artist

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

Artist and illustrator. Two pages, minor defects, mainly good. He thanks him for a letter and cheque for thirty guneas. "I shall be most delighted to see your Morocco sketches, they must be most interesting." He'll call by the next week and appreciates his kindness in offering one of the sketches. Note: autograph letters by Brangwyn appear to be scarce.

Artist and astronomer (1802-1866). One page, bottom edge curled but text clear and complete. He is sending two "tableaux which Charadam had seen at his house. He would like him to display them that evening "ayant l'intention de les envoyer a un exposition [?] a Amsterdam . . .".

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.

The title "Ghouls Jan 25" appears at the bottom and Furse's name and a date in the 1920s appears in the right-hand margin. Size circa 21 x 35cms, small tear on left, some creasing, mainly good condition, laid down on same-size paper. On the tombstone (blank in the middle until written in), the artist has inscribed his name in pencil over the final part of a faintly written (but mainly decipherable) menu which starts with "Hors d'oeuvres" and goes through fish, meat and icecream dishes. The inscription is as follows: "to my friend H. Brabazon. / Charles W. Furse".

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

English painter (1880-1952) and member of the International Socialist Organization. All items in good condition, though variously grubby or discoloured with age, lightly creased or with pin holes to corners. All items signed either 'T C Dugdale' or 'T. C. Dugdale'. Several items docketed and/or bearing the Society's stamp. LETTER ONE (typed, 23 June 1925, one page, 12mo, on letterhead '9 AVENUE STUDIOS, 76 FULHAM ROAD, LONDON, S.W.3.'): He hopes to 'be able to accept your invitation to act as Judge in the same section as last year'. Asks for the date.

Painter and art historian (1918-91). The two items are both very good, attached to one another by a staple in a corner. The copy of Samson's letter (one page quarto, very good, on yellow paper) explains that the Society is 'endeavouring to arrange a course of three Cantor Lectures next Spring on modern philosophies - art, architecture and music', and invites him to deliver the first of these. Gives details of the fee, dates, etc. Gowing's letter: one page, octavo. 'I am honoured by your invitation to give the first of the Cantor Lectures next year. But I must refuse it - I'm very sorry.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

Two pages, 8vo, browned and with tear at fold, but text clear and complete. He describes how someone called to ask him to buy benefit tickets for a charitable purpose. He declined on principle, but noticed later an address and decided to write to that address to explain that he would wish to help anyone in whom his correspondent took an interest. He encouraged another visit from the original agent. [Presumably the fact that Ross (DNB) was a fellow-artist influenced his course of action.]

English equestrian artist (1753-1812). 1 page, 8vo. In poor condition: creased, frayed and torn. He has that morning received from his correspondent's servant 'the sum of sixteen Pounds nine shillings payment for your Pictures'. He will send them 'by the first conveyance' and hopes they will please. 'If any alteration should be necessary should be glad to make it at any time'. Signed 'J. Boultbee'. A postscript states that he has returned 'by your servant the Ballance from the Bill of twenty Pounds'. Docketed on reverse with date of receipt, sum paid to 'J.

Artist (see DNB), official war artist to Royal Navy (Ist WW), etc. Total 4pp, 8vo, good condition.(1917) He mentions Henry's illness and suggests that he continue the portrait when he returns from the States. (1919) Thanks ("It is good of you to give to A.B.F."). "The title is all right & settled long ago ". He sends tickets for a Private View at the RA and ASBI dinner hoping he will be his guest. (1927) He accepts a dinner invitation from Mrs Henry and suggests a game of golf ("if so will will he [Mr Henry] come with me to Royal Wimbledon"). Four items,

Historical painter (1816-1879). 3 & 2pp., 8vo. (4 Sept.) He is doing his best to facilitate the sale of a painting through a friend ("Haynes"), "the de Witt picture", owned by a Col. Gordon. The market for "luxury" items is affected by the depression, but he hopes for an upturn. He admires both the de Witt and "the portrait of Mary". (28 Sept.) He will do his best with regard to both pictures but outlines problems. 2 items,

Artist (DNB). Two pages, 8vo, fold marks but good condition, partly laid down alongside photograph, c.2" x 3". He expects Roberts to attend the same event and asks to share his "conveyance". He concludes that he "found Callcott in much the same state I left him."

English sculptor (1799-1872; DNB). On piece of paper 4 inches by 3 1/2. Somewhat grubby, and with remains of glue on blank reverse. Difficult hand. 'Dear Sir Martin | I am just returned from & shall have much pleasure in dining with You tomorrow. | believe me | very sincerely Yours | Richd Westmacott | '. The foot of the note has been cropped but this does not affect the signature.

Victorian landscape and genre painter. The conclusion of a letter cut away for the signature: 'the Silk covering with the Red but I believe they could be changed for blue if preferred | I have the honour to be | Madam | Your obedient Servent | J. J. Chalon'. Slightly discoloured by the glue with which it was stuck to the album.

English portrait-painter (1803-81; DNB). Piece of paper approximately three inches by five. Slightly discoloured but in good condition, and attached to piece of brown card. Reads 'Remember me very kindly to the Ladies, and after to your Sons, and believe me | Every yours most sincerely | John P. Knight'

English artist. 'Life has been one continual rush since we returned from the States. I have been hoping for a chance to get down to see you. When you are in Town & this way do call in & see us.' Describes a window memorial in a church, dedicated to 'your dear Father'. 'How lovely to think of the two dear souls their memories yet more precious as the years advance'.

Historical painter (1799-1879). Landseer's signature with others (Crowly, Ross, Graves, Lewis, Cury), probably cut from document relating to the Artist's Benevolent Fund. A line has been drawn thorugh Landseer's signature and the words "not eligible" added.

Sculptor (1814-1877). 2pp. & one page, 8vo. He initially discusses the "distresses" of someone called Hone, presumably an artist, how £50 would enable him to provide for himself and his family. Advertisements about Hone's situation have been placed and presumably they hope for contributions. The second letter appears to concern contributions from Wigram and Tupper. 2 items,

English artist (1842-1921). 2 pages, 16mo, on the rectos of the two leaves of a bifoliate, the first leaf bearing a mourning border. In good condition, but with remains of mount adhering to blank verso of second leaf. 'Re candlesticks. | The dean does not want candlesticks for the Altar. | But, in the place of those hideous bronze things in fornt of the Altar I have designend, and Pegram the sculptor has modelled a sketch, a really fine thing.

Irish artist and writer (DNB). One page, 8vo, good condition. He cannot accept an invitation because the event clkashes with a meeeting of the Dilettante Society to which he is committed.

Antony Vandyke Copley Fielding. Watercolour artist (1787-1855). One page, 12mo. "My dear Miss Coates, / Pray be so good as to give my kind Compliments to your mama, & say that I shall have great pleasure in coming to Bedford Place on Tuesday eveg. & with my best remembrance to your Aunt Julia, & many thanks to you for your obliging note, / I remain / very sincerely yours / Copley Fielding". One very small hole at head and slight creasing, but in good overall condition.