THEATRICAL

4pp, 12mo. Bifolium. In good condition, lightly aged. The letter is addressed to 'My dear Mrs. Wigan' and begins: 'I am sorry to find that the friends I mentioned to you, have decided on another house already – but if I hear of any one else who would be glad of your very charming house, I will not fail to mention it.' She thanks her for offering to 'help Charlie some day with a word or two of advice – in case he should eventually decide on choosing the Stage as his career'. She would be 'very grateful for your valuable opinion on many points connected with it'.

11 + [1]pp, 4to. Stitched with pink thread and unbound. In fair condition, lightly aged. Nicely printed on laid paper, with cover illustration in black and green of view from back of stage of dancer receiving a bouquet from an audience. The second page gives details of the performance, with a list of the names of the 'Executive Committee'. The programme is on pp.3-11. Divided into 16 numbers. After five songs, the main feature (numbers 6-15 pp.4-8) is 'Chelsea on Tiptoe | New Version', with 'A Prologue | Written specially for “Ellen Terry's Bouquet” | By E. V.

2pp, 12mo. In fair condition, on aged and worn paper, with binder holes in one margin. Folded once. He apologises for not answering her letter sooner, but he has been 'buried in a film studio for the past four months'. She will know that the film he is working on is 'Green for Danger'. The film has a planned autumn release.

For the context of the letter see Pamela M. King's 2007 paper 'Twentieth-Century Medieval-Drama Revivals and the Universities', which states that at the time of the writing, there was in Canterbury 'to be a new play by Robert Gittings about St Alphege and the Danish invasion entitled Makers of Violence', and that at the Pilgrim Players in Norwich planned to put on, at the church of St Peter Mancroft, a production of Fry's 'Sleep of Prisoners'. 2pp, 8vo. In fair condition, lightly aged, with a little light damp spotting. Folded once.

ONE: Typed Letter Signed from 'Bertie' (i.e. Herbert van Thal) to 'John' (i.e. J. C. Trewin). 15 March 1978. On letterhead of the London publishers Weidenfeld & Nicolson. In fair condition, lightly aged and worn. The letter reads: 'My dear John, Alas, they do not think that they would be able to sell this Eugene Aram idea here, without the backing of a television programme or a film to back it up. But Orbis recently asked me if I had any ideas, and I have sent it on to them. Will let you know what they have to say.

A satisfying association: a copy of the typescript of a play set in 'Mid-Rhondda', for a production by an amateur dramatic company from Mid-Rhondda. [1] + 80pp, 4to. Duplicated typescript. In fair condition, on aged and worn paper. Each page is on the recto of a separate leaf. Stapled into a dark-blue card binding, with cloth spine, the front cover of which carries: '”RHONDDA ROUNDABOUT” | A Play in 3 Acts by | JACK JONES | GARRICK DRAMATIC SOCIETY | Mid – Rhondda'. Preceding the text of the play is a page carrying a list of characters and their ages, and a 'Scene-Sequence'.

1p, 4to. In fair condition, aged and worn, folded three times, with labels from mount on blank reverse. With RSPCA date stamp. Singular signature, with all three parts of Fiske's name running into one another, and the middle name elongated. Addressed to Fairholme at the RSPCA, London. 'I regret that the article by Senor de Toledo [i.e. J. Garcia de Toledo of Malaga, Honorary President of the IHA] d[i]d not reach me in time to make it possible for me to send it with our other Anti-Bull-Fight MSS, to the Humane Conference.

1p, 8vo. In good condition, lightly aged, folded twice. He does not have a copy of his book 'Flying Eggs', but intends 'to order a few. Since computerization, ordering is a longwinded business, but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future [be] tempted to buy my first book of short stories, PENNINE TALES' (go for the paperback which is cheaper and 'much better edited').

2pp, 16mo. Bifolium, with the letter on the recto of the first leaf, and a long postscript on the recto of the second. In good condition, lightly aged, folded twice. A friend of Charles Dickens and his circle, and physician to Queen Victoria's uncle Prince Leopold, Quin founded the London Homeopathic Hospital in 1849. The letter invites Quin to 'dine with us on Tuesday the 23rd. Inst at a quarter before seven o' clock'. The pith is in the two postscripts: 'P.S.

