THEATRICAL

1p., 12mo. On a piece of grey paper. In fair condition, lightly aged, folded, and with minor traces of mount on reverse. Reads: 'Dear Teget: | Come on Friday night by all means. The Italian Hercules is bona fide, as far as I can judge, & I shall be glad to have him examined.' After a career in journalism, Hollingshead managed the Alhambra Theatre, and was later the first manager of the Gaiety. He brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called Thespis. Tegetmeier was natural history editor of 'The Field'.

1p., 12mo. In fair condition, lightly aged, laid down on part of a page from an album. Reads: 'Dear Teg. | Miss Elizabeth Philp has sent a batch of Songs of her own Company to the Queen. Will you kindly interest yourself to get them a notice?'

4pp., 12mo. Bifolium. In fair condition, on aged and worn paper. The letter is addressed to 'My dear Sir' and the recipient is not identified. He begins by thanking him for his 'kind attention': 'I had got the information about Gattie, though I dont think I shall want it.' He is surprised the recipient 'never heard Mr Elliston mention The King of the Sheffield Gallery'. He continues: 'I am sorry my Anecdotes do not appear to please you, there is one thing however which must please you, which is, that finding them so incorrect &c you had nothing to do with them'.

1p., 12mo. On grey paper. In fair condition, lightly aged. He writes to enquire whether the recipient 'can undertake the publication of the novel I submitted to you – In the World of Mimes – as I am leaving town at the end of the week', and he hopes to 'settle the matter one way or the other (preferably one way & not the other)' before he leaves. 'In the World of Mimes' was published in London by Greening & Co. in 1902.

Both C. B. Cochran, who promoted her career, and Noel Coward, who wrote 'Poor Little Rich Girl' for her, wrote highly of Delysia and her work. Three items, in good condition, on lightly-aged paper. All three in an envelope addressed to Pollock and docketed by him 'Delysia (tour) Contract March 1941'. ONE: Typed Letter Signed from 'Alice Delysia' to Pollock. From her London address, 7 March 1941. 1p., 12mo. She writes that she agrees with his letter and has signed the copy (Item Two below).

Sophia Neate took on the care of Sally Sinclair and her siblings – 'child-friends' of Charles Lutwidge Dodgson – when their parents died. Neate received financial support from Dodgson and the actor Lionel Brough. On first meeting Mrs. Neate (26 June 1879) Dodgson wrote in his diary that he ‘found her so interesting that I stayed 4 hours!' He occasionally visited her and noted the progress of the Sinclair children as they grew. 3pp., 12mo. Bifolium. Aged and worn, with light staining at foot of gutter.

4pp., 16mo. In good condition, lightly aged and worn. Achurch's entry in the Oxford DNB explains the context: 'In 1889, when she was still only twenty-three, she undertook the management of the Novelty Theatre, London, where on 7 June she appeared as Nora in the first English production of Ibsen's A Doll's House.

Finck was a well-respected and much-loved figure on the London musical and theatrical scene. His 'In the Shadows' was among the last tunes played as RMS Titanic went down. This miscellaneous collection of nine items in fair overall condition, on lightly aged and worn paper. ONE: Autograph Manuscript by Finck, contained names and outlines of anecdotes for inclusion in his memoirs. 2pp., 12mo. On letterhead of 212 Finchley Road, London. As an example, here is the text at the foot of one page: 'Include A. C. M. Club in Club stories. | R. A. Roberts – Colisseum | “By God!

1p., 4to. On aged and worn paper. Reads:'To The Gentlemen of the Orchestra | Commencing with February 17 '12 the system of sending deputies will be entirely abolished in this orchestra. To those members who are not desirous of continuing their engagement under this new rule, I would ask that they gave their names to Mr Honrig before friday evening next, in order that they may receive notice of the termination of their engagement four weeks from that date - 19th inst: | Herman Finck | Musical director'. Finck's 'In the Shadows' was one of the last tunes played as the Titanic went down.

2pp., 12mo. In fair condition, lightly aged and worn. He has learnt with 'the deepest regret' of his 'old friend's passing'., and sends his condolences. He will be unable to attend the funeral service, as he had 'a bad fall & fractured two ribs'. He concludes: 'Herman was a great fellow, & nobody will ever replace him -'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. In good condition, lightly aged. He only met Finck on a few occasions, but offers his condolences 'as a Composer of Light Music, and as a former Director of Music at a West End Theatre (Daly's)'. In his view, Finck 'surely had no superior in the art of giving pleasure to others, not only by his personality, but also by his pen.

