AND

12mo, 14pp, disbound, first leaf detached, good condition. Text clear and complete. In which the publishers outline their (historical) policy and ambitions for the various aspects of the periodical, and provide an Index by volume and subject. Sir Walter Scott took an almost proprietorial interest in this periodical. Scarce: COPAC lists NLS copy only (16pp).

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Separately published from four volume edition (1862-4), pp.308-347, 8vo, printed paper wraps, darkened, wear at spine and corners, minor foxing, mainly good. Bentley (Turner) Index 1110, ascribed to J. Munnings. A bookseller on viaLibri reveals that an index is anticipated in the fourth volume of the Life and Letters published by Bentley, 1862-4. No mention is made of this Index in either COPAC or WorldCat's listings of copies of the Life and Letters. Very scarce.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

Printed on one side of a long sheet, equivalent to two leaves of landscape 4to on top of one another. Text clear and complete. Good, on lightly-aged paper. The opening paragraph lays out the purpose of the notice: 'The Baking Trade Board (England and Wales) hereby give notice that they propose to vary for certain classes of workers in certain areas the minimum rates at present operative in the trade and set out in the Trade Board's Notices BK. (SW.) and BK. (19).

RELIGION EDUCATION SCHOOLS ENGLISH AND FOREIGN SCHOOL SOCIETY

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

The prospectus is folio, 3 pp, in a bifolium. Loosely inserted is a folio leaf, with the testimonials printed on one side, and a quarto leaf with four engraved illustrations: two of wheels under carriages, and two showing details of the springs on those wheels. The three items are on aged paper, with the illustrated leaf in good condition, and the other two items with chipping and closed tears. The texts and illustrations of all three items are clear and complete, apart from some loss to a footnote to the testimonials, caused by the page being printed too low on the leaf..

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

4to album of 33 leaves, with the 112 illustrations each on a separate piece of paper, and all laid down on 59 of the album's 66 leaves (the blank leaves of the album bearing traces of other illustrations having been removed). The illustrations range in size from 19 x 15.5 cm to 6 x 3 cm, with the average around 15 x 11 cm. The album's brown cloth covers are faded and worn, but internally the album is sound, with the illustrations themselves in good condition, on lightly-aged paper. Around twenty are signed, half with the spelling 'Duchene' and the other half 'Du Chene'.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

Folio, 1 p. Text clear and complete. Fair, on lightly-aged paper. The heading states that the presentation will take place 'at Free Masons' Hall, Great Queen Street, to the respective Candidates by His Royal Highness the Duke of Sussex, President, in the following order.' The text, laid out in double column, lists a total of sixty-four successful candidates, numbered under five headings: Agriculture, Chemistry, Polite Arts, Manufactures, Mechanics.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.

12mo, [ii] + 28 pp. In original pink printed wraps. Card frontispiece in three panels, folding out to 18.5 x 37.5 cm., carrying facsimiles of 48 numbered coins in collotype. Text clear and complete. Fair, on lightly-aged paper, with minor damp staining at foot, in chipped and faded wraps. 893 lots, beginning with 'Monnaies Grecques et Gauloises', and ending with 'Jetons' and 'Médailles'. Excessively scarce: no copy on COPAC, and the only copy on WorldCat in the Institut National d'Histoire de l'Art, Collections Jacques Doucet, Paris.

4to, 15 pp. In small type. Text clear and complete. On brittle green high-acidity paper, with chipping and loss to extremities and three of the leaves detached. Begins by listing 'General Council of the Automobile Club | (appointed to confer with the Club Committee on questions affecting Automobilism generally).' Headed by 'His Grace the Duke of Sutherland'; followed, on second page by Club Committee and officers, and then (pp. 3-10) the list of members in three columns, giving name, optional address, and date of election; ends (pp.11-15) with lists of 'Members of Affiliated Clubs'.