1p, 4to. In good condition, lightly aged, with minor traces of mount adhering to one edge, folded several times. 'Mrs. Macready' in a contemporary hand at the head of the page. Written in a neat hand the letter reads: 'Mrs. Macready presents her compliments to Mr. Kenneth, - any Letters directed to Mr. Macready Theatre Royal Birmingham will find Mr. Macready until Saturday Morng. 24th Inst.'

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

On one side of 8 x 13.5 cm leaf of cream paper. In good condition, lightly aged and worn, with slight creasing to one corner. A good, firm underlined signature. Reads: 'Good luck to Enid! | Max Wall | 1951'. On the reverse is the autograph of an unknown signatory: 'To Enid | [Sister? Lister?] [J?] Ferguson'.

Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War, he acted in Shakespeare at the Old Vic, and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught (including a youthful Peter Cushing) at Guildhall School of Music and Drama, painted, and in 1953 published a book on stage make-up. The present four items, all undated, are in good condition, lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp., foolscap 8vo. With revised conclusion, 1p., 12mo.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

1p., 4to. On bifolium. Aged and worn, with small spots at head and foot. Irving's signature is firm and bold. The only other words in his autograph are 'Dear Hall Caine', but there is slight offsetting of other writing by Irving on the blank second leaf. The circular is an invitation to be 'placed on the list of Stewards on the occasion of the Annual Dinner of "The Actors' Benevolent Fund," of which I am the President'. Irving will be in the chair, and the dinner will take place at the Whitehall Rooms, Hotel Metropole.

4pp., 16mo. Bifolium with mourning border, on paper embossed with the Macready crest. In fair condition, lightly aged, with torn hole to one corner of the first leaf (not affecting text), presumably caused by removal from mount. The recipient is clearly a member of the Hawtrey family (and presumably a relation of Edward Craven Hawtrey of Eton), as the letter concludes with the Macready family's best wishes 'to Mrs. Hawtrey'. It must date from before Macready's departure for Cheltenham in 1860.

An interesting exchange, casting light on manegerial practices in late-Victorian theatre. ONE: Typed Letter Signed by 'W. Lestocq'. 2pp., 4to. In good condition, lightly aged. A long letter, single-spaced. He has 'talked over the whole matter of the prospects of “The Christian” tour with Mr Frohman for next season, and he does not desire to send out a company on tour himself. Now I could of course let it on Mr Frohman's behalf or perhaps sell his rights and the production outright.' He gives details of his first choice if the latter course were pursued.

The nine letters are in good condition, lightly aged. They total nineteen pages, on a mixture of 4to and 12mo leaves, and cards. A chatty and gossipy correspondence, written in a flowing loose hand, going well beyond business matters. The first letter, 9 May 1965, is signed 'Enid B.', the others being signed 'Enid'. It is the only letter in its envelope, which is marked 'Private' by EB and addressed by her to 'Stanley Hall Esq | Wig Creations | 25 Portman Close | Baker Street | London W.1'. The tone of the first letter is representative.

1p., landscape 12mo. In good condition, lightly aged and worn. The letter reads: 'Dear Madam, | As far as I am concerned I shall be very glad for you to copy Cromwell into Braille, but I think you ought to get the formal permission of my publishers, Messers Sidgwick and Jackson, which I am sure that they will give you.'

1p., 12mo. On grey paper. In fair condition, lightly aged. Reads: 'Dear Sir, | Will you please give me an appointment on Thursday next when I am in town? | Faithfully yours, | Lewis Melville'.

1p., 12mo. Lithograph engraved facsimile of Garrick's autograph manuscript on unwatermarked wove paper. In fair condition, lightly aged. The origin of the engraving is unclear. Headed: 'Some additional shift to ye Comic part of ye Midsummer Night's dream. | Song for Epilogue | By Quince, Bottom Snug, Flute Starvling, Snout.' The first nine lines of the poem follow, beginning: 'Most noble Duke to us be kind, | Be you and all your Courtiers blind, | […]'. The poem as published in Colman's edition of 1763 does not feature the penultimate line: 'That will not do at Court:'.

