somewhat similar to that they accepted fm me last year - as the Paxton Cup.' He prefers to leave the conditions to them, and asks for 'due notice when the time of the Regatta is fixed'.

1p., landscape 8vo (34 x 22 cm). In fair condition, on aged paper with wear to extremities. An attractive notice, in large type, reading: 'THE VICE CONSUL hereby notifies to the British residents in Boulogne that Divine Service will be performed in his House on Christmas day. | Vice Consular Office | 23rd December 1817.' With faint circular stamp of the 'VICE CONSULAR SERVICE'. Manuscript note on reverse, in a contemporary hand: 'Duplicate of the <?> affiche in the town of Boulogne | on Saturday 24th Decr 1817'.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 8vo. In good condition, on lightly aged and creased paper. The testimonial begins: 'Mr. H. C. Whaite has been on my Staff as visiting Art Master since January 1929, and I am very glad to write in support of his application for an Inspectorship of Art. Mr. Whaite has had wide experience of Art teaching, and has done remarkably successful work here with boys of 14 to 18 years of age.

1p., 8vo. In good condition, on lightly-aged paper. 'Mr. H. Clarence Whaite has held Art classes at Queen's College since Janary, 1934. [...] He has been most successful in encouraging the students to do individual work and the results have been excellent. | It has been of the greatest value to the College to have a visiting teacher who could bring such freshness and originality to the Art lessons and who, at the same time, took a keen interest in other subjects and in the general welfare of the students.' From the Whaite papers.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

1p., 16mo. On aged paper, with minor damage on removal from album. He requests 'the favour of an early notice in your journal, of the accompanying little volume if it be fortunate enough to meet your approbation'. The work has 'no object but to serve true religion & true liberty'. In a postscript he requests a 'copy of the paper containing the notice'. Howitt practised as a chemist in Nottingham between 1822 and 1836, when he moved to Esher, Surrey.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

Valuation: 29pp., 4to, in a brown folder bound with green ribbon. In good condition, on lightly-aged paper. With a few manuscript additions. The title reads: 'T. DRIBERG, ESQ., 601 MOUNTJOY HOUSE, BARBICAN, LONDON, E.C.2. | VALUATIONS FOR INSURANCE | CHRISTIE, MANSON & WOODS.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Palgrave begins: 'My dear Inglis/ | I have had such avalanches [last word underlined] of business - and most of a confidential nature - that I have really been unable to write to you. By confidential business I mean business of a class which I cannot open to mhy clerks - and what must be either copied by my own hands or at home - If it had not been for Fanny Brown in addition to her sister I do not know what I should have done'.

3pp., 4to. On bifolium. Very good, on lightly-aged paper, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed, with half of a black wax seal, 'For | Mrs. Richards | Bampton.' This copy was made within a month of the composition of the poem, for the wife of a fellow Fellow of Oriel College, Oxford. The recto of the second leaf carries the following note by Mant: 'with Mr. Mant's best compliments to Mrs. Richards. | Oriel Coll. June 15th. 1803.' Beneath this, in a contemporary hand (presumably that of Mrs Parker): 'Afterwards Bishop of Down & Connor'.

1p., 4to. Bifolium, with address on reverse of second leaf: 'Charles Parker, Esqr. | Treasurer | Trenton. | N.J.', together with red circular Somerville postmark, and docketing. Good, on lightly-aged paper, with light contemporary staining to second leaf, from which the seal has been cut away. The letter begins: 'I have issued warrants for the two following visitors - vizt. | 1. Hannah Alloways. Burlington Co. Warrant dated 20 May '35. | 2. Mary Ann Daniels - Cumberland - [Warrant dated] 29 May '35.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

1p., 12mo. In good condition, on lightly-aged paper. The letter begins: 'Dear Jack | It is a long time since we met - but perhaps that is my fault. If so, will you let bygones be bygones - and come over to Toppesfield some time?' She suggests a date, 'Or any Sunday lunch in the immediate future', stating that 'after July, all plans are "Hitler permitting"!' Driberg has noted his acceptance of the invitation up one margin. [Driberg was a Lecturer in Anthropology at Cambridge University from 1934 to 1942. His brother was the colourful Labour MP Tom Driberg.

Both items in good condition, on lightly-aged paper. Poem: 1p., 4to. Titled at head: 'Forbearing Love | Romans XII 19-21.' Signed at foot: 'John S. Broad | Newcastle under Lyme'. The poem consists of 24 lines in six four-line stanzas. The first stanza reads: 'Heap coals of fire upon the guilty head, | And melt its malice down; | Let flames of love around it be outspread | And charm away its frown.' The last stanza: 'Thus shall it win its conquering way in peace, | Raise trophies free from blood; | Thus make the storms of sinful passion cease | And bow the heart to God!' Letter: 1p., 12mo.