On his death Finck was described by the Daily Mirror as 'one of the world's greatest writers of light music'. His 'In the Shadows' was one of the last songs played on RMS Titanic before it went down. The collection is in good condition, lightly aged and worn. Items One and Two are in an envelope addressed to Mrs Finck at 122 Finchley Road, with note by her: 'Funeral Cards & names of people at Service'. ONE: Collection of 73 signatures of people attending Finck's funeral service. 5pp., folio. Mostly in pencil. With calling card of 'Mr. Stanley F. Galpin'.

2pp., 12mo. In fair condition, aged and worn, with a short closed tear along a fold line and small rust stain. He begins in conventional fashion, with a reference to 'Herman's countless friends', before continuing: 'As I write this there is in front of me part of a small collection of books I have each containing some personal inscription from its famous author. Among them is one from Herman. He had thought of me one evening, &, with his usual kindliness, he took a book from his collection, wrote in it, & brought it to me there & then. He spent most of that evening in my dressing room.

Aged and worn postcard. Written in pencil, and addressed to 'The Mac Finck | 21 Heatherfield Pk | Willesden Green | NW'. Reads 'All right Sunny | See you soon. So busy. No time to Finck of ennyfinck for a week | Yours | GRS'. The image of 'MR. GEORGE ROBERT SIMS' on the front of the card shows a seated Sims pondering what to write with pen in hand and finger on cheek, seated surrounded by curios in what is probably his study. Finck's 'In the Shadows' was one of the last songs played while RMS TItanic went down.

1p., 8vo. On aged and worn paper. Reads: 'One of the extraordinary things in this world is heredity. I occasionally met on the golf links at Thurlestone, a very delightful well-favoured young lady, of whom I saw too little. She told me she was your daughter. Is it possible? and such charming manners too. Well! its a wonderful world.' Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

Although Finck was an extremely popular and well-connected figure in British musical and theatre circles, the National Portrait Gallery holds no image of him. The nine black and white photographs range in size from 18.5 x 24.5 cm down to the carte-de-visite, which is 10.5 x 6.5 cm. The collection is in fair overall condition, with some creasing and wear, and the corner of the largest photograph repaired on the reverse with archival tape.

2pp., 12mo. In good condition, lightly aged. Reads 'Dear Mabel. | I cant tell you how deeply I sympathize with you in your great loss - words are so inadequate. Herman was a grand friend, & I shall always remember his many kindnesses, & the fun we all used to have together. I know you will miss him dreadfully, & so will all his many friends. | All my love & sympathy to you & Marjorie.' Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

Anthony Powell describes Audrey Lucas in his journals as 'Evelyn Waugh's on and off mistress for some years'. 2pp., 12mo. In fair condition, aged and lightly creased, with pinholes to one corner. One catches a hint of the clipped and brittle tones of the age: 'I have been away in the country and ignoring newspapers as a rest. It was only today that I heard of Herman's death. So, will you forgive me for not having written before to say how very much I grieve for you. I am so terribly sorry.

2pp., 16mo. In fair condition, lightly-aged. Headed 'Re. Dec 2': 'I have put my name down & hope nothing prevents my being present - tho' a "young" Savage I trust that you can fix me near you & Sir Edward - | Do what you can - what an evening it will be!!' Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

1p., 8vo. In good condition, lightly aged. John Bennion Booth discusses Turner in his 'Old Pink 'un Days' (1925). 'My Wife and I want to express to you and your daughters our great and very real sympathy in your great loss. I sincerely mourn with you for I have lost a very old friend of many years.' He hopes that 'Time, the great healer' will help her in her sorrow. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. On aged and worn paper. Thirty-eight lines of text. Written with the forced Wodehousian bonhommie of a desperate man. He has had an operation at a nursing home, so the beginning of the letter needs to be taken metaphorically: 'My dear Finck, | This is a nice kettle of Fish and no mistake! | Came out of jail day before yesterday, but only on ticket-of-leave. Strict police supervision for two years - finger-prints - strawberry-marks - nothing kept secret! | However, they say they can make a job of it and my tail, such as it is, remains vertical.