Five items. In fair condition, on aged and worn paper. ONE: Three Autograph Letters Signed (all 'E. L. Pollock') to W. H. Prince. A total of 6pp. The writer, 'Miss E. L. Pollock', is Benjamin Pollock's daughter Louise, who with her sister Selina managed the shop after his death. All three letters are written in 1944, the year in which the sisters sold the stock to the bookseller Alan Keen. The letters respond to enquiries regarding the stock, and one (12 May 1944) includes an itemised bill of twelve items 'Bought of Pollock's late B Pollock | 73. Hoxton St. London.

2pp., 12mo. In good condition, lightly aged, with light pencil line by Forsyth through first page. She hopes that she is not 'asking too much' in requesting 'two stalls or a box for the premiere of “Eugene Oneghin” - Friday evening'. If 'not impossible', he would like 'a lunch to be present that night. He asks to be sent word to the Garrick Club.

ONE: On letterhead of 'The Ben Greet Company', addressed from 20 Buckingham Street, WC [ London ]. 14 July [ no year ]. 2pp., 8vo. In fair condition, aged and worn, with the first page carrying pencil scorings and a short note by Forsyth. The first paragraph reads: 'If business will permit can I have one of the small boxes for Monday night. You generally let me have something during the Season. I've been a very regular Gallery & Amphitheatre and stallite this season.' He continues: 'You've got a genius in Frau , & you sd keep her. Everyone is raving about her.

Both items in good condition, lightly aged, with the card loosely inserted in the book with a paper clip. ONE: Autograph Card Signed. A Christmas card, in which Booth writes: 'Dear Margaret Forster, So sorry I added more confusion to your busy day of welcoming the new baby and congratulations to all. | Virginia S Booth | P.S. Hope to meet you one day - | I like the edition in spite of some errors and hope you do to [sic] ! | V S'. TWO: Book titled 'Six Plays'. [8] + 327pp., 8vo.

PLAY: 81pp., 8vo. On one side each of 81 leaves of yellow paper. In good condition, lightly aged, with the first leaf a little dogeared. No cast list or other prelims, but the complete play, and with each page paginated from 1-81. First page headed: 'CHAMPOEG: THE STORY OF OLD OREGON | by Charles Deemer'. An unpublished two-act historical drama, in 35 scenes, covering a thirty-year period, with the first scene titled 'The Return of the Brigade (1829)', and the last 'Statehood (1859)'.

Five items, in good condition, lightly aged and worn. From the papers of C. W. Townsend, who acted in six productions at the Shakespeare Memorial Theatre in 1922. No other copies of any of the items located, either at the Folger, on COPAC, or on OCLC WorldCat. ONE: Typed Circular Letter, with genuine signature of 'H C Lacey'. on letterhead, in red and black ink with Shakespeare's , of 'Shakespeare Memorial Theatre | Stratford-upon-Avon | Endowment Fund.' 1 November 1923. 1p., 8vo. Addressed to 'Dear Madam'. 32 lines of text.

According to his entry in the Oxford DNB, Brandram - founder with Frank Talfourd of the Oxford Dramatic Society - 'was remembered as the most distinguished Shakespearian reciter of the period, influencing the productions of William Poel, and through his popular recitations familiarized middle-class families with Shakespeare'. 2pp., 12mo. In fair condition, with unobtrusive repair of closed tear with archival tape.

1p., 4to. In good condition, lightly aged and worn. The letter reads: 'Sir | Having mislaid your letter of 14th. March last, you have doubtless considered me a very discourteous person - this day, in turning over a parcel of letters which had been put aside as answered, I fortunately discovered yours among the rest, requesting my Autograph, which I hasten to send you; and with many apologies for the delay, I am, Sir, | Your obedient servant | C. Kemble'.

Having left the Church of England for Roman Catholicism, Rose had had a number of well-received plays produced on the London stage before the huge success of his creation 'Mrs Brown'. 'Mrs Brown at Home and Abroad' was performed at the Egyptian Hall in 1864, and the 'Ladies' Cabinet of Fashion, Music & Romance' refers to 'Mr. Arthur Sketchley's snug little auditorium at the Egyptian Hall' for a performance of 'Mrs Brown at the Play'.