1p., 16mo. In fair condition, on lightly-ruckled paper. The note reads: 'Dear Mr. Odgers, | You were quite right, and I thank you for correcting my correction. I do not know what possessed me to make it.'

1p., 4to. With mourning border. In good condition, on lightly-aged paper with minor wear at the beginning of one crease. Moule writes that he is 'quite prepared to receive and of course to attend to any communication from Mr. Sydney Walton', but that he must 'distinctly decline responsibility in detail [last three words underlined] for the work of the Bible Crusade'. He 'willingly expressed' his 'cordial personal sympathy with its aims when its founder [i.e.

Each 3pp., 12mo, on bifoliums with the first page headed 'Private'. Both in fair condition, on lightly-aged paper with minor staining from paper clip. Letter One: He hopes he will not 'appear wanting in courtesy to yourself or to the Editor of the Morning Post if I say frankly that I had much rather not have any conversation about my coming birthday, which certain old Harrow pupils and friends propose so kindly to celebrate.' He 'must beg' Walton to 'make allowance for my feeling of reserve on so delicate a matter'.

2pp., 4to. Fair, on aged paper, with a thin strip from a stub adhering to one edge on the reverse. Previously folded into a packet, and docketed in a contemporary hand 'by Agar Ellis'. 24 lines in heroic couplets. Agar-Ellis's sister Caroline-Anne would die at Roehampton on 12 May 1814, a month after the writing of this poem, which links her demise with that of their mother, Caroline, daughter of the 4th Duke of Marlborough, a few months before (23 November 1813).

The card is in fair condition, on lightly-aged paper, neatly and attractively tipped-in onto a 4to leaf which also carries a photograph of 'FREDERIC HARRISON' cut from a magazine, with both items placed within ruled borders. Laid down on a second 4to leaf, and also within a ruled border, is a second photograph of Harrison, captioned 'FREDERIC HARRISON | Author of "The Creed fo a Layman." (Apologia Pro Fide Mea).' Both photographs and mounts are in very good condition. The card is addressed to Goss at the Melrose Savings Bank, Melrose, Massachusetts.

1p., 12mo. Good, on lightly-aged paper. Having been 'very comfortable' at Trinity College, Cambridge, as a guest of Bernard Thomas, Raglan thinks it will be 'very pleasant' to stay there again. He gives details of his proposed itinerary, makes suggestions regarding his motor-car, and accepts an invitation to 'dine in Hall'.

2pp., 12mo. Good, on lightly-aged paper. She asks him if he can 'shed any light' on a book or paper (not named), 'or indicate what amount of interest it is likely to have': 'The author wrote it in 1904, added to it in 1907. Council [of the University of Cambridge] accepted it for publication in 1916. It was returned to the author, at his request, in 1928!' She could send it to Driberg, 'to look through, if you like (or rather if you are willing!)' A postscript regarding Sir E. E. Evans-Pritchard, emphatically underlined, reads: 'Is it true that E-P is married???'

1p., 12mo. Good, on lightly-aged paper. He begins: 'My bookseller has sent me tonight "Island India at School" - Chicago University Press $2 [in fact 'Island India at School', E. R. Embree et al, 1934], and therefore, presumably, C.U.P. in this country.' He apologises for troubling Driberg unnecessarily: 'But yesterday they told me that they couldn't even trace it in Publishers' Catalogues.' Postscript reads: 'I hope I'm not robbing you of your proper style & title. I feel that it might be "Dr."

14pp., 12mo. In ruled notebook bound in black cloth. Titled 'Tom - School' at head of first page, with small section cut away from the front cover to make this visible. In fair condition on lightly-aged paper, with one slightly dogeared corner and light staining to blank leaves at the rear. Written while Driberg was between the ages of five and thirteen, and with the handwriting more untidy towards the end.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.

The collection is of great interest, providing a mass of information regarding the Victorian building trade. The owner of the volume, W. H. Dudley, would appear to be a War Office official, and, as described at the end of this entry, it contains manuscript details of two contracts. The ten printed schedules - totalling [34 + 17 + 14 + 10 + 12 + 13 + 12 + 10 + 16 + 11 =] 149 pp., folio - are uniform in design and format, bound together in a contemporary half-binding, with brown leather spine and corners, and marbled boards. All ten are in good condition, on lightly-aged paper, in worn binding.