All three items in good condition, lightly aged and worn, and all in envelopes addressed by him to her at 48 Hogarth Road, South Kensington (the third 'Earls Court'). ONE: 10 June 1916. 3pp., 12mo. Bifolium. He begins by expressing a desire to visit the family, and then gives directions for the use of field glasses which he is sending his father. 'They are German I am sorry to say, but the best.' TWO: 28 December 1917. 2pp., 12mo. He found her 'beautiful drawing' on his return home, and 'Auntie Gertrude will see it today. - I was thirteen days at sea, the ship having to go up to Halifax.

1p., 12mo. In fair condition, lightly aged and worn. He expresses the 'deepest regret' at his 'dear friend's death [...] His passing will mean a great loss both to his friends & the world of music.' The word 'Answered' is written at the head. Percy made his in Australia in the productions of J. C. Williamson. He toured America before settling in England. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

2pp., 12mo. Bifolium. In good condition, lightly aged and worn. He writes that 'The passing on of such a dear man as Herman leaves a blank in many many peoples lives & those who had the priviledge [sic] of his friendship can the better realise all you must be suffering at the present time.' He concludes by telling her that her 'grief is shared' by Finck's 'countless friends', and that she must have a 'sweet solace' in the memory of 'the many joyous times spent in his company'. The word 'Answered' is written at the head.

2pp., 4to. In fair condition, on lightly aged and worn paper. Collinson is named as Honorary Secretary of the Association on the letterhead. He begins by explaining that he has waited until after the previous day's meeting of the Association to write to her, so that he can convey 'the tributes to your late husband's memory which I felt sure would be shown at this gathering of his friends and colleagues'. 'Mr Frederick Austin as chairman referred to the great loss which we all felt in the passing of Herman Finck, and spoke of his great qualities both as a friend and as a musician.

2pp., 12mo. In good condition, lightly aged. The letter is addressed to 'My poor dear', and he writes 'with deepest sympathy' with 'your terrible loss of dear Herman. I little thought that my last visit would be the last.' It is 'perhaps poor consolation' to her, but Finck's passing 'hits all his pals very hard indeed. For he was dearly loved by everybody.' He urges her to 'Be brave, my dear, & be sure we are all thinking of you in this awful time.' 'Ans:' (i.e. 'Answered') is written at the head. See Graves's entry in the Oxford DNB.

1p., 4to. In fair condition, lightly aged and worn. 'Your dear husband was one of my oldest and most valued friends in my Savage Club circle; his place can never be filled as you, more than any of us, know and with deep sorrow.' Wareing joined Sir Frank Benson's company in 1900. In 1909 he founded the first Citizens' Theatre in an English-speaking country. On his death The Times (13 April 1942) referred to him as 'a repertory theatre pioneer'. The word 'Answered' is written at the head. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

32pp., 8vo. With two photographic plates: 'The Pageant Ground' and 'The Friends' School, Ackworth'. Stapled booklet in grey wraps with '1910 | THE ACKWORTH PAGEANT.' on cover, with illustration of two turrets. In fair condition, on aged paper, in worn wraps, with rusting staples. 'Finale' ('The whole School will sing') by Dr Ernest B. Ludlam, followed by page of details of 'Incidental Music' ('specially composed by Miss Helen Bullock, I.R.A.M., A.R.C.M.'), 'Orchestra' ('Mr. R. B. Walker has kindly consented to conduct') and 'Committees'.

Five letters, each 1p., 4to. In fair condition, aged and creased. ONE: Palace Theatre, 4 July 1912. In capitals. Conveying the thanks of the King and Queen to the members of the orchestra for their work at the previous night's royal performance, and adding, for Finck: 'I have already told you how much I appreciate what you did on Monday night and the splendid manner in which you conducted. The success of the performance would have been impossible without your invaluable assistance.' TWO: Garrick House, 23 March 1921.

Ten unpaginated 26 x 22 cm. leaves, comprising three leaves of letterpress (cover, title and back cover), and seven leaves each with a 17 x 14 cm black-and-white photograph laid down. A frail survival, with the photographic portraits in good condition, but the brittle leaves chipped and discoloured. One bifolium intact (with remains of string binding), all the other leaves detached and loose, making it difficult to ascertain whether the item is or is not complete. (The entry for the only copy traced on OCLC WorldCat, at the Universitätsbibliothek Bayreuth, describes it as ' 6 Bl.