artist

Studio Photograph, c.15 x 10.5, laid down on slightly larger card with photographers printed at base, faintly speckled, good condition. Image of head and upper body, not found on Google Images.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

1p., 12mo. In good condition, on lightly-aged paper. Written in response to a request for an autograph, and signed at foot 'Yours Truly | Jas: C. Hook'. Above this, beneath the heading 'Lincoln', Hook has transcribed twelve lines from 'Ode Recited at the Harvard Commemoration, July 21 1865', beginning 'He knew to bide his time, | And can his fame abide,' and with 'J. R. Lowell.' at the end.

1p., 12mo. In fair condition, on lightly-aged paper. Addressed to an unnamed recipient. He gives his prices for 'a head in Marble', a 'Torso bust', and a 'pale draped bust'. Docketed on reverse with biographical details in a nineteenth-century hand.

Receipt, part printed, part MS., 21 x 13cm, fold marks, good condition. A "Mr Cornish" has purchased Parts 17 & 18 of the Birds of Great Britain. Note; "The Birds of Great Britain" (1862–73).

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

One page, 8vo, bifolium, three lines of text with added signature and date good condition, in a difficult hand (a scrawl). He is asking that the employees of a certain premises welcome a M. Plouet. Text as follows, as near as I can): "Je prie MM les employées de la [ biblque??] de L[?]y de laisser entrer <. Plouet et la [?]." Image available.

Notepaper, 17.5 x 11cm, ood + condition, in centre "With the compliments of | J a McN. Whistler"

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. After following Horton's 'kind advice' concerning 'Mr Hedgcock's & my little alphabet', 're some sketches with more action in them', he has been to 'Town' to show the designs to the publishers Grant Richards. He 'called in person on Thursday but after some delay they have eventually rejected the Alphabet. [...] Evidently from what I was told the sketches such as you advised would have been more what they wanted', so he will do them again 'in that style and try again with other people'.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

52pp., 12mo. In green cloth notebook with label of Reeves & Sons Ltd, London. In good condition, with moderate signs of age and wear, in worn binding. Calthrop's ownership inscription in pencil on front pastedown: 'Dion Clayton Calthrop | 29 Sussex Place | Queens Gate | S.W.' Apart from the two landscape studies in charcoal colours (both of cliffs by the sea), the rest of the sketchbook consists of pencil sketches in a tight, disciplined hand.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

One page, 12mo, bifolium, fold mark, good condition. £I have obtained a photograph of my Academy drawing before I coloured it, & beg to send you a copy." Postscript written at an angle, "I shall be very glad to go out with the working drawings of the first wing, when you say the word." Note: further enlightenment welcome.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.

1p., 12mo. In good condition, on lightly-aged paper. He acknowledges receipt of a cheque for 35 guineas, for 'the small drawing of Constantinople', adding that 'Prince Hohenlohe called and saw it here today, and liked it very much'. He ends with the news that he has engaged 'Heffer to call here for it, & pack & send it to its destination'.

12pp., 4to. On the twelve leaves of a ruled notebook, stitched into buff wraps. Internally in good condition, in heavily-worn wraps, with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 (61 items); 'No Date' (36 items); 1826-1830 (23 items); 1831-1840 (51 items); 1841-1850 (45 items); 1851-1861 (33 items); 1862-[1867] (7 items); and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to [blank]', indicating that the catalogue was a work in progress, and the latest items are dated 1867.

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

The first item with discoloration to the first leaf; the rest in good condition, lightly aged. ONE: To Miss Macerone. 15 March 1866. 3pp., 12mo. Bifolium. He is sorry he missed her earlier, it being 'such a rare thing for me to be out at that time of the afternoon'. He has been 'nearly wild with rheumatism lately', and is 'taking some hot air baths'. He is 'obliged to be at 40 Gt. Marlborough St. at 5 O'Clock' and trusts that 'another bath or two will make me fit to work for I am most shockingly behind hand for the Gallery'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.