Price list: 12mo, 8 pp. Stapled. Very good, on lightly-aged paper with slight rusting from staple. Photograph of specimen in jar on reverse, captioned 'CARTILAGINOUS. SKELETON OF DOGFISH.' Headings include: 'Specimens mounted to order', 'Osteological Preparation', 'Cartilaginous Preparation', 'Glass preserving jars' and 'Living and Preserved Material'. Letter: 4to, 1 p. Stamped date 16 January 1923. On firm's letterhead, with list of wares from 'Museum Specimens in jars' to 'Taxidermy' in the margin. Circular, containing additions to the list.

Each drawing 22 x 16 cm, and each neatly mounted on card 31.5 x 22 cm. In good condition, in slightly discoloured mounts and folder. The mounts numbered in pencil in top left-hand corner. In cream folder, with blue cloth spine. Title in blue pencil on front of folder, together with image of hand holding glasses. Illustration of hand painting with brush, surrounded by ink pots, on back of folder. First illustration signed 'GZ | 5.3.66' and last 'GZ 7.4.66' Folder dated 'GZ. | 20.7.66'. Pleasant compositions, with something of an Edward Ardizzone feel about them.

Folio, 1 p. Thirty-eight lines. Text clear and complete. On aged and creased paper, with spike-hole at head, with 'ack[nowledge]d 3/10/16' in manuscript. Giving instructions regarding the means by which 'all consignments conveyed by Passenger or Goods Trains over controlled Companies' Lines on behalf of the Admiralty or War Office, [...] be invoiced without charges'. 'The above instructions will also apply to Traffic with Irish Ports when conveyed by Controlled Companies' Steamboats.'

4to, 2 pp. Bifolium. Addressed ('H. Davidson Esqr | | No 3 North Charlotte St | Edinb') and docketed ('Offer | The Clyde Salmon Fishing Company. | For Menzies Fishings in Holy Lock'), with two postmarks, on the reverse of the second leaf. Twenty three lines of text (including four-line initialled postscript), clear and complete. Good, on aged paper, with hole in second leaf from breaking of wafer. Discussing proposed terms, ending 'Or in place of a sent will give the net proceeds of every tenth fish after marketing -'.

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

Folio, 30 pp. In original blue printed wraps. Stapled. Text clear and complete. On discoloured, frayed and creased paper. Ownership inscription of A. Copeman, Cambridge. Only copies on COPAC at the British Library and University of London SOAS.

16mo, 20 pp. Stitched. In original blue printed wraps. Fair, on lightly-aged paper, with the pamphlet folded once. The Club's 25 rules are preceded by a list of the Committee of Management. Ownership inscription of L. Barnes-Lawrence at head of front wrap, but annotated and amended throughout in Gatty's hand. From the residue of Sir Stephen H. Gatty's papers. A scarce piece of Malta ephemera: no copies at the British Library or listed on COPAC (although the latter does carry a record for a 1903 edition).

Autograph Letter: 4to, 1 p. 10 lines. Text clear and complete. Fair, on lightly-aged and creased paper. Inviting him and his family to dine with him and Lord and Lady Glasgow. Secretarial Letter: 12mo, 3 pp. Bifolium. Text clear and complete. Good, on lightly-aged paper. Sending the 'narrative of my son's singular adventure', which he has 'been induced to draw up [...] for the purpose of supplying The Author of "Waverley," with "new materials," for his intended History of that extraordinary character'.

8vo, 40 pp. Five plates (numbered I to V and with p.40 numbered VI) and thirty illustrations in text. In original brown cloth wraps, with cover bearing white paper label printed in red and black reading 'HUME | METAL ON LEATHER. | 1863.' Tight, on aged paper, in rebacked wraps. Inscribed on front free endpaper 'To W. W. F. Hume Esquire from his the writer 3rd March 1863. Title-page also in red and black. Note on reverse of title: 'This Paper is printed in the Transactions of the Historic Society of Lancashire and Cheshire, Vol. XIV, for Session 1861-62.