ART

2pp., 12mo. In good condition, on lightly-aged paper. Scriven begins: 'I am afraid you will have thought I had forgotten to send the plate of Norfolk: the truth is, I decided on doing a few touches to that hand noticed by you & Mr Lackington; and although it was but a very little, I did not like to trust its going without first seeing a proof, as we can never be quite sure, on at all touching the copper, how it may come afterwards.' He ends by sending his 'best respects to Mr Lackington and the rest of your Gentlemen'.

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. In good conditon, on aged paper. He begins: 'As both the pictures you bought are to be taken without the frames, I can't take upon me to displace them, without either you or the Artists were present, and more especially Mr. Daniell's, which is framed in a particular way.' Consequently he will keep the paintings, till either the recipient or artists take them away, 'and give me a proper discharge for them'. He ends with his hours of attendance.

On one side of a piece of cm blue paper. Reads: 'April 25, 1855. | 33 Gloucester Place in the new Road | Received of Messrs Crace | The favour of loan of two spear axe pikes, and a body & helmet suit of armour, to be returned. | George Hayter | with Thanks & Compliments.'

Both items are in an envelope addressed to the Duchess at 3 Belgrave Square. The envelope and its contents are on aged and creased paper. LETTER: 2pp., 12mo. Bifolium. Knowing that the Duchess is 'a well-known artist', she is offering her 'services as a model'. 'I was permanent model to the late Lord Plunket [sic] and have been painted by Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger and several other well-known painters.' She describes her appearance and asks to be granted an interview. POEM: 2pp., 12mo. In pencil. Unsigned, but clearly by Maitland.

Both letters in very good condition, neatly written out on lightly-aged paper. ONE: 2pp., 4to.

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

1p., 4to. In good condition, on aged paper, with wafer. Addressed on reverse to 'William Jerdan Esqr. | Brompton'. The letter reads: 'My dear Sir, | A particular friend of Vandyk [sic] has hastily drawn up the enclosed. you have made what use of them you require, perhaps our friend Watts would like to see them.'

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

Both in good condition, on lightly-aged paper, and both with a mourning border (the first thick and the second thin). ONE: 3pp., 16mo. He apologises for 'having neglected to answer' her 'too kind and pretty note'. 'And really such neglect does great injusticce to my feeling, for your note brought back to me in vivid recollection, a visit to when we were both in great sorrow, which I am sure was a bond between us, though we had our games of Whist in the Evening with your Aunt Laura & Mrs. Buchanan!' TWO: 2pp., 16mo. He is glad she likes 'both print & frame'.

On one side of an 8 x 18cm piece of paper, with counting house spike hole in centre. In very good condition, lightly-aged, and neatly placed in a windowpane mount of 26 x 20.5 cm. With embossed Four Pence government stamp. Neatly and elegantly written out, it reads: 'Janry: 23 1789. Recvd. of Ald: Boydell Fifty Pounds upon acct: of Engraving a Print of The Royal Children after Mr: Copley | Francis Bartolozzi | 50. 0'.

4pp., 12mo. Bifolium with mourning border. In good condition, on lightly-aged paper, with slight traces of glue from mount along one edge. A hurried letter, illegible at points. 'You will see the name of yr. respectable at the end of the enclosed Petition from My Own Hand. She has no right to refer to me for any further knowledge of herself and her husband, or his position of art - than that of my having understood him to be an artist in a state of much distress, labouring under loss or decay of sight, & that I for some years I might almost , I gave him occasional relief.

30pp., 8vo. Stitched and unbound. In fair condition, on aged and lightly-worn paper, with a few closed tears. Full title: 'Catalogue of a Collection of Works on the Fine Arts, comprising Books of Prints, Picture Galleries, Treatises on Painting, Sculpture and Engraving, Lives of Artists, &c. Forming a Portion of the Library of that well-known Amateur Henry G. Bohn, Esq., Deceased, Late of North End House, Twickenham'. 395 lots. A few items priced in pencil, some with name of purchaser.

1p., 12mo. Good, on lightly-aged paper, with slight traces of glue from mount on reverse, which is docketed 'Phillips the Portrait Painter'. The note reads: 'Dear Sir | Your Picture is now varnished & ready to be sent away. Pray be so good as to favour me with the Direction for the Case'.

4to. In red cloth binding, gilt, with the department store's logo on the front board and endpapers. In very good condition, on aged paper, with empty wallet on rear pastedown. Green cloth bookmark with printed advertisement 'pour la Toilette des Dames'. An attractively-designed volume, with a marked Art Nouveau feel, the highlight of which is the set of twelve full-page illustrations of the seasons on art paper by Fabiano.

The largest man-made explosion before the the development of nuclear weapons, with a force equivalent to nearly 3 kilotons of TNT, occurred when the French cargo ship SS Mont-Blanc, laden with wartime munitions, collided with the Norwegian vessel SS Imo in the Narrows, a strait connecting the upper Halifax Harbour to Bedford Basin. The explosion devastated the Richmond District of Halifax, killing 2000 and injuring 9000. Each postcard carries the words 'Copyright Underwood & Underwood, N.Y.' next to the caption beneath the image, with 'Novelty Mfg.

49 photographic prints, laid down on 48pp. of a small (16.5 x 13 cm) contemporary 4to album, quarter-bound with brown leather spine and brown cloth boards, with yellow endpapers. No captions: the only manuscript in the volume being the ownership inscription of 'Sybil M. Hubert | 1883' on the front free endpaper. A fragile survival: aged and discoloured, with occasional staining from damp, which also caused some of the photographs to stick to one another, with slight damage occurring on their being detached; binding also in poor condition, with boards detached and leaves loose.

1p., 4to. Neatly written out in a contemporary hand (presumably the recipient's), with 'Copy' at the head. In very good condition, on lightly-aged laid paper with watermark of 'W D WELLS'. Signature transcribed as 'Wm. Lock'. Lock has just received Murray's letter of 18 May, 'giving me an Account of the Sales of my Books and Prints which is so much below what I had reason to expect, that I must beg you to apply only One thousand to the Payment of my Debt to my Fathers Executors'.

1p., 12mo. In fair condition, on aged and lightly-creased paper. Clearly responding to an enquiry regarding what books had had a formative influence on his life, Piper writes: 'Vollard's Life of Cézanne, because it showed me, in my teens, that an artist can be dedicated, unbohemian, unworldly, against the tide and absolutely true to his instincts, which happened to be right. The book - by a dealer, too!

[1] + 7pp., foolscap 8vo. On eight leaves, stapled together in one corner. In fair condition, on aged and worn paper, with slight rust marking to title leaf. The title leaf reads: 'THE MAGDALEN STREET | PROJECT | Further information obtainable from: | THE CIVIC TRUST | 79 BUCKINGHAM PALACE ROAD | LONDON S.W.1. | TATe Gallery 0891'. The background to the experiment is explained in the first two paragraphs: 'This is the story of an experiment in civic design. It is also a story of civic co-operation in which self-help was seen to be synonymous with public spirit.

1p., 12mo. 25 lines, neatly and tightly written. In good condition, lightly-aged, and with pin hole to one corner. Blashfield declares himself 'much disappointed' that Thomas will not be presiding 'at the joint meeting on the 17th. Nov.', stating that he has been urging 'from the beginning' that Thomas should 'so preside'.