ART

1p., 12mo. In good condition, with slight discolouration from glue. Reads: 'Mr Eastlake presents his compliments to Mr. Mauld & begs to enclose a half sovereign for the young lady on whose behalf Mr. Mauld has applied to him. | 7. Fitzroy Square | Octr. 28. 1850.'

1p., 12mo. Good, with the blank second leaf of the bifolium having slight staining from mount, and having laid down on it a newspaper cutting headed 'DEATH OF SIR C. EASTLAKE', docketd 'E & T Dec 26/65'. The note reads: 'Sir Chas Eastlake presents his compts. to Mr Whitaker & begs to inform him that Mr Millais' address is No. 7. Cromwell Place | Kensington. S.W. | 7. Fitzroy Sqr. (London) | Feby 5 1863.'

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

3pp., 12mo. Bifolium with mourning border. Good, on lightly-aged paper, with thin neat strip of paper mount at head of third page.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. Having received the unnamed recipient's letter of the previous day, Northwick will be 'most happy to give effect to your wishes by granting free access to my Pictures to you, & your Daughter, whenever it may be convenient to you to call at Connaught Place'. If the recipient calls before noon Northwick will probably 'have the pleasure of shewing them to you', if he comes after noon, or Northwich 'shd. happen to be from home, my Servants shall receive directions to admit you to see the Paintings'.

8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

Catalogue of Pictures By Constance Gore-Booth, Casimir Dunin-Markiewicz and George W. Russell. Leinster Lecture Hall from Tuesday, 28th August to Saturday, 8th September, from Ten to Six o’Clock (Printed at the Tower Press, 38 Cornmarket, Dublin, [no year]. Pamphlet, 8pp, 12mo, stapled (rusty), dusted, some foxing, fair condition. Date unknown, but after 1904. No other copy traced. This item is listed in my catalogue, "Printed and Other Material From the Papers of Robert and Sylvia Lynd", all of Irish interest. Hard copy available.

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

Measuring 9 x 6 cm. With 'Mrs.. Byam Shaw' in larger type in centre, with '62, Addison Road, W.' in bottom left-hand corner, and '2nd. Wednesday &| 2nd. Thursday' diagonally in top left-hand corner. On aged paper, with the address '21 Wilton Street | S. W. 1 | Wednesday' in ink at head, and '88 Brook Green' in pencil on the reverse. A pencil name and telephone number ('Vic. 3583') have been erased.

The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Full title: 'The Universal Letter-Writer; or, New Art of Polite Correspondence: Containing A Course of Interesting Original Letters, on the Most Important, Instructive, and Entertaining Subjects, which may serve as copies for inditing letters on the various Occurrences in Life. With a new plain and easy Grammar of the English Language. To which are added, Forms of Mortgages, Letters of License, Bonds, Indentures, Wills and Powers, Letters of Attorney, &c. &c. &c.

The five posters, presumably produced for the classroom, are scarce, with no reference to them on the internet or elsewhere. They are attractively painted in a bold and vivid panoramic frieze style. Each carries a single illustration showing two (counting the Cabot brothers as one) explorers in front of groups of men, with a merged background behind them.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

One page, part of bifolium, 4to, faintly grubby and foxed, mainly good condition.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Total (Smith letters) 7pp., 8vo, RSA stamp on all, good condition. Subjects: (1917) letter from a Mr. W. Foxton; a word with a Mr. Kendrick about judging; reception of parcels for the Owen Jones Competition; (1918) measures taken because of possible increase of risk from attack by hostile aircraft; need for the RSA to take back some works deposited by them to make room in the basement for withdrawals from exhibition (pencil note attached about the deposit); arrangements for Mr.

8vo, 17 pp. Stitched. In original grey wraps, printed in black red and dark and light green. Good, on lightly aged paper. A children's book, with attractive illustrations of children playing, either in red or green. Colophon reads: 'Compositors: D. Beech and J. Baker | Pressmen: G. V. Jones and G. Knott | The Illustrations are printed from the original lino-cuts.' Scarce: the only copy on COPAC at Cambridge.

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

Total 10pp, 12mo, good condition. Subjects: (1) as executor of a lady who by her will directs that a copy should be made of the portrait of her husband by the late Sir George Reid to the Aberdeen Infirmary . . .; National Gallery suggested her; he wants to fix up appointment to discuss; (2) agrees to her terms; discusses the house being locked up by Sothebys who are conducting the sale; (3) commission discussed; (4) discusses the circumstances which lead to his asking he to copy the picture in his house; (5) Aberdeen Infirmary happy with her work.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

One page, 8vo, some marking but text clear and complete. "Iam glad that your messenger caught me here, & that the picture could at once be returned. There is nothing to bid fo. It is a wothless painting, clumsily touched upon to make high lights &c. & is in miserable condition might be any child of the period".

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

On eight pieces of 8vo paper, one of which has ha d a 3 cm horizontal strip cut away at the foot (not affecting the image). On a variety of different paper types, all wove. Good, on aged paper. Attractive images, ranging in height from 7 to 9 cm, of four women and four men, all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images, of a young woman with curls and a bow, treated twice in slightly different styles.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.